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Catalogusvermelding

School Studies

1944. , 81.0 x 98.0 cm.

Afb. 1. Horace Pippin, School Studies, 1944. Weergegeven als de reproductie die u specificeert: , .

§ 1Catalogusgegevens

Afmetingen
81.0 x 98.0 cm

§ 2Abstract

Beschrijving verzamelobject

Biografie kunstenaar

Explore the powerful paintings of Horace Pippin (1888-1946), a self-taught American artist renowned for his WWI scenes, depictions of African American life & history, and unique folk art style. Discover the legacy of this groundbreaking painter.

§ 3Toelichting

Painted with small areas of mostly flat color, this horizontal painting shows three brown-skinned people in the room of a home with pale gray walls and wood floors. To our right, a woman wears slate-gray skirt, a white apron and shawl, and a red headscarf with black and white polka dots. She sits in a black wooden chair facing our right in profile, smoking a pipe. A steaming kettle and bright green coffee pot sit on a black wood stove behind and to the right of the woman, with firewood stacked to the right. A clock or timer and an oil lamp sit on a red shelf above the stove and the woman’s head. Beneath her feet is one of three rectangular area rugs with a pattern of green, black, white, and red stripes. A window at the center of the back wall of the room is mostly covered by a dark green curtain. The panes along the bottom are black and lined with white, suggesting snow or frost. A bucket and pewter-colored, shallow bowl sit on a bench on the second striped rug under the window. To our left, a small person standing on the third patterned rug wears short black pants, stockings, and suspenders over a white shirt. That person turns away from us and rests elbows near a lit candle on a table with a red and gray checkered tablecloth. The third person, possibly a young girl, sits on a blanket or a fourth rug patterned with yellow, red, black, and green triangles. That young girl wears a gray dress and black shoes. She cradles a baby doll, and a white dog, perhaps a stuffed animal, sits next to her. A few cracks in the wall near the window expose horizontal bands, perhaps narrow wooden boards under damaged plaster. The artist signed the work with black letters in the lower right corner: “H. PiPPiN.”

Veelgestelde vragen

Wie heeft "School Studies" gemaakt en in welk jaar?

Horace Pippin maakte "School Studies" in 1944.

Waar kan ik een handgeschilderde reproductie van "School Studies" door Horace Pippin kopen?

"School Studies" is verkrijgbaar als een met de hand geschilderde olieverfreproductie op linnen canvas. U kunt uw bestelling plaatsen op de Handgeschilderde reproductie pagina, met een keuze uit verschillende formaten.

Is "School Studies" door Horace Pippin een licht of een donker kunstwerk?

De helderheid van "School Studies" door Horace Pippin is vastgelegd op bright, met een luminantie van Gentle Luminance.

§ 4De kunstenaar

Horace Pippin

Horace Pippin

1888 - 1946, United States of America

Snelle feiten over Horace Pippin

  • Full Name: Horace Pippin
  • Nationality: American
  • Date Of Birth: 1888
  • Date Of Death: 1946
  • Place Of Birth: West Chester, United States of America
  • Notable Artworks:
    • Lady of the Lake
    • WWI Scenes
    • Biblical subjects
  • Artistic Movement Or Style: Folk art, self-taught
  • Artists Or Movements Influenced By This Artist: ['American Folk Art']

Biografie kunstenaar

Horace Pippin: A Voice Forged in War and Color

Horace Pippin (February 22, 1888 – July 6, 1946) remains a profoundly resonant figure in American art history—a testament to resilience, self-taught artistry, and the power of visual storytelling. Born in West Chester, Pennsylvania, into a family grappling with the legacy of slavery, Pippin’s journey from a young boy sketching racehorses to a celebrated painter is one of remarkable determination and artistic evolution. His work transcends mere representation; it embodies the spirit of his time, reflecting both the horrors of World War I and the burgeoning struggle for racial equality in America.

Pippin's early life was marked by hardship and limited formal education. Growing up in Goshen, New York, he largely taught himself to draw, fueled by a natural talent and an insatiable curiosity about the world around him. His family’s history—rooted in slavery and domestic service—shaped his perspective and informed the themes that would later dominate his art. Despite lacking traditional training, Pippin developed a distinctive style characterized by bold outlines, vibrant colors, and a remarkable ability to capture emotion and movement. This unique approach stemmed from an intuitive understanding of composition and color theory, honed through countless hours of observation and practice.

The Crucible of War: Painting the Reality of Combat

Horace Pippin’s artistic trajectory took a dramatic turn during World War I when he enlisted with the 369th Infantry Regiment—the Harlem Hellfighters—an all-Black unit that served with distinction in France. His experiences on the front lines, including being shot and severely wounded in his right shoulder, profoundly impacted his art. The injury, initially debilitating, became a catalyst for creativity; Pippin adapted to painting primarily with his left hand, developing an innovative technique of guiding the brush with his wrist—a testament to his unwavering spirit.

His war paintings are not romanticized depictions of heroism but stark and unflinching portrayals of combat. Works like “The End of the War: Starting Home” (1930-33) capture the chaos, exhaustion, and psychological toll of trench warfare with a raw honesty rarely seen in contemporary art. These pieces, imbued with a deep sense of empathy and understanding, stand as powerful indictments of war’s brutality and a poignant reflection on the experiences of Black soldiers fighting for their country.

