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DiavoorstellingCleopatra
1495
181.0 x 117.0 cm
British Museum
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Giclée / Kunstafdruk
Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties. (
Schakel over naar handgeschilderd kunstwerk Wissel naar afbeelding)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (31 juli)
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60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
Cleopatra
Giclée / Kunstafdruk
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Eindtotaal
$ 64
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Biografie van de kunstenaar
Jacopo de' Barbari: A Venetian Pioneer of Illusionistic Art
Jacopo de’ Barbari remains an enigmatic figure in Renaissance art history, shrouded in mystery regarding his birthdate and early life. Estimates place him between 1450 and 1470, though definitive proof is elusive. Contemporary accounts describe him as “old and weak” by 1511, suggesting a later date of origin—a fascinating paradox considering his remarkable artistic output during his lifetime. While Venetian origins are widely accepted based on biographical details like Albrecht Dürer’s reference (“van venedig geporn”), scholarly debate persists concerning his Germanic connections, ultimately pointing to an Italian heritage substantiated by surviving documents addressed to Germans. His formative years remain largely undocumented, though Alvise Vivarini is considered a possible mentor—a connection that underscores the artistic currents circulating within Venice at the time. Around 1500, he embarked on a transformative journey to Germany, where he served under Emperor Maximilian I in Nuremberg for a year and subsequently collaborated with Frederick III of Saxony in various locations between 1503 and 1505. This period cemented his reputation as “Jacop Walch,” reflecting the prevalent perception of Italians as foreigners within Germanic artistic circles. He continued his artistic endeavors at the court of Joachim I of Brandenburg from 1506 to 1508, demonstrating a consistent commitment to expanding his creative horizons. Barbari’s artistic breakthrough arrived in Nuremberg, where he produced his celebrated “Still Life with Fruits and Insects,” arguably the first instance of trompe l'oeil since antiquity—a technique that deliberately deceives the eye by creating illusions of depth and perspective. This groundbreaking approach was profoundly influenced by Andrea Mantegna and Albrecht Dürer, artists whose mastery of linear perspective and illusionistic rendering served as models for Barbari’s own stylistic innovations. His engravings, numbering twenty-nine, were equally influential, capturing the spirit of the Renaissance with meticulous detail and conveying a sense of realism that surpassed previous artistic conventions. Notably, his monumental woodcuts—particularly “The Triumph of Death”—became iconic representations of mortality and humanist thought, cementing Barbari’s place as one of the foremost printmakers of his era. By 1510, Barbari was actively engaged in artistic commissions for Philip II of Burgundy and Margaret Tudor, demonstrating his versatility across mediums and signaling a shift towards collaborative projects within the burgeoning Netherlandish Renaissance. His final years were marked by illness and culminated in a poignant testament—a gesture reflecting both vulnerability and an unwavering dedication to his craft. The Archduchess Margaret’s generous pension underscored the recognition of Barbari's artistic legacy, securing him a place among the luminaries of his time. He died before 1516, leaving behind a body of work that continues to inspire admiration for its technical brilliance and conceptual depth—a testament to Jacopo de’ Barbari’s enduring contribution to Renaissance art and visual culture.
jacopo de barbari
1460 - 1516
Belangrijkste feiten
- Artistic Movement Or Style: Trompe l'oeil & Woodcuts
- Artists Or Movements Influenced By This Artist: ['Renaissance Art']
- Artists Who Influenced This Artist:
- Mantegna
- Dürer
- Date Of Birth: c. 1460/70
- Date Of Death: before 1516
- Full Name: Jacopo de' Barbari
- Nationality: Italian
- Notable Artworks:
- The Triumph of Death
- Mantegna’s Lamentation
- Place Of Birth: Venice, Italy
