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DiavoorstellingPerspective Bench
Minimalism
79.0 x 59.0 cm
Gyeonggi Museum of Modern Art
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Giclée / Kunstafdrukken
Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. (
Bestel handgeschilderde reproductie Koop afbeelding)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (20 augustus)
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Retourbeleid van 60 dagen (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
Perspective Bench
Giclée / Kunstafdrukken
Afmetingen reproductie
-
Eindtotaal
$ 65
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Biografie van de kunstenaar
The Architecture of Absence
To encounter the work of Jiro Takamatsu is to enter a profound dialogue with the unseen. He was an artist who did not merely sculpt form, but rather sculpted the very air around it, capturing the ephemeral weight of shadows and the haunting silence of the void. Born in Tokyo in 1936, Takamatsu emerged as a pivotal figure in the postwar Japanese avant-garde, a master of the liminal space where light meets darkness. His practice was never about the mere accumulation of matter; instead, it was an investigation into the poetics of absence, a relentless pursuit to find the essence of reality within the smallest, most fundamental geometric components.His early explorations were deeply rooted in the rigorous study of Western modernism, particularly the structural legacies of Cézanne. This intellectual foundation, cultivated at the Tokyo University of Fine Arts and Music, provided him with the tools to dissect form and volume. Yet, Takamatsu’s vision quickly transcended traditional painting. He sought to challenge the very mechanics of human cognition, using materials to create illusions that force the viewer to question their own perception. Through his hands, a simple line or a geometric shape became a gateway to understanding the Zero Dimension—a concept where an object is reduced to its most basic constituent elements, representing both the ultimate division and the profound emptiness of existence.
From Gutai Energy to Hi Red Center Interventions
The trajectory of Takamatsu’s career was marked by a radical departure from institutional boundaries. In his formative years, his association with the Gutai Art Association signaled a decisive break from conventional art practices. Alongside contemporaries like Natsuyuki Nakanishi, he embraced an ethos of direct engagement with materials and the rejection of traditional exhibition spaces. This period of intense experimentation laid the groundwork for his later, more conceptual endeavors, where the boundaries between art and life began to dissolve entirely.In 1963, Takamatsu co-founded the legendary collective Hi Red Center with Genpei Akasegawa and Natsuyuki Nakanishi. This group became synonymous with audacious public interventions that disrupted the established hierarchies of the art world. Their actions were designed to provoke, to challenge the assumptions of the urban dweller, and to transform the mundane streets of Tokyo into a stage for conceptual performance. By bringing art out of the gallery and into the chaotic rhythm of the city, Takamatsu helped redefine the role of the artist as an agent of social and perceptual disruption.
The Mastery of Perspective and Shadow
Perhaps the most captivating aspect of Takamatsu’s legacy lies in his ability to manipulate perspective and distortion. He utilized photography, sculpture, and drawing to create works that act as optical puzzles. One might consider the following hallmarks of his technical brilliance:- Shadow Sculpture: The use of light to project three-dimensional forms onto surfaces, making the intangible shadow appear as a physical presence.
- The Perspective Bench: A striking geometric abstraction that uses precise lines and muted tones to manipulate the viewer's sense of depth and architectural space.
- Morphological Devices: The application of tautology and appropriation to investigate how we recognize and interpret objects in our environment.
jiro takamatsu
1936 - 1998 , Japan
Belangrijkste feiten
- Artistic Movement Or Style: Postwar Japanese Art; Conceptual Art; Mono-Ha
- Artists Or Movements Influenced By This Artist: ['Conceptual Art']
- Artists Who Influenced This Artist:
- Paul Cézanne
- Sesshū Tōyō
- Date Of Birth: February 20, 1936
- Date Of Death: June 25, 1998
- Full Name: Jiro Takamatsu
- Nationality: Japanese
- Notable Artworks:
- Perspective Bench
- Young Woman Jumping From The Kiyomizu Temple Balcony With An Umbrella As A Parachute
- Place Of Birth: Tokyo, Japan
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