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      아틀리에 · 2015년 설립 · 프랑스 파리
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      Mantel Clock

      Admire this exquisite 1860 American box-on-box shelf clock by Elnathan Taber, a masterful example of late eighteenth-century design featuring mahogany and fan inlay. Discover this elegant timepiece and elevate your space.

      Discover elnathan taber, a renowned 18th-century American clockmaker. Masterful tall case & shelf clocks showcase intricate designs & artistry. Explore his legacy at Hill-Stead Museum.

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      작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

      Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
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      Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
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      Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P919G 10
      Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P919XJ 10
      Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
      P959ZH 10
      Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
      P968JZ 12
      Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
      W218G 10
      Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
      W218Y 10
      Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
      W500JH 15
      Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
      W692G 12
      Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
      W849H 8
      Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
      W940BG 15
      Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
      W953PJ 8

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      ₩ 352110

      Mantel Clock

      재현 매체

      복제본 규격

      -

      총 결제 금액

      ₩ 352110

      주요 정보

      • Title: Mantel Clock
      • Notable elements: Box-on-box style, fan inlay
      • Location: Museum Collection
      • Artist: Elnathan Taber
      • Artistic style: Late 18th Century

      A Testament to American Craftsmanship: The Elnathan Taber Mantel Clock

      • The year is 1860, and before us stands a remarkable artifact – the Mantel Clock crafted by elnathan taber, a name synonymous with precision clockmaking in early America. This isn't merely a timekeeping device; it’s a tangible link to a bygone era of skilled artistry and meticulous design, representing one of only two American-made clocks within a significant collection. Taber’s legacy is inextricably linked to Simon Willard, the celebrated clockmaker who shaped the very foundations of American horology, demonstrating a lineage of expertise passed down through generations.
      • The clock's form – a ‘box-on-box’ design – was almost exclusively produced in Massachusetts during this period, reflecting a regional specialization driven by the unique requirements of weight-driven movements. These clocks demanded a higher case to accommodate the pendulum and weights, necessitating collaboration between clockmakers and cabinet makers, each contributing their specialized skills to create a harmonious whole.
      • The exquisite craftsmanship is immediately apparent in the case itself, constructed from finely figured mahogany – a material prized for its rich grain and durability. The intricate fan motifs inlaid into the wood speak volumes about the decorative sensibilities of the late eighteenth century, drawing inspiration from the designs championed by influential cabinetmakers like Thomas Sheraton and George Hepplewhite. These patterns weren’t simply ornamental; they were a visual shorthand, communicating status and an appreciation for refined aesthetics.

      Technique and Materials: A Symphony of Skill

      • The clock's movement is a testament to the ingenuity of 19th-century mechanics. Weight-driven, it relies on precisely balanced weights that descend slowly, regulating the swing of the pendulum – a delicate dance of physics translated into elegant design. The quality of the brass components and the precision with which they were assembled would have been hallmarks of Taber’s dedication to his craft.
      • The mahogany case isn't just beautiful; it was chosen for its acoustic properties, contributing to the clock’s quiet operation. The inlay work itself involved a complex process of cutting, shaping, and fitting pieces of contrasting wood – a labor-intensive technique that demanded patience and considerable skill. The use of different woods—likely walnut or cherry alongside the mahogany—would have further enhanced the visual impact.
      • Roman numerals marking the hours are meticulously applied, reflecting a classic approach to timekeeping design. This detail speaks to the clock’s intended function – not just as a functional object but also as a decorative element within a room.

      Historical Context and Symbolism

      • The Mantel Clock emerged during a period of significant social and economic change in America. The rise of the merchant class fueled demand for luxury goods, including fine clocks, which became status symbols reflecting wealth and refinement. This particular clock represents a moment when American artisans were beginning to establish their own distinct style, building upon European traditions while forging a uniquely American identity.
      • The inclusion of two vases adds another layer of meaning. Vases were frequently used as decorative elements in homes during this era, often filled with flowers – symbols of beauty, grace, and domesticity. Their presence alongside the clock reinforces the overall impression of an elegant and well-appointed interior.
      • The painting itself captures a moment of quiet contemplation, inviting us to appreciate the beauty of craftsmanship and the passage of time.

      Collecting and Appreciation

      • This reproduction offers a remarkable opportunity to own a piece of American history. It’s more than just a decorative object; it's a tangible connection to elnathan taber’s skill and the traditions of early American clockmaking.
      • The meticulous detail and historical accuracy of this reproduction make it an ideal addition to any collection or interior design scheme, bringing a touch of timeless elegance to your space. Consider its placement – perhaps on a mantelpiece, as depicted in the original painting, or within a study or library where its quiet beauty can be fully appreciated.

      질의응답

      "Mantel Clock"은 언제, 어떤 재료로 제작되었나요?

      "Mantel Clock"은(는) 1860년에 Oil On Canvas 기법으로 제작되었습니다. 재료와 제작 연도는 원작이 어떤 방식으로 언제 만들어졌는지를 설명합니다.

