100일 환불 보장 전 세계 무료 배송
449,581작품들 30,615아티스트들 4,660박물관 32언어 설정
통화
    언어
      아틀리에 · 2015년 설립 · 프랑스 파리
      AllPaintingsStore
      allpaintingsstore.com
      수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환 보내기
      상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 슬라이드 쇼 보기 통계 정보

      Objects for everyday use

      Rare 1800 photo by Raja Deen Dayal captures Indian daily life & poverty through albumen print. Witness social realism in this poignant documentary image of pottery-making.

      Raja Deen Dayal (1844-1905) was India's pioneering photographer, famed for capturing majestic temples, palaces & portraits of rulers. Court photographer to the Nizam of Hyderabad and appointed by Queen Victoria. Explore his iconic 19th-century Indian

      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

      표준 규격
      맞춤 제작
      CM
      INCH

      작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

      가로 너비
      높이

      액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

      전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (25 10월)

      전 세계 무료 특급 배송
      고품질 린넨 캔버스
      배송 전 과정 보험 적용
      관세 환급 보장 서비스
      원본 색상 일치 보장
      제조 결함 발견 시 100일 이내 반품 가능
      100% 환불 보장
      다량 구매 할인 혜택

      총 결제 금액

      ₩ 86851

      Objects for everyday use

      지클레 / 아트 프린트

      복제본 규격

      -

      총 결제 금액

      ₩ 86851

      주요 정보

      • Title: Objects for everyday use
      • Movement: Social realism
      • Subject or theme: Daily life and pottery-making
      • Year: 1800

      A Window into 19th-Century India

      In the quiet, sepia-toned depths of Raja Deen Dayal’s "Objects for everyday use," we are invited to step through a temporal threshold into the heart of 19th-century Indian life. This evocative albumen print serves as more than just a photographic record; it is a poignant piece of social realism that captures a fleeting moment of communal existence. The composition centers on a group of four men gathered around a table, their forms arranged in a gentle semi-circle that draws the viewer into their intimate circle of labor and companionship. As we gaze upon the scene, the soft, aged textures of the photograph evoke a sense of nostalgia, pulling us toward a world where the rhythms of daily life were defined by craftsmanship and shared purpose.

      The artistry of Deen Dayal lies in his ability to find profound beauty within the mundane. The table is laden with an array of pottery and cooking utensils, their geometric shapes—circles, ovals, and cylinders—creating a rhythmic visual language that anchors the composition. Through the masterful use of light and shadow, the photographer emphasizes the tactile surfaces of these objects, from the smooth glaze of ceramics to the coarse weave of the men's garments. This interplay of light does not merely illuminate; it sculpts the scene, casting shadows that lend depth to the doorway and weight to the figures, transforming a simple documentary moment into a rich, textured tableau of human industry.

      The Mastery of the Lens and Historical Resonance

      As a pioneer of Indian photography and a photographer to royalty, Raja Deen Dayal possessed a unique technical command over the medium. In this work, his training as an engineer is subtly evident in the balanced, structured perspective that guides the eye across the frame. The technique of the albumen print, characterized by its warm, brownish tones, lends a soulful quality to the subject matter, softening the harsh realities of poverty and labor with a layer of historical grace. This piece stands as a testament to the documentary tradition, where the camera acts as an observer of truth, capturing the essence of Indian social structures and the quiet dignity of traditional pottery-making.

      For the discerning collector or interior designer, "Objects for everyday use" offers a sophisticated narrative element for any curated space. The sepia palette provides a neutral yet warm foundation that complements both classical and contemporary decor, offering a sense of historical weight and intellectual depth. To display a high-quality reproduction of this work is to bring a piece of global heritage into the home—a conversation starter that speaks of resilience, community, and the enduring beauty found in the simplest of human endeavors. It is an invitation to reflect on our shared connection to the tools and traditions that shape our very existence.

      질의응답

      Raja Deen Dayal의 "Objects for everyday use"은 어느 시대의 작품인가요?

      Raja Deen Dayal의 "Objects for everyday use"은(는) 19th Century 시대의 작품입니다. 이 시기는 해당 작품의 역사적 배경을 잘 보여줍니다.

      Raja Deen Dayal의 "Objects for everyday use"의 저작권으로 복제가 가능한가요?

      "Objects for everyday use"의 원작은 Jaipur Virasat Foundation RRAP Music Museum - Hub에 소장되어 있으며, 이 작품은 퍼블릭 도메인 - 저작권 보호 기간이 만료되었습니다 상태입니다.

      "Objects for everyday use"의 저작권 상태가 현재와 같은 이유는 무엇인가요?

      Raja Deen Dayal의 "Objects for everyday use"은(는) 퍼블릭 도메인 - 저작권 보호 기간이 만료되었습니다 상태입니다. 저작권 보호 기간은 작가가 사망한 1905년부터 기산됩니다.


      작가 소개

      early life and training

      raja deen dayal, also known as lala deen dayal, was an indian photographer born in sardhana, india in 1844. he died in 1905. trained as an engineer at thomason college of civil engineering at roorkee, dayal began his career in photography in the mid-1870s.

      career highlights

      • established studios in indore, mumbai, and hyderabad, becoming the court photographer to the sixth nizam of hyderabad, mahbub ali khan, asif jah vi.
      • appointed as the photographer to the viceroy of india in 1885.
      • received the royal warrant from queen victoria in 1897.

      notable works and collections

      dayal's photographs are known for their capture of indian temples, palaces, and monuments, as well as portraits of indian rulers and british officials. some notable works include:
      • moosi river, hyderabad (j. paul getty museum, los angeles, united states), showcasing his skill in capturing the essence of indian landscapes.
      • channel near the punchukki, aurangabad (j. paul getty museum, los angeles, united states), highlighting his ability to frame the beauty of indian architecture.

      museums and collections featuring raja deen dayal's work

      legacy and impact

      raja deen dayal's contributions to indian photography are undeniable. his work not only captured the essence of india's architectural and cultural heritage but also paved the way for future generations of photographers. view more works by raja deen dayal on AllPaintingsStore: https://AllPaintingsStore.com/@/raja-deen-dayal explore indian art and photography on AllPaintingsStore: /en/art/show/art-d3c8xr-en/
      Raja Deen Dayal

      Raja Deen Dayal

      1844 - 1905 , India

      작가 정보 요약

      • Artistic Movement Or Style: Photography (Court)
      • Artists Or Movements Influenced By This Artist: ['British Raj Art']
      • Artists Who Influenced This Artist: ['Thomason College']
      • Date Of Birth: 1844
      • Date Of Death: 1905
      • Full Name: Raja Deen Dayal / Lala Deen Dayal
      • Nationality: Indian
      • Notable Artworks:
        • Moosi River
        • Channel Aurangabad
        • Objects Everyday Use
      • Place Of Birth: Sardhana, India