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      Atelier · Etablert 2015 · Paris, Frankrike
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      Supplication

      Admire 'Supplication' by Alfred Elmore – a poignant Victorian painting of a young woman in quiet contemplation. Explore its realism & evocative mood. Hand-painted reproduction available.

      A prominent Victorian history and genre painter, Alfred Elmore captured dramatic narratives in iconic works like On the Brink and The Martyrdom of Thomas à Becket, inviting you to discover his evocative storytelling.

      Giclée / Kunsttrykk

      Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Bestill håndmalt reproduksjon Gå til digitalt bilde)

      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118B Nkr10
      Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118H Nkr10
      Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118W Nkr10
      Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Nkr10
      Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Nkr12
      Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Nkr12
      Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805H Nkr10
      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Nkr10
      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Nkr10
      Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919G Nkr10
      Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Nkr10
      Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P959ZH Nkr10
      Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
      P968JZ Nkr12
      Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
      W106C Nkr8
      Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218G Nkr10
      Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218JH Nkr8
      Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218Y Nkr10
      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W307PJ Nkr10
      Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316PJ Nkr8
      Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316Y Nkr10
      Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
      W398PJ Nkr8
      Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
      W4111J Nkr10
      Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
      W500HY Nkr15
      Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
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      W692G Nkr12
      Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
      W849H Nkr8
      Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
      W940BG Nkr15
      Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
      W953PJ Nkr8

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      Nkr 608

      Supplication

      Giclée / Kunsttrykk

      Format på reproduksjon

      -

      Totalpris

      Nkr 608


      Kunstnerbiografi

      A Life Between Ireland and London

      Born in Clonakilty, Ireland, the life of Alfred Elmore was defined by a journey from the quiet landscapes of his youth to the vibrant, competitive heart of the British art scene. As the son of Dr. John Richard Elmore, a surgeon who had retired from the British Army, Elmore’s early years were shaped by this transition from Ireland to London. It was in London that his true artistic destiny began to unfold, as he sought formal training at the Royal Academy of Arts. This period of education laid the foundation for a career that would eventually see him elected an associate of the Academy and later become a full member, marking him as a significant figure within the nineteenth-century artistic establishment.

      His early creative explorations were deeply influenced by the troubadour style of Richard Parkes Bonington, a delicate and romantic approach to subject matter. However, Elmore’s ambitions soon expanded beyond these initial stylistic boundaries. Between 1840 and 1844, his travels through the great cultural centers of Europe—including Munich, Venice, Bologna, and Florence—broadened his visual vocabulary and deepened his understanding of classical and historical themes. These continental experiences infused his work with a richness that would characterize his most celebrated compositions.

      Narrative Mastery and Historical Grandeur

      Elmore’s oeuvre is a fascinating tapestry of history, religion, and social commentary. While he gained early recognition for religious works, such as The Martyrdom of Thomas à Becket—a piece commissioned by Daniel O'Connell for Westland Row Church in Dublin—his true passion lay in the art of historical narrative. He possessed a unique ability to capture pivotal moments in time, often setting scenes from Shakespearean plays or episodes from the French Revolution with a dramatic flair that captivated the Victorian imagination.

      His paintings frequently explored the tension between tradition and progress. This is perhaps most evident in his subtle explorations of technological innovation, seen in works like The Invention of the Stocking Loom and The Invention of the Combing Machine. In these pieces, Elmore masterfully depicts the picturesque nature of pre-industrial handicrafts, using the contemplative figure of the inventor to bridge the gap between manual skill and the mechanical future. His ability to weave complex themes of industrialization into a narrative format allowed him to engage with the profound societal shifts of his era.

      Legacy and Artistic Significance

      Beyond the grand historical stages, Elmore was also a master of the moral genre painting. His most renowned work, On the Brink, serves as a haunting example of his ability to use light and shadow to convey psychological depth. In this piece, the use of a lurid, red light to depict a seducer creates an atmosphere of intense moral conflict, illustrating the precarious position of a young woman facing ruin. This capacity for emotional resonance ensured that his work remained deeply impactful to contemporary audiences.

      Though he experienced periods of relative obscurity later in life, Elmore’s contribution to the Victorian era remains significant. His association with The Clique, a group of artists following the traditions of Hogarth and David Wilkie, placed him at the center of important artistic dialogues of his time. Through his diverse range of subjects—from the religious to the Shakespearean and the industrial—Alfred Elmore left behind a body of work that continues to offer a window into the complex social and cultural landscape of the nineteenth century.

      Alfred Elmore

      Alfred Elmore

      1815 - 1881 , Ireland

      Kort om kunstneren

      • Artistic Movement Or Style: History and genre painter; Troubadour style
      • Artists Who Influenced This Artist:
        • Richard Parkes Bonington
        • Hogarth
        • David Wilkie
      • Full Name: Alfred Elmore
      • Nationality: British/Anglo-Irish
      • Notable Artworks:
        • Supplication
        • Much Ado About Nothing
        • On the Brink
        • The Martyrdom of Thomas à Becket
        • The Invention of the Stocking Loom
      • Place Of Birth: Cork, Ireland
      • Date Of Birth: 1815
      • Date Of Death: 1881