- 홈
- 캔버스 프린트
- iver windfeldt buch
- Chalice
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지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
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특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
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유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Chalice
지클레 / 아트 프린트
복제본 크기
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최종 결제 금액
$ 64
작가 약력
A Master of Liturgical Goldwork: The Legacy of iver Windfeldt Buch
iver windfeldt buch (1749 – 1811) stands as a singular figure in the artistic landscape of Norway and Russia during the late eighteenth century. Born in Drammen, he embarked on a remarkable career as a goldsmith, establishing himself as a prominent artisan within the opulent court of Catherine the Great—a testament to his skill and ambition. His contribution to Russian art patronage is undeniable, particularly exemplified by the commissioning of two magnificent liturgical sets for the Divine Liturgy in 1790 and, most famously, the breathtaking Chalice of 1791. Buch’s artistic journey began amidst a period of significant cultural exchange between Norway and Russia. Influenced by Baroque traditions prevalent across Europe, he honed his craft with meticulous attention to detail, mastering techniques that would elevate his creations beyond mere ornamentation. The Chalice itself—a centerpiece of the liturgical ensemble—is considered a pinnacle of Norwegian goldsmithing artistry. Crafted from gilded silver, it embodies intricate sculptural reliefs depicting biblical scenes and adorned with gemstones, reflecting the grandeur and piety characteristic of Catherine’s reign. The symbolism embedded within Buch's work speaks volumes about the intellectual climate of his time. The Chalice wasn’t simply a vessel for communion; it was a visual representation of faith—a tangible embodiment of spiritual ideals. Furthermore, Buch’s dedication to replicating classical forms and incorporating symbolic imagery demonstrates an awareness of artistic precedents and a desire to elevate his craft to new heights. His meticulous execution underscores the importance placed on craftsmanship and artistry within the Orthodox Church during this era. Beyond his liturgical commissions, buch's reputation extended throughout Russia where he was recognized for his talent and skill. He gained considerable acclaim for his work at the National Museum of Art, showcasing his artistic prowess and cementing his place in Norwegian art history. His biography appears in scholarly publications like ‘Passion of the Empress: Catherine the Great’s Art Patronage,’ highlighting the significance of royal patronage in fostering artistic innovation. References to him can also be found in Oxford Reference, solidifying his contribution to the broader understanding of eighteenth-century European art.- Notable Achievements: Commissioning and executing two liturgical sets for the Divine Liturgy (1790).
- Creation of the Chalice of 1791: A masterpiece of Norwegian goldsmithing, showcasing intricate sculptural reliefs and gemstone embellishments.
- Recognition at the National Museum of Art: Demonstrating his artistic talent and furthering his legacy in Norwegian art history.
iver windfeldt buch
1749 - 1811 , Norway
주요 정보
- Artistic Movement Or Style: Liturgical Art
- Date Of Birth: 1749 Drammen Norway
- Date Of Death: 1811 St Petersburg Russia
- Full Name: Iver Windfeldt Buch
- Nationality: Norwegian
- Notable Artworks:
- Chalice (1791)
- Liturgical Set (1790)
- Place Of Birth: Drammen Norway
