Peržiūrėti realaus dydžio版
Pasidalinti
Dalintis
Išsamiau
Vadovas
Atsisiųsti
Panašūs eksponatai
Rentgeno spindulių nuotrauka
Automatinė diorama
Q&A
StatistikaMonkeys
- 36.0 x 28.0 cm
Skaityti daugiau
Giclée / Meno spausdinimas
Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. (
Pirkti rankų darbo tapybą Perejti prie skaitmeninių vaizdų)
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Įveskite jums reikiamą plotį ir aukštį, kad atvaizdas derėtų prie jūsų rėmo ar sienos. Spausdiną galima tik sumažinti, bet nepadidinti virš originalaus paveikslėlio dydžio, todėl keičiant proporcijas, dalis vaizdo prarandama. Prieš spausdinimą atsiųsime jums skaitmeninį maketą patvirtinimui. Šioje puslapio nuotraukoje matomas pjūvis nėra tikslus – jį rodo tik maketas.
Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (1 lapkritis)
Nemokamas greitasis pristatymas visame pasaulyje
Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
Muitinės mokesčių grąžinimo garantija
Tikro spalvų atitikimo garantija
100 dienų grąžinimo politika (tik esant įtaigoms)
100% pinigų grąžinimo garantija
Nuolaida dideliems užsakymams
Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm
Monkeys
Giclée / Meno spausdinimas
Reprodukcijos matmenys
-
Bendroji kaina
€ 57
panašūs kūriniai
Autoriaus biografija
A Life of Ink and Rebellion
Kawanabe Kyōsai entered the world in 1831 in Koga, born into a samurai family. His early years were marked by a sudden, visceral encounter with mortality when, at age nine, he discovered a human head separated from a corpse in the Kanda river. This early shock preceded a formal education under the masters of the Kanō school and Utagawa Kuniyoshi. While he mastered the precise brushwork required by tradition, his spirit gravitated toward the more liberated styles of the popular schools. He moved to Edo, where his father joined the official firefighters of the Shogunate, and there, Kyōsai began to develop a persona that would define his career.
His path was never one of quiet conformity. During the political shifts from the Edo period to the Meiji era, he became a figure of both fascination and friction. He was arrested three times by the authorities of the Shogunate, often for the satirical nature of his work which mocked government officials and criticized prevailing policies. These brushes with the law did not dampen his output; instead, they reinforced his reputation as an independent thinker. His art reflected the chaos of a nation transforming from a feudal state into a modern power.
The Demon of the Brush
Kyōsai’s technical skill was matched by a wild, undisciplined energy. He earned the nickname Shuchu gaki, or "the Painting Demon," a title he embraced through his use of various seals in his work. His subject matter was vast and often strange, ranging from the religious to the grotesque. He populated his canvases with demons, skeletons, frogs, and animals, often imbuing them with human-like humor or political significance. One notable long painting on a handscroll, The battle of the farts, captured the political ferment of his era through sheer caricature.
His creative process was as legendary as his subjects. It was said that he could paint after an entire night of drinking, entering a state where the brush moved with instinctive speed. This spontaneous style, sometimes referred to as kyōga or "crazy pictures," allowed for a fluid draughtsmanship that felt alive. While he possessed the technical foundations of the Kanō school, his work leaned into chaos and comedy rather than quiet reverence. He was a skilled woodblock print artist, producing works like Kyōsai hyakuzu and various namazu-e prints that resonated with the public.
A Legacy in Lines
Beyond his individual paintings, Kyōsai contributed to the evolution of visual storytelling. In 1874, he helped create what is considered the first manga magazine, Eshinbun Nipponchi, alongside Kanagaki Robun. Though the publication lasted only three issues, it represented an early attempt at a new form of graphic media. His influence reached far beyond Japan, as his works found their way into collections such as the British Museum and the Guimet Museum in Paris. Even Western visitors, including architects like Josiah Conder, documented his extraordinary abilities.
The artist passed away in 1889 due to gastric cancer. He left behind an immense body of work, estimated at over 10,000 pieces, spanning prints, sketches, and albums. His life was a mirror of the era he inhabited—turbulent, transitioning, and deeply complex. Through his ink, the transition from the Middle Ages to a modern industrialized society found its most expressive voice.
Kawanabe Kyōsai
1831 - 1889
Trumpa informacija
- Artistic Movement Or Style: Ukiyo-e, Caricature, Manga pioneer
- Artists Or Movements Influenced By This Artist: ['Manga history']
- Artists Who Influenced This Artist:
- Utagawa Kuniyoshi
- Kanō school
- Date Of Birth: 1831
- Date Of Death: 1889
- Full Name: Kawanabe Kyōsai
- Nationality: Japanese
- Notable Artworks: ['The Battle of the Farts']
- Place Of Birth: Koga, Japan