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- Spausdinimas ant drobės
- Marcus Tatton
- Dried Arrangement
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Automatinė dioramaDried Arrangement
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Giclée / Meno spausdinimas
Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. (
Perejti prie rankinio darbo paveikslėlio Perjungti į vaizdą)
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Galite nurodyti savo matmenis, kad vaizdas atitiktų konkretų rėmą ar erdvę. Jei pasirinktas dydis nesutaps su originalaus paveikslėlio proporcijomis, mes arba apkirpsime kūrinį, arba išplėsime vaizdą naudojant veideliu atspindėtą arba vientisą šoną. Skaitmeninis maketas bus išsiųstas jums patvirtinti prieš pradedant gamybą.
Atkreipkite dėmesį, kad ekrane matomas vaizdinys neatspindi tikrojo apkirpimo ar išplėtimo. Tik maketas tiksliai parodytų galutinę kompoziciją.
Nors galima rinktis ir individualius dydžius, rekomenduojame pasirinkti vieną iš išanksti nustatytų matmenų, kad būtų išlaikytos originalios proporcijos.
Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (2 rugpjūtis)
Nemokamas greitasis pristatymas visame pasaulyje
Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
Muitinės mokesčių grąžinimo garantija
Tikro spalvų atitikimo garantija
60 dienų grąžinimo politika (tik esant gamyklinėms defektams)
100% pinigų grąžinimo garantija
Nuolaida už kelias reprodukcijas
Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm
Dried Arrangement
Giclée / Meno spausdinimas
Reprodukcijos matmenys
-
Galutinė kaina
$ 64
Autoriaus biografija
Marcus Tatton: Sculptor of Wild Landscapes
Marcus Tatton, born in Taumarunui, New Zealand in 1968, is a sculptor whose artistic vision centers on exploring the profound connection between humanity and the natural world—specifically drawing inspiration from Tasmania’s rugged wilderness. His work transcends mere representation; it seeks to capture the essence of these environments and how human interaction shapes their character. Tatton's formal education began at the University of Tasmania where he pursued a Bachelor of Fine Arts degree specializing in Furniture Design, grounding him in craftsmanship and an understanding of material properties that would later inform his monumental sculptures. This foundational knowledge continues to permeate his artistic practice, evident in his meticulous attention to detail and his commitment to utilizing recycled materials—a conscious decision reflecting his deep respect for ecological sustainability. Tatton’s sculptural output is characterized by ambitious scale and a deliberate juxtaposition of textures – often incorporating rusted steel and reclaimed timber alongside polished concrete – creating striking visual dialogues between organic forms and industrial processes. He doesn't simply depict landscapes; he embodies them, crafting sculptures that stand as tangible reminders of the forces shaping our planet. His artistic journey has been marked by numerous exhibitions showcasing his distinctive style, including solo shows at Beaver Gallery in ACT 1996, Object Galleries 1998 and Handmark Gallery in Tasmania 2000. Furthermore, he’s participated in international events like SOFA Chicago with del Mano Gallery in 2003 and Philadelphia in 2005, cementing his reputation as a globally recognized artist. A pivotal moment in Tatton's career arrived with the Helen Lempriere Sculpture Award for Sculpture by the Sea Bondi 2011, initiating a prolific engagement with public art installations. Since then, he has consistently participated in Sculpture by the Sea events—Bondi (four times), Cottesloe (three times) and Aarhus (three times)—demonstrating an unwavering dedication to transforming urban spaces into immersive artistic experiences. His sculptures at Bondi have garnered critical acclaim and awards, notably the Westpac Merit Award in 2011. He has also earned recognition for his contributions to the Kingston Learning Project in Tasmania and Risdonvale near Hobart, showcasing a collaborative spirit alongside his solo achievements. Tatton’s sculptural explorations extend beyond mere aesthetic considerations; they grapple with themes of environmental responsibility and the legacy we leave on future generations. His monumental works—such as ‘wide brown land’, a 42m long corten steel sculpture at Canberra Arboretum—serve as powerful statements about our relationship with the environment, prompting contemplation on conservation and artistic innovation. He continues to push boundaries in sculptural technique and conceptual depth, solidifying his position as one of Tasmania’s foremost contemporary artists and a champion for environmentally conscious artmaking.
Marcus Tatton
1968 - , New Zealand
Trumpa informacija
- Artistic Movement Or Style: Monumental Sculpture
- Date Of Birth: 1968
- Full Name: Marcus Tatton
- Nationality: New Zealander
- Notable Artworks: ['Dried Arrangement']
- Place Of Birth: Taumarunui, New Zealand
