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      Updating Yamantaka

      Tenzing Rigdol's 'Updating Yamantaka' blends Tibetan tradition with modern commentary. Featuring Osama bin Laden, it confronts mortality & global conflict through a powerful thangka reimagining.

      Tenzing Rigdol is a Tibetan-American contemporary artist renowned for blending thangka art with modern expression. His thought-provoking installations explore cultural identity, displacement & dialogue, exhibited globally including the Metropolitan M

      이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.

      이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.

      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

      Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
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      Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
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      Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
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      Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
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      Updating Yamantaka

      지클레 / 아트 프린트

      복제본 규격

      -

      총 결제 금액

      ₩ 86851

      주요 정보

      • Year: 2010
      • Subject/theme: Yamantaka, death
      • Location: Rubin Museum, NYC
      • Influences: Tibetan Buddhism
      • Dimensions: 68.9 x 62.9 cm
      • Medium: Pastel & scripture

      아트 퀴즈

      각 질문의 정답은 하나뿐입니다.

      문항 1:
      What is the primary symbolic meaning conveyed by Tenzing Rigdol’s artwork, ‘Updating Yamantaka’?
      문항 2:
      In the artwork, what is unusual about the figure traditionally depicted beneath the buffalo?
      문항 3:
      Tenzing Rigdol’s artistic background includes training in which traditional Tibetan art forms?
      문항 4:
      The artwork ‘Updating Yamantaka’ was created in which year?
      문항 5:
      What does the inclusion of Osama bin Laden’s face in ‘Updating Yamantaka’ suggest, according to the artist?

      The Weight of Mortality: Tenzing Rigdol’s “Updating Yamantaka”

      Tenzing Rigdol's "Updating Yamantaka" isn't merely a painting; it’s an arresting collision of ancient Tibetan iconography and contemporary unease. Created in 2010, this work transcends the boundaries of traditional thangka art, forcing us to confront uncomfortable truths about power, death, and the unsettling ways they intersect within our world. At first glance, the composition appears deceptively serene – a vibrant tapestry woven with pastel hues, intricate textile patterns reminiscent of Tibetan prayer rugs, and the solemn script of sacred texts. However, a closer examination reveals a deliberate subversion of established artistic conventions, culminating in an image that is both profoundly unsettling and intellectually stimulating.

      The central figure, Yamantaka – the Lord of Death and King of the Law within the Tibetan Buddhist tradition – dominates the canvas. Traditionally depicted astride a buffalo relentlessly pursuing a human victim, symbolizing the inescapable cycle of life and death, Rigdol’s interpretation diverges dramatically. The anonymous, everyman figure representing the sacrificed individual is replaced with the unmistakable face of Osama bin Laden. This jarring juxtaposition isn't gratuitous; it serves as a potent metaphor for the anxieties of the 21st century – a world grappling with global terrorism, political instability, and the pervasive sense that ancient philosophical concepts are suddenly rendered terrifyingly relevant.

      A Dialogue Between Tradition and Modernity

      Rigdol’s artistic approach is deeply rooted in his Tibetan heritage, yet he doesn't simply replicate traditional styles. He masterfully blends these established techniques with elements of contemporary art, incorporating influences from American Sign Language (ASL) – a subtle nod to his dual identity as a Tibetan-American artist – and personal iconography that speaks to his own experiences. The deliberate layering of sacred text alongside the unsettling image of bin Laden creates a dynamic tension, suggesting a critical engagement with both spiritual and secular realms. The use of pastel colors, typically associated with serenity and spirituality, is deliberately juxtaposed against the stark reality presented by the central figure, amplifying the work’s emotional impact.

      Born in Kathmandu, Nepal, in 1982, Rigdol's upbringing was shaped by his family’s displacement from Tibet. This personal history profoundly informs his artistic practice, fueling a desire to explore themes of cultural identity, exile, and the enduring legacy of tradition. His work is not simply an aesthetic exercise; it’s a deeply considered meditation on the complexities of navigating multiple worlds and grappling with profound questions about mortality and morality.

      Symbolism and its Shifting Meanings

      The symbolism within “Updating Yamantaka” operates on multiple levels. The buffalo, traditionally representing relentless pursuit and destruction, embodies the forces of chaos and violence that threaten to overwhelm human existence. Yamantaka himself represents the inevitable cycle of death and rebirth, a concept central to Buddhist philosophy. However, by placing the face of Osama bin Laden upon this figure, Rigdol transforms the traditional symbolism into a commentary on contemporary global conflict. The image becomes a visual representation of how ancient philosophical concepts can be reinterpreted and applied to address modern challenges – suggesting that even seemingly immutable truths are subject to change and re-evaluation.

      Furthermore, the inclusion of scripture alongside the unsettling imagery highlights the ongoing dialogue between faith and reason. Rigdol invites us to consider how traditional beliefs can be both comforting and challenging in a world increasingly defined by uncertainty and conflict. The work ultimately compels viewers to confront their own assumptions about power, death, and the role of violence in shaping human destiny.

