Itulo
Giclée / Kunstafdruk
Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (18 juli)
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
Itulo
Giclée / Kunstafdruk
Afmetingen reproductie
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Eindtotaal
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Beschrijving verzamelobject
Biografie van de kunstenaar
Nicholas Hlobo: Sculptural Narratives of Identity and Healing
Nicholas Hlobo is a South African artist born in Cape Town in 1975, whose work powerfully confronts themes of queer identity, Xhosa heritage, and the legacy of colonialism. Rooted in Johannesburg, he earned his Bachelor of Technology from Technikon Witwatersrand in 2002, marking the beginning of a prolific artistic journey characterized by monumental sculptural installations that challenge conventional notions of form and materiality. Hlobo’s artistic practice is deeply informed by his personal experiences as a gay Xhosa man navigating the complexities of South African society. This intersectionality fuels his exploration of masculinity and sexuality—not merely as categories, but as fluid concepts shaped by cultural traditions and historical trauma. He meticulously crafts sculptures using unconventional materials – rubber inner tubes, ribbon, organza, lace, and salvaged objects – transforming these seemingly disparate elements into cohesive narratives that speak to the process of regeneration after rupture. This deliberate juxtaposition mirrors his interest in examining how colonization operates both overtly and subtly within contemporary life, reflecting on the scars left by historical oppression. The artist’s technique is equally significant. Hlobo painstakingly cuts and sews together found objects—often incorporating rubber tubes and fabric scraps—creating intricate assemblages that symbolize the healing potential inherent in confronting painful experiences. These sculptures aren't simply representations; they are active dialogues with history, embodying a desire to reclaim agency and disrupt dominant narratives. The layering of textures and patterns contributes to an overall sense of visual richness and invites contemplation on themes of fragmentation and reintegration. His artistic vision draws inspiration from diverse sources, including the traditions of his Xhosa culture and the broader context of postcolonial art globally. Artists like William Wegman and Louise Bourgeois have served as influential models, demonstrating a willingness to experiment with unconventional materials and explore psychological landscapes within sculptural form. Furthermore, Hlobo’s engagement with conceptual art—particularly the work of Robert Smithson—highlights his commitment to challenging established artistic conventions and prioritizing process over polished aesthetics. Hlobo's monumental sculptures have garnered international acclaim, appearing in exhibitions across Europe and North America. Notable works include “Igqirha Lendlela,” a striking photographic still life featuring leather and tire textures that exemplifies his masterful manipulation of materiality; "Untitled (Wazoneka)," which showcases the artist’s exploration of color and texture; and “Itulo,” demonstrating his ability to convey complex emotional narratives through sculptural form. His art continues to provoke discussion about identity, representation, and the role of art in confronting difficult histories—solidifying his position as a pivotal figure within contemporary South African art and beyond.- Notable Exhibitions: Cologne Cathedral Art Exhibition (2018), Venice Biennale (2019), Stedelijk Museum Amsterdam (2021)
- Influences: William Wegman, Louise Bourgeois, Robert Smithson
- Materials Commonly Used: Rubber Inner Tubes, Ribbon, Organza, Lace, Found Objects
nicholas hlobo
1975 - , South Africa
Belangrijkste feiten
- Artistic Movement Or Style: Sculptural Art
- Date Of Birth: 1975
- Full Name: nicholas hlobo
- Nationality: South African
- Notable Artworks:
- Igqirha Lendlela
- Untitled (Wazoneka)
- Place Of Birth: Cape Town, South Africa



De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.