Domenico Induno 무드 속으로
감성, 아니요
갤러리처럼
무드를 선택하면 공간이 그에 응답합니다. 빛은 차가워지거나 따스해지고, 공기의 흐름은 변화하며, 오직 그 감정을 품은 작품들만이 어둠 속에서 모습을 드러냅니다. 그 외의 모든 것은 그림자 뒤로 물러납니다.
Domenico Induno
A life shaped by Milanese streets Domenico Induno began his days far from the canvas, working as an apprentice to a goldsmith and medalist named Luigi Cossa. This early training in fine detail stayed with him long after he entered the Brera Academy in 1831. He moved through the halls of the academy under the eyes of Pompeo Marchesi, Luigi Sabatelli, and Francesco Hayez. The influence of Hayez was particularly heavy, guiding his hand to
ward religious and historical subjects in those early years. The year 1848 brought a change to his rhythm. Alongside his brother Gerolamo, he left the studio for the barricades during the Five Days of Milan. This period of street fighting and political upheaval led to a time of exile in Ticino, Switzerland. He stayed in Astano with Angelo Trezzini, where he eventually married Emilia Trezzini. When it became safe to return, he settled…
