100% 환불 보장 · 30일 이내 전 세계 무료 배송
449,332작품들 30,637아티스트 4,753박물관 32언어 선택
통화
언어 설정
아틀리에 · 2015년 설립 · 프랑스 파리
AllPaintingsStore
allpaintingsstore.com
내 계정 위시리스트 장바구니
미리보기미리보기 AR 미리보기AR 미리보기 프린트 구매 프린트 구매이미지 구매 이미지 구매 공유하기공유하기
상세 정보상세 정보 즐겨찾기에 추가 즐겨찾기에 추가 다운로드다운로드 유사 작품유사 작품 X-레이X-레이 슬라이드 쇼슬라이드 쇼

Album Page

  • 제작 연도1982
  • 크기 및 규격45.0 x 75.0 cm

Dick Higgins (1938-1998) was a pivotal American artist & composer, co-founder of Fluxus. Pioneer of 'intermedia,' danger music, and early computer art. Explore his experimental poetry, prints, & influential texts.

수제 유화 복제품

원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. (프린트 구매 프린트 구매이미지 구매 이미지 구매)

Standard
custom
CM
INCH

작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.

가로 너비
세로 길이

특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.

변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
주문 후 AllPaintingsStore.com 팀에서 상세 안내를 위해 고객님께 이메일을 보내드리며, 미리보기 시안을 제공해 드립니다.

전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (12 8월). 품질에는 어떠한 타협도 하지 않습니다.

why_choose_icon
전 세계 무료 특급 배송
why_choose_icon
프리미엄 린넨 캔버스
why_choose_icon
전체 배송 보험 보장
why_choose_icon
관세 환불 보장
why_choose_icon
실제 색상 일치 보장
why_choose_icon
60일 이내 반품 정책 (제조 결함 시)
why_choose_icon
100% 환불 보장
why_choose_icon
다량 구매 할인 혜택

총 합계 금액

$ 258

reproduction

Album Page

재현 기법

복제본 크기

-

최종 결제 금액

$ 258

작품 상세 설명

A leading member among Fluxus artists and the founder of Something Else Press, which offered many artists a forum for publications, objects, and theoretical texts, Dick Higgins was greatly influenced by John Cage’s views on experimental music and composition, and the visualisation of both remained recurring elements in his work. One of the pieces of Higgins’ musical graphics,

작가 약력

Dick Higgins: Pioneer of Intermedia and Danger Music

Dick Higgins (15 March 1938 – 25 October 1998) stands as a singular figure in the landscape of experimental art and music, inextricably linked to the Fluxus movement and its radical reimagining of artistic practice. Born in Cambridge, England, to American parents Carter Chapin Higgins and Katherine Huntington Bigelow—a lineage that would later include his murdered younger brother Mark Huntington Higgins—Higgins’s formative years were spent traversing America's New England region, fostering a worldview shaped by both intellectual curiosity and profound personal loss. This early experience instilled in him an unwavering commitment to challenging conventional artistic boundaries. His academic pursuits centered around composition with John Cage at the New School for Social Research in New York during the late 1950s, marking the genesis of his groundbreaking explorations into performance art and sound-based interventions. Cage’s influence proved pivotal, prompting Higgins to conceive of “events” that deliberately disrupt everyday routines—transforming mundane activities into theatrical performances imbued with musical elements. This conceptual approach foreshadowed the burgeoning field of intermedia, a term Higgins coined in 1965 – an ambitious descriptor for artistic endeavors transcending disciplinary distinctions and embracing diverse mediums like sound, image, text, and performance. His seminal essay defining intermedia established it as “the interpenetration of disciplines,” encapsulating the spirit of Fluxus’s core ethos. The founding of Something Else Press in 1963 solidified Higgins's role as a champion of avant-garde thought and artistic dissemination. This publishing house became a conduit for disseminating influential texts by luminaries such as Gertrude Stein, Marshall McLuhan, Cage himself, Merce Cunningham, Henry Cowell, and fellow Fluxus artists like Hans Ulrich Röhrig and Alistair Grundy—artists who similarly questioned established conventions. The “Great Bear Pamphlets,” documenting early Fluxus performances, stand as invaluable records of this transformative period in artistic history. Higgins’s collaborative spirit extended beyond publishing; he actively participated in the Wiesbaden Fluxus Festival in 1962 alongside Cage and other pioneering figures, cementing his position at the forefront of Fluxus's genesis. Beyond Fluxus, Higgins pursued diverse artistic endeavors encompassing printmaking, poetry, and conceptual art projects. His prints—often characterized by meticulous detail and striking visual juxtapositions—demonstrated a mastery of technique while simultaneously reflecting his preoccupation with exploring complex ideas. Notably, “Graphis No. 19 (Act One of Saint Joan at Beaurevoir)” exemplifies Higgins’s commitment to pushing artistic boundaries through innovative approaches to printmaking. His exploration of danger music – a genre he championed and developed—further solidified his reputation as an artist dedicated to confronting uncomfortable truths and challenging listeners' perceptions. Dick Higgins passed away unexpectedly in Quebec City, Canada, in 1998, leaving behind a legacy that continues to inspire artists and scholars alike. He is remembered not merely for his artistic output but also for his intellectual rigor and unwavering belief in the transformative potential of experimental art—a conviction that cemented his place as one of the most significant voices within the Fluxus movement and the broader history of intermedia art.
Dick Higgins

Dick Higgins

1938 - 1998 , United Kingdom

주요 정보

  • Artistic Movement Or Style: Fluxus
  • Artists Or Movements Influenced By This Artist: Fluxus Movement
  • Artists Who Influenced This Artist: John Cage
  • Date Of Birth: March 15, 1938
  • Date Of Death: October 25, 1998
  • Full Name: Dick Higgins
  • Nationality: American
  • Notable Artworks:
    • Danger Music No. 17
    • Graphis No. 19
  • Place Of Birth: Cambridge, United Kingdom