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      아틀리에 · 2015년 설립 · 프랑스 파리
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      Number 13

      Explore James Brooks's iconic 'Number 13,' a monumental Abstract Expressionist painting featuring bold black and white contrasts, gestural brushstrokes, and evocative symbolism reflecting the artist’s journey through WPA murals and wartime service.

      James Brooks (1906-1992) was a pivotal Abstract Expressionist painter known for his innovative staining techniques, lyrical abstraction, & large-scale murals like "Flight" at LaGuardia Airport. Explore his calligraphy-infused works and legacy as a fi

      이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.

      이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.

      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

      Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
      P118B ₩10
      Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
      P118H ₩10
      Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
      P118W ₩10
      Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
      P438Z ₩10
      Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P508JH ₩12
      Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P508YH ₩12
      Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
      P805H ₩10
      Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
      P805Z ₩10
      Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P919BZ ₩10
      Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P919G ₩10
      Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P919XJ ₩10
      Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
      P959ZH ₩10
      Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
      P968JZ ₩12
      Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
      W106C ₩8
      Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
      W218G ₩10
      Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
      W218JH ₩8
      Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
      W218Y ₩10
      Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
      W307PJ ₩10
      Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
      W316G ₩10
      Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
      W316PJ ₩8
      Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
      W316Y ₩10
      Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
      W398PJ ₩8
      Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
      W4111J ₩10
      Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
      W500HY ₩15
      Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
      W500JH ₩15
      Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
      W692G ₩12
      Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
      W849H ₩8
      Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
      W940BG ₩15
      Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
      W953PJ ₩8

      표준 규격
      맞춤 제작
      CM
      INCH

      작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

      가로 너비
      높이

      액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

      전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (25 10월)

      전 세계 무료 특급 배송
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      총 결제 금액

      ₩ 86880

      Number 13

      지클레 / 아트 프린트

      복제본 규격

      -

      총 결제 금액

      ₩ 86880

      주요 정보

      • Subject or theme: Abstract; bold black and white contrasts
      • Year: 1965
      • Location: Dallas Museum of Art, Dallas
      • Movement: Abstract Expressionism
      • Artistic style: Abstract Expressionism

      아트 퀴즈

      각 질문의 정답은 하나뿐입니다.

      문항 1:
      What is the primary art movement associated with James Brooks's 'Number 13'?
      문항 2:
      Which materials were used to create this artwork?
      문항 3:
      In which year was 'Number 13' created?
      문항 4:
      What is the visual characteristic of the right side of the composition?
      문항 5:
      Where is this artwork currently housed?

      A Dance of Contrast: The Raw Energy of Number 13

      In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a whirlwind of gestural movement; there is an undeniable sense of spontaneity, as if the artist’s very pulse were captured within the sweeping strokes of gouache and ink.

      The visual journey begins on the left side of the canvas, where the forms are fluid and organic. Here, amorphous dark shapes emerge from the white background, suggesting a phantom-like profile or a face in silhouette, though they remain tantalizingly abstract. These loose, energetic sweeps of black paint create a sense of dynamic motion, pulling the eye into an unpredictable rhythm. This side of the work feels deeply personal and emotive, embodying the "action painting" spirit where the physical act of creation is as much a part of the art as the final image.

      Structure Amidst the Storm

      As the gaze traverses the canvas toward the right, a fascinating transformation occurs. The wild, unpredictable energy of the left gives way to a more structured arrangement. Thick, horizontal bands of black paint stretch across the space, separated by rhythmic white intervals. These bands introduce a sense of gravity and architectural stability to the piece, creating a captivating tension between the unstructured, atmospheric shapes on one side and the deliberate, layered stripes on the other. This juxtaposition of the organic and the geometric invites endless interpretation, making it a centerpiece that rewards deep contemplation.

