1820. Oil On Canvas, 90.0 x 130.0 cm. Britų meno Jėilos centras.
§ 1Katalogo duomenys
- 90.0 x 130.0 cm
§ 2Abstraktus
Kolekcinio objekto aprašas
A dramatic scene of biblical grandeur unfolds in John Martin's Belshazzar, a masterpiece of Romanticism capturing a lively banquet hall that invites you to bring this epic historical moment into your private collection.
Skaityti daugiau
Autoriaus biografija
Atraskite Johno Martina, garsųjo anglo romantiškojo stiliaus paveikslautoją! Tyrinėkite jo dramatiškas biblijines escenas ir fantastinius kraštžemius, pilnus smulkių figūrų bei grandingų mastų.
§ 3Komentaras
Identification of Belshazzar by John Martin
The scene unfolds within the grand, chaotic atmosphere of a banquet hall in 1820. In this work, titled Belshazzar, the artist John Martin captures a pivotal moment of tension from the Book of Daniel, chapter 5. The air feels heavy with the weight of a divine omen as the Babylonian king, Belshazzar, presides over his revelry. He is surrounded by a crowded assembly of courtiers, wives, and concubines, all gathered amidst the abundance of a lavish feast.
Every figure in the room seems caught in a state of sudden, unsettled motion. The king and his guests occupy a space where the social order of the palace meets a sudden, supernatural intrusion. This biblical episode brings the ancient world to life, focusing on the high-stakes drama of the Babylonian court. The figures move through a setting of immense scale, where the earthly celebrations of the king collide with the impending judgment described in the scriptures.
Composition and Visual Elements
The grand banquet hall pulses with a lively, social energy as guests gather around long dining tables. Within this vast space, people move in a constant, rhythmic flow; some sit quietly at the tables while others stand or wander through the crowd. Several chairs are scattered throughout the room, some occupied by guests caught in mid-conversation, while others sit empty amidst the movement. The air feels heavy with the spirit of celebration as the assembly enjoys their time in this immense, architectural setting.
An abundance of food spills across the tables, creating a sense of overwhelming plenty. Multiple bowls and cups are positioned among the dishes, suggesting a feast that has been ongoing for some time. The arrangement of these objects, combined with the presence of the courtiers and guests, fills the hall with a sense of organized chaos. Every corner of the room seems occupied by the details of the feast, from the heavy furniture to the various vessels used by the diners.
Technique and Physical Dimensions
The oil on canvas medium allows for a deep, dramatic layering of light and shadow across the banquet scene. Every brushstroke contributes to the heavy atmosphere of the hall, capturing the textures of the food and the glint of the vessels. The paint carries a sense of weight, grounding the chaotic energy of the gathering within the physical reality of the medium.
Measuring 90 x 130 cm, the work possesses a commanding presence. The canvas itself spans 31 1/2 x 47 1/2 inches (80 x 120.7 cm), providing a vast field for the unfolding drama. This scale ensures that the viewer feels immersed in the grandiosity of the Babylonian setting, where the architecture and the figures exist in a tension of scale and space.
The painting is held within a frame that adds further depth to the visual experience. These frame dimensions reach 35 1/2 x 51 1/4 x 2 1/2 inches (90.2 x 130.2 x 6.4 cm), creating a structured boundary for the unfolding spectacle. This physical enclosure focuses the eye inward, trapping the light and the shadows within the defined limits of the work.
History and Current Collection
The history of this work traces a path from the grand halls of the nineteenth century to the quiet preservation of modern collections. While the original oil on canvas now resides within a private collection, its legacy remains deeply connected to the institutions that safeguard such dramatic visions. The painting is a vital part of the Paul Mellon Collection, a grouping of works that continues to hold significant presence in the study of British art.
Today, the piece finds its home at the Yale Center for British Art. Located in New Haven, Connecticut, this institution keeps the memory of the work alive for those who seek to witness its scale. The presence of the painting in such a setting ensures that the intense energy of the scene remains accessible to the eyes of the present. It exists as a tangible link to the era of Romanticism, held within the careful stewardship of the center's archives.
Klausimai ir atsakymai
Ar „Belshazzar“ – Džonas Martinas yra šviesaus ar tamsaus tono kūrinys?
„Belshazzar“ bendroji ryškumas yra deep_shadow, o švytėjimas – Dark.
Kokią emociją perteikia Romanticism stiliaus kūrinys „Belshazzar“?
„Belshazzar“ pasižymi Dramatic emociniu tonu, būdingu Romanticism stiliui.
Koks kontrastas yra darbe „Belshazzar“ – Džonas Martinas?
Kūrinio „Belshazzar“ – Džonas Martinas kontrasto lygis yra Serene.
Perjungti į spausdinamus版作品
Dėl meno kūrinių ar reprodukcijų, kurių bet kuri pusė yra didesnė nei 105 cm (apie 41 inch), rėmas bus siunčiamas kaip išskaidytas surinkimo rinkinys. Šis metodas užtikrina saugų pristatymą ir apsaugo nuo transportavimo metu galimos žalos.
