Untitled
2009
252.0 x 185.0 cm
ILHAM Gallery
Giclée / Kunstafdruk
Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (26 juli)
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
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60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
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Untitled
Giclée / Kunstafdruk
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Beschrijving verzamelobject
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Biografie van de kunstenaar
Sopheap Pich: Sculpting Memory and Resilience
Sopheap Pich is a Cambodian American contemporary artist born in Phnom Penh, Cambodia, in 1971. His artistic journey began amidst the harrowing realities of the Khmer Rouge regime—a period marked by unimaginable violence and suffering—leaving him to emigrate to the United States at age 13 as part of a refugee family. This formative experience profoundly shaped his worldview and fueled his creative impulse, inspiring him to explore themes of displacement, identity, and remembrance through sculptural mediums. ### Early Influences and Artistic Formation Pich’s artistic education commenced in Massachusetts Amherst where he earned a BFA followed by an MFA from the School of the Art Institute of Chicago. These academic pursuits instilled in him a foundational understanding of painting techniques while simultaneously nurturing his burgeoning interest in sculpture. Recognizing sculpture as a means to engage intimately with his environment, he deliberately shifted away from traditional painting methods—a decision that would prove pivotal in defining his artistic style. He honed his craft by experimenting with diverse materials and processes, prioritizing tactile exploration and conceptual depth over mere visual aesthetics. Notably, he trained as a Kun Khmer fighter during his youth, which instilled discipline and physical awareness – elements that subtly permeate his sculptural practice. ### Material Exploration and Artistic Style Pich’s artistic style is characterized by its deliberate simplicity and reverence for local Cambodian materials—primarily bamboo and rattan—which serve as central components of his sculptures. Rejecting flamboyant ornamentation or stylistic references to Western art history, he focuses on conveying profound ideas through minimalist forms that echo the landscape and architectural heritage of Cambodia. His sculptural process involves meticulous manipulation of these natural fibers—boiling, cutting, bending, burning, and dyeing—allowing them to speak for themselves as vessels of memory and cultural significance. He sees his sculptures as “scaffolding” for unbuilt forms, reflecting a fascination with potentiality and transformation. This approach aligns with the broader Post-Minimal aesthetic, prioritizing materiality and conceptual resonance over decorative embellishment. ### Notable Works and Exhibitions Pich’s sculptural output encompasses monumental installations like *The Room*, which utilized bamboo strips to explore themes of space and enclosure—a testament to his commitment to confronting complex ideas through tangible forms. His work has garnered international acclaim, appearing in prestigious venues such as the Metropolitan Museum of Art, Guggenheim Museums, Mori Art Museum, M+, and National Gallery Singapore. Furthermore, he was selected for Documenta 13 (2012), cementing his position as a leading voice within contemporary Southeast Asian art. Recent projects include *Compound*, which investigates architectural structures and their relationship to human experience, and *Bricks Before Palaces*, reflecting on Cambodian history and the legacy of monarchy. His exploration of repurposed aluminum—collected from recycling depots—represents a continuing engagement with environmental concerns and social commentary. ### Legacy and Significance Sopheap Pich’s sculptures stand as powerful emblems of resilience and remembrance—a reflection of his personal journey through trauma and displacement, coupled with an unwavering dedication to honoring Cambodian cultural heritage. His work transcends mere aesthetic beauty, inviting viewers to contemplate profound questions about identity, history, and the transformative potential of art. By prioritizing materiality and conceptual depth, Pich has established himself as a seminal figure in contemporary sculpture, shaping dialogues on memory, place, and artistic expression within the global art landscape.Sopheap Pich
1971 - , Cambodia
Belangrijkste feiten
- Artistic Movement Or Style: Contemporary sculpture
- Artists Or Movements Influenced By This Artist: ['Minimalism']
- Artists Who Influenced This Artist: ['']
- Date Of Birth: 1971
- Full Name: sopheap pich
- Nationality: Cambodian American
- Notable Artworks:
- Morning Glory
- Untitled
- Place Of Birth: Phnom Penh, Cambodia

De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.