      The technique employed by Brooks is nothing short of masterful. By utilizing gouache and ink, he achieves a variety of textures—some areas appear smooth and ethereal, while others reveal the heavy, tactile weight of thick applications. The visible brushstrokes serve as a map of the artist's movements, lending the work an intimate, human quality. For the collector or interior designer, this piece offers more than just visual interest; it provides a sophisticated focal point that can anchor a room with its dramatic duality and timeless elegance.

      A Legacy of Emotion and Motion

      Beyond its formal qualities, Number 13 resonates with a profound emotional depth. The stark black-and-white contrast evokes themes of duality—day and night, presence and absence, life and void. There is a certain drama inherent in the composition, a tension that feels both ancient and modern. It is a work that does not merely sit upon a wall but actively interacts with its environment, casting a spell of introspection on all who behold it.

      For those seeking to bring the spirit of mid-century American abstraction into a contemporary space, this reproduction offers an unparalleled opportunity. It captures the essence of Brooks's unique ability to blend the monumental scale of his muralist roots with the intimate, psychological intensity of abstract painting. Whether placed in a minimalist gallery setting or a richly textured living space, Number 13 remains a powerful testament to the enduring beauty of the Abstract Expressionist movement.

      질의응답

      "Number 13"은 어떤 색채와 어떤 감정을 담아내고 있나요?

      "Number 13"에서 Neutrals 색조는 Dramatic 분위기를 자아냅니다.

      "Number 13"의 재료와 화풍은 무엇인가요?

      "Number 13"은(는) Gouache 기법을 사용하여 Abstract Expressionism 양식으로 제작되었습니다.

      James Brooks의 "Number 13"의 전반적인 색조는 무엇인가요?

      James Brooks의 "Number 13"의 주된 색조는 Green to Violet Spectrum입니다. 이 색조는 팔레트의 바탕이 되는 톤을 형성합니다.


      작가 소개

      Early Life and Education

      • Born: October 18, 1906, St. Louis, Missouri
      • Family moved to Dallas, Texas in 1916
      • Studied art at Southern Methodist University (1922-1924)
      • Private lessons with James A. Waddell and Martha Simkins in Dallas
      • Moved to New York City in 1926
      • Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides
      • Worked as a commercial artist to support himself

      The WPA Years and Early Murals

      • Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942
      • Painted three murals for the WPA, demonstrating social realist style.
      • Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.
      • Friendships with Jackson Pollock and Philip Guston during this period

      Abstract Expressionist Period: Style and Development

      • Served as a combat artist in the U.S. Army (1942-1945)
      • Returned to New York City in 1946, reconnected with Pollock and Krasner
      • Shifted towards Abstract Expressionism, influenced by Surrealist principles
      • Developed a unique staining technique: Experimenting with the bleed of paste through canvas.
      • Early works showed influences of Synthetic Cubism.
      • Palette initially featured browns, grays, blacks and vivid colors.
      • Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.
      • Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., *Pask*, *Burwak*, *Jondol*).

      Major Exhibitions and Recognition

      • First solo exhibition at the Peridot Gallery in New York City (1949)
      • Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.
      • Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.
      • Documenta, Kassel, West Germany (1959).
      • John Simon Guggenheim Memorial Foundation Fellowship (1969)

      Legacy and Historical Significance

      • Considered a first-generation Abstract Expressionist painter.
      • Known for his innovative staining techniques and lyrical abstraction.
      • His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.
      • Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.
      • Died on March 9, 1992, in East Hampton, New York.
      James Brooks

      James Brooks

      1906 - 1992 , United States of America

      작가 정보 요약

      • Full Name: James Brooks
      • Nationality: American
      • Date Of Birth: 1906
      • Date Of Death: 1992
      • Place Of Birth: St. Louis, United States of America
      • Notable Artworks: ['Flight (LaGuardia Airport mural)']
      • Artistic Movement Or Style: Abstract Expressionism
      • Artists Who Influenced This Artist:
        • Jackson Pollock
        • Lee Krasner
        • Pablo Picasso
        • Georges Braque