- Forsiden
- Trykk på lerret
- Bartolomeo Cavaceppi
- Flora torso
Forhåndsvisning
Send
Del med andre
Vis detaljer
Last ned bildet
Liknende objekter
Røntgenundersøkelse
LysbildefremvisningFlora torso
82.0 x 53.0 cm
Fondazione Accorsi - Ometto - Museo di Arti Decorative
Vis hele teksten
Giclée / Kunsttrykk
Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. (
Bytt til håndmalt maleri Bytt til bilde)
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Du kan oppgi egne mål for å tilpasse en spesifikk ramme eller et bestemt område. Dersom den valgte størrelsen ikke samsvarer med det originale bildets proporsjoner, vil vi enten beskjære kunstverket eller utvide bildet med en speilet eller ensfarget kant. En digital mockup vil bli sendt til din godkjenning før produksjonen starter.
Vennligst merk at forhåndsvisningen på skjermen ikke gjenspeiler den faktiske beskjæringen eller utvidelsen. Kun mockuppen vil vise den endelige komposisjonen nøyaktig.
Selv om tilpassede størrelser er tilgjengelige, anbefaler vi å velge et mål fra den forhåndsdefinerte listen for å bevare de originale proporsjonene.
Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (2 August)
Gratis ekspressfrakt over hele verden
Lerretsduk av høykvalitets lin
Full forsikring under transport
Garanti for refusjon av toll og importavgifter
Garantert korrekt fargegjengivelse
60 dagers returrett (kun ved feil)
100% pengene tilbake-garanti
Rabatt ved flere kjøp
Glassalternativet er kun tilgjengelig i størrelser under 110 cm
Flora torso
Giclée / Kunsttrykk
Størrelse på reproduksjon
-
Endelig pris
$ 64
Beskrivelse av samleobjektet
Om kunstneren
Bartolomeo Cavaceppi: A Roman Sculptor Shaped by Antiquity and Winckelmann
Bartolomeo Cavaceppi (c. 1716 – December 9, 1799) stands as a pivotal figure in the artistic landscape of Rome during the Enlightenment, embodying the spirit of neoclassical sculpture while simultaneously grappling with the challenges posed by the burgeoning fascination for classical antiquity. Trained initially under Pierre-Étienne Monnot and subsequently honing his craft within Carlo Antonio Napolioni’s workshop—a collaborative environment dedicated to restoring monumental sculptures commissioned by Cardinal Alessandro Albani—Cavaceppi's career was inextricably linked to the patronage of influential figures and the pursuit of meticulous scholarship. He wasn’t merely replicating the glories of Rome’s past; he actively participated in shaping its artistic future, leaving an indelible mark on both Roman sculpture and the broader dissemination of classical ideals.- Early Training & Patronage: Cavaceppi's formative years were spent absorbing the techniques and sensibilities of established sculptors like Monnot and Napolioni, who instilled in him a profound respect for craftsmanship and a dedication to faithfully representing sculptural forms. Crucially, Albani’s unwavering support provided Cavaceppi with invaluable opportunities to engage in ambitious projects—most notably, restoring colossal statues of Roman emperors—and fueled his ambition to elevate Roman sculpture to new heights.
- Collaboration & Influence: His partnership with Johann Joachim Winckelmann represents perhaps the most significant element of Cavaceppi’s artistic trajectory. Winckelmann's groundbreaking treatise, *Geschichte der Kunst der Griechen und Römer*, profoundly impacted European aesthetics, advocating for a stylistic ideal rooted in purity and timeless beauty—principles that resonated deeply within Cavaceppi’s creative vision.
- Restoration & Replication: Cavaceppi distinguished himself as one of Rome's foremost restorers, undertaking monumental commissions for Albani and meticulously reconstructing damaged sculptures from antiquity. However, his reputation extended beyond mere conservation; he was equally adept at creating convincing copies of Roman masterpieces—a practice that fueled debate about authenticity and contributed to the broader scholarly discourse surrounding classical art.
- Notable Achievements: Cavaceppi’s legacy rests primarily on his publication *Raccolta d'antiche statue, busti, teste cognite ed altre sculture antiche restaurate da cav.* (1768-1772), a monumental undertaking that showcased his expertise in sculptural reconstruction and cemented his position as a leading voice within the Roman artistic community. This ambitious project not only documented Albani’s collection but also established Cavaceppi as a champion of classical scholarship.
- Historical Significance: Cavaceppi's work embodies the anxieties and aspirations of the Enlightenment era—a period marked by both an eagerness to revive classical ideals and a critical examination of artistic conventions. He stands as a testament to the enduring power of tradition combined with intellectual innovation, shaping the aesthetic sensibilities of his time and securing his place among Rome’s most celebrated sculptors.
Bartolomeo Cavaceppi
1715 - 1799 , Italy
Kort om kunstneren
- Artistic Movement Or Style: Neoclassical
- Artists Or Movements Influenced By This Artist: ['Roman Sculpture']
- Artists Who Influenced This Artist:
- Pierre-Étienne Monnot
- Carlo Antonio Napolioni
- Johann Joachim Winckelmann
- Date Of Birth: Rome, Italy (c. 1716)
- Date Of Death: December 9, 1799
- Full Name: Bartolomeo Cavaceppi
- Nationality: Italian
- Notable Artworks: ['Flora torso']
- Place Of Birth: Rome
