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Catalogue entry

Self Portrait Making Faces

1992. , 180.0 x 40.0 cm. Ulster University.

Fig. 1. Tom Hallifax, Self Portrait Making Faces, 1992. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

Matmenys
180.0 x 40.0 cm

§ 2Abstract

Kolekcinio objekto aprašas

Explore 'Self Portrait Making Faces' by Tom Hallifax – a striking 1992 oil painting series capturing intense human emotion. Raw, expressive style reminiscent of Otto Dix. #art #portraiture #contemporaryart

Autoriaus biografija

Tom Hallifax is a Belfast-based artist creating portraits & figurative works. Explore his compelling depictions of figures like Sammy Wilson & Stanley Roberts.

§ 3Commentary

§ 4The artist

Quick facts about Tom Hallifax

  • Artistic Movement Or Style: Figurative painting
  • Artists Or Movements Influenced By This Artist: ['Contemporary realism']
  • Artists Who Influenced This Artist: ['Otto Dix']
  • Date Of Birth: 1965
  • Full Name: Tom Hallifax
  • Nationality: Anglo-Irish
  • Notable Artworks:
    • Pink Tractor
    • PRINCE BAW
    • GREYABBEY APPLES
    • Portrait of Larry Salander
    • Lake Gartan
  • Place Of Birth: Hampshire, UK

Autoriaus biografija

Tom Hallifax: A Belfast Painter of the Everyday

Tom Hallifax, born in Hampshire in 1965, is a compelling figure in contemporary British art – an Anglo-Irish artist whose distinctive style has captivated audiences and collectors alike. His journey from a privileged background steeped in naval history to a life dedicated to capturing the essence of ordinary subjects—tractors, chickens, dogs, and portraits—is as intriguing as his work itself. Hallifax’s career is marked by a deliberate rejection of grand narratives, instead focusing on the quiet beauty and inherent drama found within the commonplace.

Early influences shaped Hallifax's artistic trajectory. Educated at Eton College and St Andrews University, he initially pursued art history before dedicating himself to painting at the University of Ulster in Northern Ireland. This formative period instilled a deep appreciation for both traditional techniques and a willingness to experiment with new approaches. Crucially, his upbringing within a family connected to the Royal Navy fostered a sense of adventure and an openness to diverse experiences – qualities that would later inform his artistic vision.

The Rise to Prominence: Self-Portraits and the BP Portrait Award

Hallifax’s breakthrough came in 1993 with a series of strikingly unconventional self-portraits. These weren't idealized representations of beauty; instead, they depicted Hallifax in various states of awkwardness, eccentricity, and even grotesque humor – gurning, grimacing, and generally presenting himself as an unlikely hero. These images were strategically utilized to promote the National Portrait Gallery’s BP Portrait Award Exhibition, appearing on London Underground posters and generating considerable public attention. This audacious move established Hallifax as a provocative and instantly recognizable artist.

The success of these self-portraits paved the way for further commissions and exhibitions. He was appointed Royal Artist to Prince Charles in 1994, undertaking portraits of key figures within the royal circle. This experience broadened his artistic scope while simultaneously reinforcing his commitment to capturing authentic human character – a characteristic that would become central to his oeuvre.

A Shift Towards Figurative Painting and Series

Following his initial success with self-portraits, Hallifax began exploring more expansive figurative painting. He developed distinct series based on recurring subjects: the sturdy simplicity of Irish tractors, the frantic energy of running chickens, the endearing awkwardness of dogs, and, perhaps most famously, portraits of prominent figures in Northern Ireland – including Councillor Sammy Wilson, a politician whose image became synonymous with Hallifax’s distinctive style.

These series are characterized by their bold color palettes, simplified forms, and a deliberate avoidance of photographic realism. Hallifax employs a technique that blends the immediacy of snapshot photography with the meticulousness of oil painting, creating images that feel both familiar and strangely unsettling. His work is often described as “undermining the heroic and heroising the ordinary,” elevating the mundane to the level of art.

Style and Technique: A Unique Approach

Hallifax’s artistic style is instantly recognizable. He favors large-scale canvases, utilizing a limited color palette – often dominated by earthy tones—to create a sense of depth and atmosphere. His brushwork is loose and expressive, conveying both the physicality of his subjects and an underlying emotional intensity. He frequently incorporates elements of collage and mixed media, adding texture and visual interest to his paintings.

Beyond portraiture, Hallifax has also demonstrated a talent for landscape painting and charcoal drawing, further expanding the range of his artistic practice. His work reflects a deep engagement with both the natural world and the complexities of human relationships – themes that are consistently explored through his distinctive visual language.

Legacy and Recognition

Tom Hallifax’s career has been marked by critical acclaim and widespread recognition. He has exhibited extensively in Ireland, Britain, and internationally, and his work is held in numerous public collections. His unique approach to portraiture and figurative painting continues to resonate with audiences today, cementing his place as a significant figure in contemporary British art. Hallifax’s ability to find beauty and meaning in the everyday—to transform ordinary subjects into compelling works of art—is a testament to his artistic vision and enduring talent.

§ 5Comparanda

§ 6Questions

§ 7Cite this entry

AllPaintingsStore.com, “Tom Hallifax, Self Portrait Making Faces (1992)”, https://allpaintingsstore.com/lt/art/tom-hallifax-self-portrait-making-faces-ARAM5J-en/ArtistReproduction/ (accessed 3 spalis 2026).

§ 8The reproduction

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It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Self Portrait Making Faces

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