      1860년에 "Mantel Clock"을(를) 제작할 당시 Elnathan Taber의 나이는 몇 세였나요?

      Elnathan Taber은(는) 1860년에 "Mantel Clock"을(를) 제작했을 당시 92세였습니다. 이 나이는 작가의 출생 연도인 1768을(를) 기준으로 계산되었습니다.

      Elnathan Taber의 "Mantel Clock"은(는) 어떤 미술 사조에 속하나요?

      Elnathan Taber의 "Mantel Clock"과(와) 관련된 미술 사조는 Neoclassical Decoration입니다. 이러한 분류를 통해 해당 작품을 관련 작가 및 예술 작품들과 함께 파악할 수 있습니다.


      작가 소개

      Giovanni Antonio Canal, Known as Canaletto: A Master of Venetian Light

      Born in Venice in 1697, Giovanni Antonio Canal – later known to the world simply as Canaletto – wasn’t destined for a life of artistic renown. His early years were steeped in the bustling atmosphere of a theatrical scene painting workshop, a profession inherited from his father, Bernardo Canal. This initial exposure to visual storytelling and the meticulous detail required for stage design laid the groundwork for what would become his extraordinary career as a *veduta* painter – an artist dedicated to capturing the vibrant reality of Venice and beyond.

      Canaletto’s artistic journey began modestly, assisting his father in creating backdrops for operas. However, he quickly developed a keen eye for observation and a remarkable ability to translate fleeting moments into enduring images. Unlike many of his contemporaries who relied on sketches or memory, Canaletto prioritized direct observation, meticulously studying the city's architecture, its inhabitants, and the ever-changing play of light upon its canals and buildings. This commitment to accuracy, combined with an intuitive understanding of composition and color, distinguished him from his peers.

      The Rise of a Venetian Master

      Canaletto’s early works, primarily commissioned by wealthy Venetian patrons, showcased a remarkable skill in depicting the city's intricate details – the weathered facades of buildings, the bustling activity of its markets, and the shimmering reflections on the Grand Canal. These intimate studies, often rendered with a delicate precision and atmospheric depth, established him as one of Venice’s foremost artists. He wasn’t merely documenting; he was capturing the *soul* of his city.

      A pivotal moment in Canaletto's career arrived with the patronage of Joseph “Consul” Smith, an English merchant who recognized and championed the artist’s talent. Smith’s extensive collection of Canaletto’s works, particularly those depicting London, proved immensely popular in England, establishing a lucrative market for the Venetian painter. This association led to Canaletto's first visit to England in 1746, where he spent the next decade painting views of the capital – from grand palaces and bustling streets to charming riverside scenes. His English work, while sometimes criticized for its technical precision, offered a unique perspective on a foreign landscape.

      Technique and Innovation

      Canaletto’s artistic technique was characterized by a remarkable blend of observation, draftsmanship, and color theory. He employed a combination of direct sketching *en plein air* – painting outdoors directly from nature – and meticulous studio drawings. Crucially, he utilized the *camera obscura*, a device that projected an image onto a surface, allowing him to accurately capture perspective and lighting conditions before committing them to canvas. While some scholars debate the extent to which he relied on this invention, it undoubtedly contributed to his unparalleled accuracy.

      Beyond technical skill, Canaletto possessed a deep understanding of color and light. He masterfully captured the subtle shifts in tone and hue that defined Venetian daylight – the warm glow of sunrise, the cool shadows cast by buildings, and the shimmering reflections on water. His paintings are imbued with a sense of atmosphere and realism rarely achieved by his contemporaries.

      Legacy and Influence

      Canaletto’s impact on art history is profound. He elevated *veduta* painting to new heights, establishing it as a respected genre characterized by meticulous detail and atmospheric depth. His work served as an inspiration for generations of artists, including his nephew, Bernardo Bellotto, who continued the tradition of Venetian cityscape painting in the late 18th century.

      Today, Canaletto’s paintings are celebrated worldwide for their beauty, accuracy, and evocative power. They offer a unique window into Venice and London during the Enlightenment – a glimpse into the lives of ordinary people, the grandeur of palaces, and the ever-changing rhythms of urban life. His legacy endures as one of the most important and beloved artists of the 18th century, a true master of light, color, and observation.

      Elnathan Taber

      Elnathan Taber

      1768 - 1854 , United States of America

      작가 정보 요약

      • Full Name: Giovanni Antonio Canal”, known as Canaletto
      • Nationality: Italian
      • Date Of Birth: 1768
      • Date Of Death: 1854
      • Place Of Birth: Dartmouth, New Hampshire, United States of America
      • Notable Artworks:
        • The Stonemason’s Yard
        • Regatta on the Grand Canal
        • Eton College
        • A Regatta on the Grand Canal
        • Palazzo Ducale, Venice
      • Artistic Movement Or Style: Veduta painting
      • Artists Who Influenced This Artist:
        • Luca Carlevaris
        • Bernardo Bellotto
      • Artists Or Movements Influenced By This Artist:
        • William Marlow
        • Samuel Scott