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StatistikaOld Plum
- 175.0 x 486.0 cm
Skaityti daugiau
Giclée / Meno spausdinimas
Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. (
Pirkti rankų darbo tapybą Perejti prie skaitmeninių vaizdų)
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Įveskite jums reikiamą plotį ir aukštį, kad atvaizdas derėtų prie jūsų rėmo ar sienos. Spausdiną galima tik sumažinti, bet nepadidinti virš originalaus paveikslėlio dydžio, todėl keičiant proporcijas, dalis vaizdo prarandama. Prieš spausdinimą atsiųsime jums skaitmeninį maketą patvirtinimui. Šioje puslapio nuotraukoje matomas pjūvis nėra tikslus – jį rodo tik maketas.
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Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
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Tikro spalvų atitikimo garantija
100 dienų grąžinimo politika (tik esant įtaigoms)
100% pinigų grąžinimo garantija
Nuolaida dideliems užsakymams
Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm
Old Plum
Giclée / Meno spausdinimas
Reprodukcijos matmenys
-
Bendroji kaina
€ 58
Klausimai ir atsakymai
Kokio atspalvio link tendencija yra „Old Plum“?
Dominuojanti „Old Plum“ – Kanō Sansetsu spalva yra Ochre to Sepia. Šis tonas yra pagrindinė paletės spalva.
Ar „Old Plum“ spalvos atrodo ryškios ar švelnios?
Šiame paveikslėlyje „„Old Plum“ – Kanō Sansetsu“ spalvų intensyvumas yra Vivid.
Koks kontrastas pasižymi kūrinys „Old Plum“ – Kanō Sansetsu?
„Old Plum“ – Kanō Sansetsu pasižymi Statement šviesių ir tamsių sričių kontrastu.
panašūs kūriniai
Autoriaus biografija
A Life Shaped by Loss and Legacy
The story of Kanō Sansetsu begins in Hizen Province, Kyūshū, under the weight of early hardship. Born Heshiro Mitsuie, he faced the death of his father when he was only sixteen, leaving him an orphan. This early loss set him on a path that would eventually lead him into the heart of Japan's most significant artistic lineage. Through apprenticeship and later through marriage to the daughter of Kanō Sanraku, he became part of the family that would define the Kyoto branch of the Kanō school.
His connection to the school was deepened by adoption. After the death of Sanraku’s eldest son, Sansetsu took on the mantle of the master, inheriting a position of immense responsibility. He did not merely occupy a title; he became the architect of a dynasty. His life moved alongside the shifting centers of power in Japan, from the rise of the shogunate to the importance of Kyoto as the imperial capital. This stability allowed him to focus on refining a style that would influence generations, including his son, Kanō Einō.
The Quiet Beauty of the Natural World
Sansetsu possessed a particular way of looking at the seasons. His name itself carries a connection to the landscape, as it translates to "Mountain Snow." This affinity for winter is visible in his brushwork, where he captured the stillness of frozen streams and the weight of snow on branches. He moved away from the purely courtly subjects of earlier painters, choosing instead to study the atmosphere of the natural world. His work often features a restrained palette, using shades of blue, gray, and white to suggest the texture of a cold morning.
His technique relied on a careful balance between different modes of painting. He was as comfortable with large-scale works using gold and bright colors as he was with smaller, monochrome ink scrolls. In his larger compositions, such as those featuring an ancient plum tree, he used thick, twisting branches to create a sense of physical presence. In his smaller works, like the depiction of a man riding a donkey along a riverbank, he achieved a sense of solitude and quietude through precise, controlled strokes.
A Lasting Influence on the Kanō School
As the leader of the Kyoto branch of the Kanō school, Sansetsu helped guide the evolution of Japanese painting. He introduced new subjects and techniques that expanded what the school could express. His influence was not limited to his own hand; it lived on through the artists he trained and the family members who followed him. The traditions he helped shape remained central to Japanese art until the Meiji period.
The works he left behind continue to be studied in collections such as the Metropolitan Museum of Art. Some of his notable subjects include:
- Winter Landscape: A study of snowy mountains and a lone traveler.
- Old Plum: Large sliding panels featuring an ancient, blossoming tree.
- Crabs and Peonies: A composition balancing floral elegance with natural textures.
- Seabirds on a Winter Coast: A screen work using ink and gold.
Kanō Sansetsu
1651 , Japan
Trumpa informacija
- Artistic Movement Or Style: Kanō School
- Artists Or Movements Influenced By This Artist:
- Kanō Einō
- Kanō School
- Artists Who Influenced This Artist: ['Kanō Sanraku']
- Date Of Birth: 1589
- Date Of Death: 1651
- Full Name: Kanō Sansetsu
- Nationality: Japanese
- Notable Artworks:
- Winter Landscape
- Wang ziyou visiting dai andao
- Crabs and peonies
- Place Of Birth: Hizen Province, Japan