Saddling Paddock Rolling Rock
1948
41.0 x 51.0 cm
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. ( 손으로 그린 그림 구매
이미지 구매)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Saddling Paddock Rolling Rock
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
$ 64
유사한 작품들
작가 약력
The Luminous Legacy of Randall Davey
Randall Davey (1887–1964) stands as a singular figure in American art history—a painter who seamlessly blended the gritty realism of the Ashcan School with the luminous landscapes and equine portraits of the Southwest. Born in East Orange, New Jersey, Davey’s artistic journey began at Cornell University where he studied architecture before gravitating towards Robert Henri and the burgeoning avant-garde movement. This early academic foundation in structure and form would later provide a subtle, architectural strength to his more fluid, atmospheric compositions.
His formative years were defined by an immersion into the most vital artistic currents of the early twentieth century. At the Art Students League, Davey honed his technical skills, eventually studying under Charles W. Hawthorne, whose emphasis on observation and tonal harmony left an indelible mark on Davey’s palette. However, it was his association with Robert Henri that profoundly shaped his creative soul. From Henri, Davey inherited a fascination with the human psyche and an insistence on exploring the emotional truth behind a subject, a principle that would later breathe life into his intimate portraits and spirited depictions of animals.
A Transformation in the High Desert
The year 1919 marked a transformative moment in Davey’s life when he relocated to Santa Fe, New Mexico. This move was far more than a change of scenery; it was a deliberate embrace of a new light and a new spirit. Inspired by Henri's own explorations of Spain, Davey embarked on expeditions through the region, documenting the dramatic vistas and rugged grandeur of the American West. His canvases began to capture the ethereal beauty of Canyon Road and the sweeping majesty of New Musuem mesas, employing techniques that conveyed a profound sense of place and atmosphere.
In the high desert, Davey’s work evolved into a unique synthesis of styles. While his roots remained planted in the social realism and unflinching depictions of urban life characteristic of the Ashcan School, his subject matter shifted toward the natural world. He became a master of capturing the interplay of light and shadow across the New Mexican landscape, creating works that felt both grounded in reality and infused with a dreamlike luminosity. This period saw him establishing himself not just as a painter, but as a vital part of the Santa Fe art community.
Mastery of Motion and Spirit
Beyond the sweeping horizons of the Southwest, Davey found profound inspiration in the kinetic energy of the animal kingdom, particularly horses. His passion for polo fueled countless paintings depicting horses in motion, reflecting both physical dynamism and a symbolic representation of freedom and nobility. These equine portraits were celebrated for their ability to capture the muscular tension and spirited grace of the animals, rendered with a sensitivity that mirrored his approach to human portraiture.
His career was marked by significant professional milestones and widespread recognition:
- Exhibitions: His work reached international prominence, notably being exhibited at the Museum of Modern Art (MoMA) during the 1933-1934 period.
- Olympic Recognition: Davey’s talent was showcased on a global stage when his work was included in the painting event of the 1932 Summer Olympics.
- Educational Impact: A dedicated educator, he shared his mastery at several prestigious institutions, including the School of the Art Institute of Chicago, the Kansas City Art Institute, and the University of New Mexico.
- Permanent Collections: Today, his legacy is preserved in the permanent collections of some of the world's most esteemed museums, including the Whitney Museum of American Art, the Nelson-Atkins Museum of Art, and the Detroit Institute of Arts.
Randall Davey’s life ended tragically in a car accident near Baker, California, in 1964, but his artistic vision remains vibrant. Through his ability to bridge the gap between the urban realism of the East Coast and the radiant landscapes of the West, he created a body of work that continues to resonate with the enduring beauty of the American spirit.
randall davey
1887 - 1964
주요 정보
- Artistic Movement Or Style: Ash Can School
- Artists Or Movements Influenced By This Artist: ['George Bellows']
- Artists Who Influenced This Artist:
- Robert Henri
- Charles W. Hawthorne
- Date Of Birth: May 24, 1887
- Date Of Death: November 1964
- Full Name: Randall Davey
- Nationality: American
- Notable Artworks:
- Florence Sittenham Davey
- Man with Bird in Hand
- Place Of Birth: East Orange, New Jersey

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.