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Work 171

Afmetingen
99.0 x 119.0 cm

A Symphony of Geometry: Discovering Elbio Raúl Lozza’s Work 171

In the vast landscape of mid-century abstraction, few works capture the rhythmic precision and vibrant energy of Argentine Concrete Art quite like Work 171. Created in 1948 by the visionary Elbio Raúl Lozza, this masterpiece serves as a window into a period of profound geometric experimentation. The canvas is an orchestrated dance of color and form, where a deep, verdant green background provides a lush stage for a constellation of sharp, intersecting triangles. Each shape—rendered in striking hues of crimson, azure, sun-drenched yellow, and royal purple—seems to vibrate against its neighbor, creating a sense of perpetual motion that draws the viewer into a hypnotic, optical experience.

The technique employed by Lozza in this piece reflects his mastery over the principles of Madí and Concrete art movements. Rather than relying on representational imagery, the artist utilizes the inherent tension between geometric shapes to build a structural narrative. The way the triangles overlap and orient themselves suggests a complex architectural blueprint, yet it remains fluid and organic. This interplay of sharp angles and bold pigments creates an illusion of depth, making the flat surface of the wood-based medium feel as though it possesses its own internal dimension. For the discerning collector, this work represents a pinnacle of mathematical beauty married to painterly intuition.

Beyond its formal qualities, Work 171 carries a significant historical weight. Emerging from the intellectual ferment of post-war Argentina, Lozza’s work was part of a larger movement seeking to strip art of its decorative illusions and return it to its fundamental, structural truths. The painting does not merely depict shapes; it celebrates the autonomy of color and line. There is an inherent optimism in this 1948 composition—a belief that through order, clarity, and balance, one can find a universal language that transcends borders and eras.

For interior designers and lovers of modernism, this artwork offers unparalleled versatility and emotional resonance. Its commanding presence, measuring 99 x 119 cm, makes it an ideal focal point for a sophisticated contemporary space. Whether placed in a minimalist gallery setting or used to add a burst of structured color to a curated residential collection, the piece evokes a sense of intellectual rigor and aesthetic joy. Owning a high-quality reproduction of this Lozza masterpiece allows one to bring the legacy of Argentine abstraction into the modern home, providing a timeless conversation piece that inspires contemplation and admiration.

Veelgestelde vragen

Wordt "Work 171" door Elbio Raúl Lozza bewaard in het land van herkomst van de kunstenaar?

Nee - het kunstwerk wordt in het buitenland bewaard. "Work 171" bevindt zich in Argentinië, terwijl Elbio Raúl Lozza werd geboren in Argentina.

Waar kan ik een print van "Work 171" door Elbio Raúl Lozza kopen?

"Work 171" is verkrijgbaar als een fine art print op katoenen canvas of archiefwaardig canvaspapier. U kunt uw bestelling plaatsen op de Fine Art Print pagina, in de afmeting naar keuze.

Welk gevoel roept "Work 171" bij u op?

De emotionele toon die is vastgelegd voor "Work 171" door Elbio Raúl Lozza is Energetic. Het vat het gevoel samen dat het werk uitdrukt.

Elbio Raúl Lozza (1911 – 2008)

A pioneer of Argentine Concrete Art, Elbio Raúl Lozza revolutionized geometric abstraction through works like Invention no. 150 and the Perceptivist movement, inviting you to discover a world of pure structural truth.

Buenos Aires Museum of Modern Art (Buenos Aires, Argentinië)

Ontdek Argentijnse moderne kunst in het Buenos Aires Museum of Modern Art (MAMBA). In een historisch tabakswinkelpand vindt u een rijke collectie en levendige tentoonstellingen die de nationale identiteit weerspiegelen.

Over dit kunstwerk

Snelle feiten

  • Location: Buenos Aires Museum of Modern Art
  • Title: Work 171
  • Medium: Paint on wood
  • Subject or theme: Geometric composition
  • Year: 1948