Beyond the Battlefield: Exploring American Life

Following his return to America, Pippin continued to explore a diverse range of subjects in his art. While his wartime paintings remain central to his legacy, he also produced compelling depictions of African American family life, historical events, and biblical scenes. His work frequently addressed themes of social justice, particularly the lingering effects of slavery and racial segregation in the United States. “Giving Thanks” (1942), for example, offers a tender portrait of a Black family gathered around a table, celebrating a bountiful harvest—a powerful symbol of resilience and hope amidst adversity.

Pippin’s artistic vision extended beyond mere representation; he sought to capture the essence of his subjects – their emotions, their struggles, and their humanity. His use of color was particularly striking, employing bold hues and dynamic compositions to create visually arresting images that resonated deeply with viewers. He skillfully blended elements of folk art—characterized by simple forms and expressive brushwork—with a more sophisticated understanding of artistic technique.

Legacy and Recognition

Despite facing significant challenges as a self-taught Black artist in a predominantly white art world, Horace Pippin achieved considerable recognition during his lifetime. He was the first African American to be the subject of a full-length monograph, “Horace Pippin, A Negro Painter in America” (1947), by Selden Rodman—a landmark achievement that brought attention to his work and challenged prevailing racial biases within the art community. The New York Times famously hailed him as "the most important Negro painter" in American history.

Today, Pippin’s paintings are celebrated for their emotional depth, artistic innovation, and historical significance. His legacy continues to inspire artists and art enthusiasts alike, serving as a reminder of the transformative power of creativity and the importance of amplifying marginalized voices. His work can be found in prestigious collections such as the New Hope Museum of Art and is documented extensively online through platforms like AllPaintingsStore.com, offering viewers a window into the life and artistry of this remarkable American painter.

Pippin’s story stands as an enduring testament to the human spirit—a celebration of resilience, creativity, and the unwavering pursuit of artistic expression in the face of adversity. His paintings remain powerful symbols of hope, justice, and the beauty found within the complexities of the American experience.

§ 5Vergelijkbare werken

§ 6Vragen

§ 7Citeer dit artikel

AllPaintingsStore.com, “Horace Pippin, School Studies (1944)”, https://allpaintingsstore.com/nl/art/horace-pippin-school-studies-D39MZH-en/ArtistReproduction/ (geraadpleegd op 12 oktober 2026).

§ 8De reproductie

Handgemaakte olieverfreproductie

Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. ( Schakel over naar print Schakel over naar digitale afbeeldingen)

Dit staat in de marge van het bestelformulier vermeld; de huidige stand van zaken op dat formulier luidt als volgt.

School Studies

Druktechniek

Afmetingen reproductie

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Geselecteerde topkunstenaars

Meer detail, verfijning en extra productietijd

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Lijst voor reproductie

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Voor kunstwerken of reproducties die aan één zijde groter zijn dan 105 cm (ongeveer 41 inch), wordt de lijst als een losse set verzonden. Deze methode garandeert een veilige levering en voorkomt schade tijdens het transport.

Professionele montage vereist - dit is geen doe-het-zelfproduct.
De set moet worden gemonteerd en het canvas moet worden gespannen door een ervaren professionele lijstenmaker, met gebruik van houtlijm (niet inbegrepen), een doekspanter en klemmen om de sponningen recht te houden terwijl de lijm droogt. Onjuiste montage of een ongelijkmatige spanning op het canvas kan het kunstwerk permanent beschadigen en wordt niet gedekt door onze garantie.

  • Alle massief houten onderdelen zijn inbegrepen, nauwkeurig op maat gesneden voor montage.

  • Te monteren met de meegeleverde schroeven, plus houtlijm voor de hoekverbindingen, die niet wordt meegeleverd en door uw lijstenmaker moet worden aangeschaft.

  • Professioneel gereedschap is vereist en niet inbegrepen: een spanner voor canvas en klemmen om de latten recht te houden terwijl de lijm droogt.

Belangrijk:
De hoekverbindingen vereisen houtlijm, de latten moeten met lijmklemmen worden vastgehouden tot de lijm volledig is opgedroogd, en het spannen van het canvas op het samengestelde frame vereist een doekspanter. Geen van deze artikelen is inbegrepen in de set. Wij adviseren u om een ervaren professionele lijstenmaker te raadplegen voordat u deze maat bestelt.

Naamplaatje

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Beschermende vernislaag

Glanzende vernis (versterkt de kleuren en biedt bescherming tegen licht en vocht)

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Mijn kunstwerk aanpassen

Voorbeelden van aanpassingen: vervang het gezicht door een eigen foto; voeg een huisdier toe (bijv. vervang de kat door een hond); verwerk een verborgen boodschap in de achtergrond; wijzig het landschap of andere elementen op de achtergrond.

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Spoedlevering

Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (9 november). Geen concessies aan de kwaliteit.

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Spoedlevering

Wereldwijde levering naar binnen 5 weken. (16 november).

Inbegrepen

Eindtotaal

€ 275

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