Two Models
Expressionism
60.0 x 96.0 cm
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. ( 수제 페인팅으로 전환하기
이미지로 전환)
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특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
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맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Two Models
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
$ 64
유사한 작품들
작가 약력
George Mayer-Marton: A Hungarian Visionary Shaped by Exile and Byzantine Influence
Georg Mayer-Marton (1897–1960) was a Hungarian Jewish artist whose life’s journey—marked by artistic brilliance, personal tragedy, and profound engagement with the spiritual landscape of his time—established him as a pivotal figure in Viennese art between the first and second world wars. His distinctive style, characterized by expressive brushwork and a fascination with Byzantine mosaics, continues to resonate with collectors and scholars alike. Born in Győr, Hungary, Mayer-Marton’s formative years coincided with the waning days of Austro-Hungarian Empire. He served bravely in the Austro-Hungarian army during World War I, gaining invaluable experience that would later inform his artistic sensibilities. From 1919 to 1924, he pursued formal training at the Academy of Fine Arts Vienna and Munich, immersing himself in the avant-garde currents shaping European art. It was in Vienna that he established a career as an artist and secured a position as secretary, subsequently vice-president, within the Hagenbund—a prestigious society championing progressive artistic ideals. Despite facing challenges securing recognition through competitions like the 1928 Summer Olympics, Mayer-Marton’s dedication to his craft remained unwavering. The Anschluss of Austria in 1938 and the enactment of Hitler's Nuremberg Laws irrevocably altered Mayer-Marton’s trajectory. Forced into exile alongside his wife, he sought refuge in England, where he endured the harrowing ordeal of the London Blitz when his studio home was destroyed by an incendiary bomb—resulting in a devastating loss of irreplaceable artwork and personal possessions. Undeterred by adversity, he persevered in painting, resuming oil work only in 1948 after overcoming significant obstacles. The tragic fate of his parents – deported and murdered during the Holocaust – profoundly impacted Mayer-Marton’s artistic vision, inspiring him to create “Women with Boulders,” a poignant depiction reflecting themes of resilience and sorrow amidst bleak surroundings. His academic pursuits continued at Liverpool College of Art from 1952 onwards, where he lectured on painting and undertook significant mosaic commissions for the Roman Catholic Church in Northwest England, notably adorning Holy Rosary Church in Oldham with a monumental Byzantine-inspired mural—a testament to his pioneering technique and enduring legacy. Mayer-Marton’s artistic output spanned decades, reflecting both personal hardship and unwavering commitment to exploring spiritual themes through innovative visual language.- Notable Works: “Self Portrait,” “Llanthony Valley,” “Waterfall”
- Style Characteristics: Expressionism, Byzantine Mosaic Technique
- Influences: Viennese Avant-Garde Art Movements
georg mayer marton
1897 - 1960
주요 정보
- Artistic Movement Or Style: Expressionism
- Artists Or Movements Influenced By This Artist: ['Byzantine mosaic']
- Artists Who Influenced This Artist: ['Franz Marc']
- Date Of Birth: June 3, 1897
- Date Of Death: August 8, 1960
- Full Name: Georg Mayer Marton
- Nationality: Hungarian
- Notable Artworks:
- Self Portrait
- Llanthony Valley
- Waterfall
- Place Of Birth: Győr, Hungary

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
