Papier

Gids voor studentenkunst

Danae

Naam Groep Datum

Egon Schiele, Danae (1909). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Egon Schiele allpaintingsstore.com/nl/artists/egon-schiele_nl/
Levensdata kunstenaar
1890 – 1918
Geschilderd
1909
Medium
Oil On Canvas
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Mythological painting
Influences
Klimt, Renaissance
Notable elements
Female figure, birds
Subject or theme
Allegory, Mythology

In context

Danae — Egon Schiele

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Geschilderd toen de kunstenaar 19 jaar oud was. De kunstenaar werd 28 jaar oud. 31 van de 327 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Egon Schiele (1890–1918) ▲ dit werk, 1909 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: allpaintingsstore.com/nl/art/similar/egon-schiele-danae-6WHKFS-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #594633

    Gecatalogiseerd palet

    • #594633
    • #261716
    • #D9CB6C
    • #74735E

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 61 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 45,1%
    2. 2 Verenigde Staten van Amerika 7,8%
    3. 3 Hongkong 6,6%
    4. 4 Singapore 5,5%
    5. 5 Rusland 3,8%
    6. 6 Italië 2,7%
    7. 7 Spanje 2,6%
    8. 8 Litouwen 2,3%
    9. 9 Duitsland 2,3%
    10. 10 Frankrijk 2,3%
    11. · 51 overige landen 19,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,6%
    2. 2 De Familie, 1917 3,7%
    3. 3 Moeder met twee kinderen, 1917 3,0%
    4. 4 Portret van Wally, 1912 2,5%
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,8%
    6. 6 Dood en het meisje, 1915 1,5%
    7. 7 Gerti Schiele 1,4%
    8. 8 Black-Haired Girl with Lifted Skirt, 1911 1,3%
    9. 9 Self-Portrait in Yellow Vest, 1914, 1914 1,1%
    10. 10 Moa, 1911 1,1%
    11. 11 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%
    12. 12 Autumn Trees, 1911 1,1%
    13. 13 Two Women Embracing, 1915 1,1%
    14. 14 Lovemaking, 1915 1,1%
    15. 15 Sunflower, 1909 1,0%
    16. 16 Vier Bomen, 1917 1,0%
    17. 17 Crouching Woman with Green Headscarf, 1914 0,9%
    18. 18 Self Portrait, 1912 0,9%
    19. 19 Schiele's Room in Neulengbach, 1911 0,9%
    20. 380 Danae, 1909 dit schilderij 0,0%

    Samen maken deze werken 32,1% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 445 minstens één keer zijn bekeken. Dit schilderij staat op de 380 plaats, met 0,0% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Danae — Egon Schiele

    Egon Schiele’s “Danae”: A Portrait of Fragility and Desire

    Egon Schiele's "Danae," painted in 1909, is not merely a depiction of a reclining woman; it’s a profoundly unsettling exploration of vulnerability, desire, and the encroaching shadow of mortality – hallmarks of the artist’s intensely personal and emotionally charged style. The painting immediately draws the viewer into a scene of quiet intimacy, yet beneath this surface lies a palpable sense of unease, reflecting Schiele's own struggles with illness, loss, and his deeply ambivalent relationship with the female form.

    At first glance, the composition appears deceptively simple. A young woman, identified as Danae from Greek mythology – a figure seduced and ultimately slain by Zeus in the guise of a shower of gold – lies languidly on her side, her head nestled within the lap of an unseen male figure. The setting is ambiguous, suggesting a sheltered outdoor space, perhaps a forest clearing, lending an air of both seclusion and vulnerability to the scene. However, Schiele’s masterful use of line and color immediately elevates the work beyond a straightforward portrait. His lines are not smooth or comforting; they are jagged, restless, and imbued with a nervous energy that mirrors the subject's internal state.

    The Language of Line and Color

    Schiele’s technique is characterized by his distinctive, almost frantic use of line. He employs short, broken strokes to build up form, creating an effect of immediacy and raw emotion. The color palette is muted – predominantly earthy browns, ochres, and a subtle blush of pink – contributing to the painting's somber mood. Yet, within this restrained palette, Schiele introduces flashes of vibrant red in the woman’s garment, drawing attention to her exposed skin and subtly hinting at the source of her vulnerability: the impending threat of unwanted desire.

