Textile, 217.0 x 163.0 cm. MAXXI Nacionalinis XXI amžiaus meno muziejus.
§ 1Catalogue data
Textile
Poverty Arte
Arte Povera
Modern
217.0 x 163.0 cm
MAXXI Nacionalinis XXI amžiaus meno muziejus
Šis kūrinys yra saugomas autorinės teisės
Šiame puslapyje rodomas meno kūrinys yra saugomas autorių teisių įstatymais, todėl neturime teisės legaliai kurti ar parduoti jo identiškos reprodukcijos. Ši apsauga užtikrinama remiantis tokiais tarptautiniais susitarimais kaip Bernės konvencija ir pagal nacionalines įstatymų nuostatas, įskaitant tas, kurias nurodo JAV autoriškos teisės įstatymas – 17-asis skyrius.
Kaip pagarbią ir teisėtą alternatyvą, mes siūlome pagal užsakymą rankomis dažytus paveikslus, įkvėptus originalo. Mūsų įgudę ir profesionalūs menininkai kruopščiai tiria originalo stilių, nuotaiką ir meninę esmę, kad sukurtų naują, unikalią kūrinį, kuris sukelia tą paties jausmą – išlikdamas tuo tarciau originaliu, savarankišku kūrybiniu darbu.
Šis metodas visiškai atitinka autorių teises, nes jame nėra saugomo kūrinio kopijavimo ar dubliavimo. Tai yra kūrybinė reinterpretacija – naujas paveikslas, kurį įkvėpė originalas, tačiau kuris nėra jo identiškas.
§ 2Abstract
Kolekcinio objekto aprašas
Alighiero e Boetti’s ‘Mappa,’ a stunning hand-embroidered tapestry depicting the 1970s geopolitical landscape with vibrant flags and stark color divisions, offers a unique artistic perspective on global power dynamics. Explore this iconic Arte Povera piece and bring its world view home.
Autoriaus biografija
Discover Alighiero e Boetti (1940-1994), a leading Arte Povera artist renowned for his 'Mappa' embroidered maps & explorations of chance, order, and identity.
§ 3Commentary
Mappa: A Geopolitical Tapestry of Power and Time
- Subject: Alighiero Boetti’s “Mappa” is far more than a decorative textile; it's a meticulously crafted cartographic representation of the world as understood at the dawn of the 1970s. The artwork functions as a complex geopolitical map, visually encoding the distribution of global power through the strategic placement and color coding of nations’ flags. It’s a poignant commentary on humanity’s attempts to impose order upon the natural world, and a meditation on the vastness of time relative to human endeavor.
- Style & Technique: The tapestry exemplifies Boetti's embrace of *Arte Povera*, an Italian art movement that championed the use of ordinary, readily available materials – in this case, meticulously embroidered textiles – to challenge traditional notions of artistic value and representation. Each flag is painstakingly stitched by Afghan embroiderers, a deliberate choice that highlights the collaborative nature of the artwork and elevates the craft itself to a profound statement about global interconnectedness. The technique relies on precise needlework, creating a textured surface that invites close examination and reveals the labor involved in its creation.
Historical Context & Conceptual Framework
Created in Kabul around 1970, “Mappa” emerged from a specific historical moment – a period of intense geopolitical tension between the United States and the Soviet Union. The stark division of the world into two opposing blocs is immediately apparent: North America and Eurasia are rendered in bold reds and whites, symbolizing the ideological and military dominance of these superpowers. This deliberate color coding isn’t merely aesthetic; it's a powerful visual metaphor for the Cold War’s defining characteristic – a world fractured along political lines. The artwork subtly yet powerfully conveys the sense that humanity was caught within a system of imposed boundaries, reflecting Boetti’s broader philosophical concerns with the artificiality of human constructs.
Symbolism & Narrative Layers
- Continental Divisions: The segmentation of the globe into continents – North America, South America, Europe, Asia, Africa, and Oceania – is a fundamental element of the work’s design. Each continent is treated as a distinct entity, further emphasized by the individual flags representing its constituent nations.
- Color as Code: The strategic use of color—red for dominant powers, white for others—is not arbitrary. It represents a complex system of encoding geopolitical information, inviting viewers to interpret the map’s meaning beyond a simple geographical representation.
- Time and Scale: Beyond its immediate political commentary, “Mappa” also engages with profound questions about time. The sheer scale of the tapestry juxtaposed against the relatively brief span of human history serves as a powerful reminder of our place within the vastness of geological time.
Emotional Impact & Collector’s Value
“Mappa” is more than just a reproduction; it's an investment in a piece of art history and a testament to Alighiero Boetti’s unique vision. The artwork evokes a sense of both awe and unease, prompting reflection on the complexities of global politics, the fragility of peace, and the enduring power of human ambition. Its intricate detail and symbolic richness make it a captivating subject for collectors and interior designers seeking to infuse their spaces with intellectual depth and artistic significance. The hand-painted reproduction faithfully captures the original’s nuanced beauty and powerful message, ensuring that this seminal work by Alighiero Boetti remains accessible and relevant for generations to come.
Klausimai ir atsakymai
Kokio Alighiero E Boetti kūrybos laikotarpio priklauso „Mappa“?
Alighiero E Boetti kūrybos enceklopedijoje kūrinys „Mappa“ priskiriamas Mature Period laikotarpiui. Šis etapas leidžia palyginti jį su kitais šio autoriaus kūriniais.
Ar galėčiau „Mappa“ peržiūrėti kaip pilno ekrano nuotraukų rodyklę?
Galima peržiūrėti nuotraukų rodyklę: Slaydšou puslapį kūriniam „Mappa“ – Alighiero E Boetti.
Ar „Mappa“ yra vienas populiariausių Alighiero E Boetti kūrinių?
„Mappa“ klasifikuojamas kaip Iconic.



Dėl meno kūrinių ar reprodukcijų, kurių bet kuri pusė yra didesnė nei 105 cm (apie 41 inch), rėmas bus siunčiamas kaip išskaidytas surinkimo rinkinys. Šis metodas užtikrina saugų pristatymą ir apsaugo nuo transportavimo metu galimos žalos.



