- 홈
- 캔버스 프린트
- patricia piccinini
- The comforter
미리보기
공유하기
공유하기
상세 정보
다운로드
유사 작품
X-레이
슬라이드 쇼The comforter
2010
60.0 x 80.0 cm
아트 갤러리 오브 뉴 사우스 웨일스
더 보기
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
수제 페인팅으로 전환하기 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
The comforter
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
$ 64
유사한 작품들
작가 약력
Patricia Piccinini: Sculpting Disturbances and Visions of Tomorrow
Patricia Piccinini, born in Freetown, Sierra Leone in 1965, is an Australian artist whose work consistently confronts audiences with unsettling yet profoundly beautiful explorations of bioethics and the potential futures shaped by scientific advancements. Her artistic journey began amidst a backdrop of global concerns regarding animal welfare and environmental sustainability—themes that continue to permeate her oeuvre, resulting in sculptures and installations that provoke contemplation on our relationship with nature and the ethical dilemmas inherent in manipulating life forms. Piccinini’s distinctive style is characterized by hyperrealism combined with fantastical elements – anthropomorphic animals rendered with meticulous detail, often presented in unexpected contexts. This approach isn't merely aesthetic; it serves as a powerful vehicle for conveying complex ideas about identity, vulnerability, and the consequences of technological intervention. Her debut at the 50th Venice Biennale in 2003 solidified her reputation as a visionary artist, showcasing her monumental sculpture ‘Big Mother,’ a haunting depiction of a chimpanzee cradling a baby cloth nestled amongst handbags—a striking visual metaphor for motherhood and consumer culture simultaneously. The success of ‘Big Mother’ propelled Piccinini to international acclaim, earning her the title of “Most Popular Contemporary Artist” by Art Newspaper in 2016 following a solo exhibition in Rio de Janeiro that drew over 444,000 visitors. This remarkable achievement underscored the resonance of her artistic vision with a global audience eager for narratives that grapple with challenging questions about humanity’s role in shaping the planet's destiny. Influenced by Surrealist artists like René Magritte and Giorgio Morandi, Piccinini’s work delves into themes of metamorphosis and illusion—concepts she skillfully employs to disrupt conventional perceptions and invite viewers to reconsider their assumptions about reality. Her artistic process involves painstaking modeling with silicone and resin, meticulously crafting textures and surfaces that mimic organic materials with astonishing accuracy. This technique allows her to create sculptures that possess a palpable sense of presence, blurring the boundaries between artifice and nature. Patricia Piccinini’s enduring legacy lies in her ability to articulate anxieties about our future while simultaneously celebrating the beauty and intricacy of the natural world. Her sculptures aren't simply objects; they are invitations to engage in dialogue—to confront uncomfortable truths and envision alternative possibilities for human existence. She continues to push artistic boundaries, cementing her position as one of Australia’s most significant contemporary sculptors and a voice advocating for ethical considerations within scientific innovation.
patricia piccinini
1965 - , Sierra Leone
주요 정보
- Artistic Movement Or Style: Contemporary Sculpture
- Date Of Birth: 1965 Sierra Leone
- Full Name: Patricia Piccinini
- Nationality: Australian
- Notable Artworks:
- Big Mother
- The Comforter
- The Stags
- Place Of Birth: Freetown