    The figure of Danae herself is rendered with a remarkable sensitivity. Her face is partially obscured, adding to the sense of mystery and suggesting a hidden sadness or resignation. Her body is slightly elongated, almost skeletal in its fragility, emphasizing her physical vulnerability. The way Schiele captures the subtle curves of her limbs and the delicate texture of her skin speaks volumes about his acute observational skills and his ability to convey profound emotion through simple gestures.

    Mythological Echoes and Personal Anguish

    "Danae" is deeply rooted in Greek mythology, but Schiele transforms the traditional narrative into something far more personal. The myth of Danae represents betrayal, loss, and ultimately, a tragic fate. Schiele’s painting doesn't glorify the seduction; instead, it focuses on the aftermath – the quiet despair and the lingering sense of violation. It is widely believed that Schiele was inspired by his own difficult relationship with women, particularly his sister Gerti, and this personal turmoil undoubtedly informs the painting’s unsettling atmosphere.

    Furthermore, the presence of birds scattered throughout the composition adds another layer of complexity. Birds are often associated with freedom and transcendence in art, but here they seem trapped or watchful, perhaps mirroring Danae's own sense of confinement and vulnerability. They could also be interpreted as symbols of impending doom, foreshadowing her tragic end.

    A Window into Schiele’s Soul

    “Danae” is a powerfully evocative work that reveals the depth of Egon Schiele’s artistic vision. It's a testament to his ability to capture not just physical likeness but also the complex emotions and psychological states of his subjects. The painting’s enduring power lies in its unflinching honesty, its willingness to confront uncomfortable truths about desire, vulnerability, and mortality. Reproductions of this haunting masterpiece offer a unique opportunity to experience Schiele's intensely personal style and gain insight into the mind of one of Expressionism’s most tormented and brilliant artists.

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Danae

    allpaintingsstore.com/nl/art/download/egon-schiele-danae-6WHKFS-en/

    Citeer dit kunstwerk

    MLA
    Schiele, Egon. Danae. 1909, https://allpaintingsstore.com/nl/art/egon-schiele-danae-6WHKFS-en/
    APA
    Schiele, Egon (1909). Danae [Painting]. https://allpaintingsstore.com/nl/art/egon-schiele-danae-6WHKFS-en/
    Chicago
    Egon Schiele. Danae. 1909. https://allpaintingsstore.com/nl/art/egon-schiele-danae-6WHKFS-en/
    Harvard
    Schiele, Egon (1909) Danae. Available at: https://allpaintingsstore.com/nl/art/egon-schiele-danae-6WHKFS-en/

    Bekijk het van dichtbij

    Danae — Egon Schiele

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: woman, rest, birds. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Danae — Egon Schiele

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What is the primary subject of Egon Schiele’s ‘Danae’?

      • A A reclining nude woman
      • B A landscape scene with birds
      • C A portrait of a male figure
    2. 2. The painting 'Danae' was created in which artistic style?

      • A Cubism
      • B Art Nouveau (Modern)
      • C Renaissance
    3. 3. Which of the following best describes Egon Schiele’s artistic style?

      • A Bright and colorful with delicate details
      • B Dark, emotionally charged, and intensely expressive
      • C Realistic and focused on classical themes
    4. 4. The presence of birds in ‘Danae’ likely contributes to which aspect of the painting?

      • A A sense of tranquility and peace
      • B A feeling of movement, life, and perhaps even foreboding
      • C A purely decorative element with no symbolic meaning
    5. 5. Egon Schiele’s work often explores themes related to what?

      • A Historical events and political figures
      • B Mortality, anxiety, and the human psyche
      • C Religious iconography and biblical stories

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1A · 2B · 3B · 4B · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Maakt "Danae" door Egon Schiele gebruik van sterke contrasten of zachte harmonieën?

    De kleuranalyse van "Danae" door Egon Schiele legt een Statement contrast en een Strong Color Unity harmonie vast.

    Welke nationale herkomst ligt ten grondslag aan de Expressionism van "Danae"?

    Het Expressionism-werk "Danae" is vervaardigd door een kunstenaar uit Oostenrijk.

    Wat is de aanbevolen afmeting voor de print van "Danae" door Egon Schiele?

    Voor "Danae" wordt een afdrukformaat van Large aanbevolen. Andere formaten zijn beschikbaar met dezelfde verhoudingen.