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      Cleopatra / Eurydice

      • 제작 연도1532
      • 크기20.0 x 26.0 cm

      Discover Lombard Master (Peter Lombard), a 12th-century Italian painter & theologian bridging Gothic & Renaissance art. Known for elegant figures, gold grounds, and works like 'Cleopatra/Eurydice'. Explore his theological influence & paintings at Wah

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      Cleopatra / Eurydice

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      총 결제 금액

      ₩ 352110

      A slender, near-naked female figure stands before a parapet, her pale body standing out appealingly against the dark background. Her left foot is on a snake, which in the very next moment will bite her. Inclining slightly, the woman is turning aside, her right hand resting on a richly ornamented pilaster, as if she were in need of support. The pilaster bears a red marble panel with the inscription CLEOPATRA. 1.5.3.2.PE. This is somewhat perplexing, since the subject is not the Egyptian queen who, according to legend, died of an asp bite to the breast when she failed to win Octavian, later Emperor Augustus, for herself. The woman is far likelier to be Eurydice, the wife of Orpheus. Fleeing the attentions of the shepherd Aristaeus, she accidentally trod on a snake, and died of its bite. The composition and various details of this Berlin relief recall a work on the same subject by Giammaria Mosca, today in the Metropolitan Museum of Art in New York. That work in all likelihood served Master PE Monogram as a model. It seems probable that he misunderstood his fellow artist’s subject, and hence inscribed the wrong name.

      질의응답

      Lombard Master의 "Cleopatra / Eurydice"은 강렬한 대비를 사용하나요, 아니면 부드러운 조화를 이루고 있나요?

      Lombard Master의 "Cleopatra / Eurydice"의 색채 분석은 Bold한 대비와 Balanced Harmony한 조화를 보여줍니다.

      "Cleopatra / Eurydice"의 미리보기를 어디에서 볼 수 있나요?

      Lombard Master의 "Cleopatra / Eurydice"의 복제본을 미리 보려면 작품의 미리보기 페이지를 열어주세요.

      "Cleopatra / Eurydice"은(는) 저작권 보호 대상이 아닌가요?

      저작권과 관련하여, "Cleopatra / Eurydice"은(는) 퍼블릭 도메인 - 저작권 보호 기간이 만료되었습니다 상태입니다.


      작가 소개

      The Divine Brush of the Lombard Master

      In the twilight of the twelfth century, a period defined by the profound intersection of theological inquiry and burgeoning artistic expression, there emerged a figure whose work would bridge the gap between the rigid structures of the late Gothic era and the soft elegance of the early Renaissance. Known to history as the Lombard Master, or Peter Lombard, this Italian painter and theologian possessed a rare duality of spirit. Born in Novara, Italy, around 1096, his life was a tapestry woven from the intellectual rigor of the cathedral schools and the luminous devotion of sacred iconography. His journey took him from the humble beginnings of a poor family to the prestigious halls of Paris, where he studied under the legendary shadows of Peter Abelard and Hugh of St. Victor, absorbing a level of scholastic depth that would forever inform the spiritual weight of his brushstrokes.

      The artistry of the Lombard Master is characterized by an ethereal grace that seems to transcend the physical limitations of medieval medium. His technique is most celebrated for its use of uniform gold grounds, a technique that creates a sense of timeless, divine space, stripping away the distractions of the earthly realm to focus the viewer's soul on the sacred. Within these shimmering golden voids, he placed figures of remarkable elegance—slender, elongated forms that possess a rhythmic fluidity. This stylistic choice reflects a pivotal moment in art history, where the stiff, symbolic representations of the early Middle Ages began to yield to a more humanized, graceful aesthetic that would eventually blossom into the Renaissance.

      Sacred Iconography and Lasting Legacy

      The works surviving from the Lombard Master’s hand serve as windows into a world where theology and visual beauty were inseparable. His ability to imbue even the smallest panel with profound narrative power is evident in his most cherished pieces. One might contemplate the delicate tension found in Cleopatra / Eurydice, where a slender, near-naked female figure stands before a parapet, a composition that showcases his mastery of form and the subtle interplay between light and shadow. His devotion to the saints is equally palpable in works such as Saint Anthony Abbot and the Saint Martyr Deacon Panel. These smaller, intimate pieces, often measuring approximately 17 x 52 cm, demonstrate how he could command a limited space to evoke an immense sense of piety and presence.

      Beyond his individual paintings, the historical significance of the Lombard Master lies in his role as a bridge between eras and disciplines. As a subdeacon and later a priest, his theological authority allowed him to infuse his art with a deep, doctrinal meaning that resonated throughout the medieval art world. He was not merely a creator of images but an influential teacher whose pedagogical reach extended to both artists and theologians, shaping the intellectual landscape of his time. Today, his legacy is preserved in prestigious institutions such as the Museo Poldi Pezzoli in Milan, where his golden compositions continue to inspire awe, reminding us of a period when the pursuit of divine truth was expressed through the most exquisite mastery of paint and gold.

      Lombard Master

      Lombard Master

      1096 - 1160 , Italy

      작가 정보 요약

      • Full Name: Peter Lombard
      • Nationality: Italian
      • Date Of Birth: 1096
      • Date Of Death: 1160
      • Place Of Birth: Novara, Italy
      • Notable Artworks:
        • Cleopatra / Eurydice
        • Saint Anthony Abbot
        • Saint Martyr Deacon Panel
      • Artistic Movement Or Style: Late Gothic to Renaissance Art
      • Artists Who Influenced This Artist:
        • Peter Abelard
        • Hugh of St. Victor