Self-portrait
59.0 x 36.0 cm
Accademia di San Luca
Handgemaakte olieverfreproductie
Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. ( Bestel print
Koop afbeelding)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
Na de bestelling zal het team van AllPaintingsStore.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.
Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (18 augustus). Zonder concessies aan de kwaliteit.
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Self-portrait
Druktechniek
Afmetingen reproductie
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Eindtotaal
$ 258
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Biografie van de kunstenaar
Aurelio Mistruzzi: Sculptor of Ravenna’s Soul
Aurelio Mistruzzi (1880-1961), born in Ravenna, Italy, stands as a testament to the enduring spirit of Italian sculpture during the late nineteenth and early twentieth centuries. His artistic journey began under the tutelage of Renato Signorini, a prominent figure in Impressionism and Neoimpressionism who instilled in Mistruzzi a profound appreciation for capturing fleeting moments and conveying emotion through form and color—influences that would permeate his subsequent oeuvre. Ravenna itself, steeped in Byzantine history and artistic tradition, served as fertile ground for nurturing an artist deeply connected to its cultural heritage. Mistruzzi’s sculptural output is characterized by a remarkable sensitivity to material and technique. Primarily working with marble, he achieved breathtaking realism, capturing the nuances of human anatomy and expression with meticulous detail. Perhaps his most iconic piece is undoubtedly his self-portrait—a haunting depiction rendered in alabaster that transcends mere likeness, embodying an introspective gaze and conveying a palpable sense of melancholy. This sculpture exemplifies Mistruzzi’s ability to transform stone into conduits for psychological depth. Beyond marble, Mistruzzi ventured into bronze casting, specializing in small sculptures that often explored themes of human dignity and contemplation. Unlike the grand monuments of his time, these pieces prioritized subtlety and emotional resonance—a deliberate departure from prevailing artistic trends. His approach mirrored the burgeoning interest in expressive realism championed by Signorini and other contemporaries who sought to move beyond academic conventions. Furthermore, Mistruzzi’s contribution extended beyond sculpture into the realm of medals. He skillfully executed bronze medallions bearing portraits of notable figures, demonstrating mastery over both sculptural form and metallurgical processes. This practice aligns with a tradition dating back to the Renaissance—a deliberate harkening back to classical ideals while simultaneously innovating in artistic expression. The earliest portrait medals were conceived as miniature sculptures, rather than mere coins, reflecting a desire for artistic refinement and commemorating individuals of significance. Mistruzzi’s legacy resides not only in his individual artworks but also in his role as a pioneer of exonumia—art objects produced outside the conventional coinage system. These bronze medallions represent a unique form of artistic patronage and serve as tangible reminders of historical figures and events. Mistruzzi's work continues to be studied and admired by scholars and collectors alike, cementing his place as a pivotal voice in Italian sculpture and a symbol of Ravenna’s artistic legacy.Aurelio Mistruzzi
1880 - 1961 , Italy
Belangrijkste feiten
- Artistic Movement Or Style: Sculpture
- Artists Or Movements Influenced By This Artist: Bronze sculpture
- Artists Who Influenced This Artist: Renato Signorini
- Date Of Birth: 1880
- Full Name: Aurelio Mistruzzi
- Nationality: Italian
- Notable Artworks: ['Self-portrait']
- Place Of Birth: Ravenna, Italy

De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.