      A Reproduction Worth Considering

      “Updating Yamantaka” is more than just a striking image; it’s a powerful statement about the interconnectedness of past and present. AllPaintingsStore offers high-quality reproductions that faithfully capture the painting's intricate details and emotional depth. Whether you are an art collector, an interior designer seeking to infuse your space with thought-provoking imagery, or simply someone captivated by this unique work, a reproduction of “Updating Yamantaka” is a compelling addition to any collection – a reminder of the enduring relevance of ancient wisdom in our rapidly changing world.

      질의응답

      구매하기 전에 Tenzing Rigdol의 "Updating Yamantaka"을(를) 제 벽에 미리 배치해 볼 수 있나요?

      Tenzing Rigdol의 "Updating Yamantaka"의 AR 미리보기 페이지에서는 증강 현실(AR) 기술을 사용하여 호환 가능한 기기를 통해 작품이 사용자의 공간에 배치된 모습을 미리 확인할 수 있습니다.

      Tenzing Rigdol의 "Updating Yamantaka"은(는) 어떤 미술 사조에 속하나요?

      Tenzing Rigdol의 "Updating Yamantaka"과(와) 관련된 미술 사조는 Contemporary Tibetan입니다. 이러한 분류를 통해 해당 작품을 관련 작가 및 예술 작품들과 함께 파악할 수 있습니다.

      2010년에 "Updating Yamantaka"을(를) 제작할 당시 Tenzing Rigdol의 나이는 몇 세였나요?

      Tenzing Rigdol은(는) 2010년에 "Updating Yamantaka"을(를) 제작했을 당시 28세였습니다. 이 나이는 작가의 출생 연도인 1982을(를) 기준으로 계산되었습니다.


      작가 소개

      Early Life and Education

      • Born: Kathmandu, Nepal (1982)
      • Nationality: Tibetan-American
      • Education: University of Colorado Denver College of Arts & Media – Master's Degree in Philosophy, BA-BFA in Art and Art History. Honorary Doctorate in 2022.
      • Early life was marked by his parents fleeing occupied Tibet in the late 1960s.
      • Studied traditional Tibetan sand painting and butter sculpture at the Shekar Chorten monastery in India.
      • Studied thangka painting under Phenpo Tenthar at the Tibetan Thangka Art School in Kathmandu.

      Artistic Development and Influences

      • Expertise: Primarily known for his expertise in thangka art, blending traditional techniques with modern artistic expressions.
      • Influences: Philosophy, ongoing human conflicts, political issues. His family's history as refugees significantly influenced his work.
      • Style: Combines Tibetan heritage with contemporary styles; incorporates elements of American Sign Language (ASL) and personal iconography.
      • Themes: Cultural identity, displacement, dialogue, environmental pollution, existentialism, ignorance, mindfulness.

      Major Works and Projects

      • "Pin drop silence: Eleven-headed Avalokiteshvara": Acquired by the Metropolitan Museum of Art in 2014; a significant recognition of his contemporary Tibetan art.
      • 20,000 kg of Tibetan Soil Installation: A project involving transporting soil from Shigatse to Dharamshala symbolizing connection to Tibet for displaced Tibetans. Documented in the film "Bringing Tibet Home."
      • "Biography of a Thought": Site-specific installation at The Metropolitan Museum of Art, exploring Buddhist concepts and incorporating personal iconography.
      • Poetry Collections: Published three collections – “R”– the Frozen Ink (2008), Anatomy of Nights (2011) and Butterfly’s Wings (2011).

      Dialogue Artist Residency (DAR) and Collaborative Efforts

      • Establishment of DAR: Founded the Dialogue Artist Residency to encourage collaboration between Tibetan and international artists.
      • Collaboration with Filmmakers: Contributed to the documentary "Bringing Tibet Home" (2013).
      • Focus on Cultural Exchange: Actively fosters cultural exchange through his residency program and collaborative projects.

      Recognition and Historical Significance

      • Metropolitan Museum of Art Acquisition: His work being acquired by the Met signifies a growing recognition of contemporary Tibetan art within mainstream Western institutions.
      • Honorary Doctorate from CU Denver: The first Tibetan artist to receive this honor, highlighting his contribution to both artistic and intellectual fields.
      • Bridging Tradition and Modernity: Rigdol's work is significant for its ability to bridge traditional Tibetan art forms with contemporary concerns, making them accessible to a wider audience while retaining their cultural depth.
      • Addressing Social and Political Issues: His art serves as a platform for addressing social and political issues relevant to the Tibetan diaspora and beyond.
      Tenzing Rigdol

      Tenzing Rigdol

      1982 - , Nepal

      작가 정보 요약

      • Full Name: Tenzing Rigdol
      • Nationality: Tibetan-American
      • Date Of Birth: 1982
      • Place Of Birth: Kathmandu, Nepal
      • Notable Artworks:
        • Pin drop silence: Eleven-headed Avalokiteshvara
        • Updating Yamantaka
      • Artistic Movement Or Style: Contemporary art, Thangka art