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      Polyptych

      A stunning Renaissance polyptych by Bartolomeo Vivarini featuring rich gold and blue tones with sacred figures that brings the divine beauty of 1464 Venice into your collection.

      A master of the Venetian Renaissance known for his luminous tempera works like the Madonna and Child, Bartolomeo Vivarini blended Byzantine tradition with new oil techniques to create a legacy waiting to be rediscovered.

      Giclée / Kunsttrykk

      Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Bestill håndmalt reproduksjon Gå til digitalt bilde)

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      P508YH Nkr12
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      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Nkr10
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      P919G Nkr10
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      P968JZ Nkr12
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      W218G Nkr10
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      W218JH Nkr8
      Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218Y Nkr10
      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W307PJ Nkr10
      Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316G Nkr10
      Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
      W316PJ Nkr8
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      Nkr 608

      Polyptych

      Giclée / Kunsttrykk

      Format på reproduksjon

      -

      Totalpris

      Nkr 608

      Kort om verket

      • Influences: Renaissance perspective and anatomy
      • Location: Gallerie dell'Accademia, Venice
      • Artist: Bartolomeo Vivarini
      • Subject or theme: Religious figures and Virgin Mary
      • Artistic style: Late Gothic / Renaissance
      • Medium: Tempera on panel

      A Divine Assemblage: The Splendor of Vivarini’s Polyptych

      In the heart of the Venetian Renaissance, where the light of the lagoons meets the profound devotion of the era, Bartolomeo Vivarini crafted a masterpiece of spiritual storytelling. His Polyptych, completed in 1464, is not merely a painting but a sacred window into the late Gothic and early Renaissance soul. This exquisite tempera on panel work, measuring an intimate yet commanding 132 x 41 cm, serves as a breathtaking testament to the artist's ability to weave together human emotion and divine iconography. As one gazes upon these five interconnected panels, they are transported to an era where art served as the primary bridge between the earthly realm and the heavens.

      The composition is a rhythmic dance of figures, structured with the architectural grace typical of the period. At its heart sits the Virgin Mary, cradling the Christ Child upon a throne, her presence radiating a maternal tenderness that anchors the entire work. Surrounding this central miracle are four saints, each meticulously rendered to evoke their unique sanctity. From the scholarly gravity of the bearded figures holding sacred manuscripts to the youthful, haloed innocence of the surrounding saints, Vivarini utilizes a sophisticated use of perspective and human anatomy to breathe life into the divine. The golden backgrounds do more than just signify holiness; they create an eternal, unshakeable space that transcends time, reflecting the light in a way that would have mesmerized 15th-century worshippers.

      Technique and the Radiance of Color

      To behold this Polyptych is to witness the mastery of tempera technique. Vivarini’s hand is evident in the delicate transitions of skin tones and the heavy, sculptural folds of the garments. The artist employs a rich, saturated palette where deep blues and regal golds dominate, creating a visual hierarchy that guides the eye through the narrative. The interplay between the dark, somber robes of the male figures and the vibrant pinks and yellows of others creates a chromatic tension that is both harmonious and stimulating. This careful balance of color ensures that each panel retains its individual identity while contributing to a unified, symphonic whole.

      For the discerning collector or interior designer, this work offers an unparalleled opportunity to introduce a sense of historical weight and classical elegance into a space. The intricate details—the fine lines of a beard, the subtle glow of a halo, the texture of a manuscript—provide endless points of visual interest. A high-quality reproduction of this piece does more than decorate a wall; it anchors a room with a sense of permanence and cultural depth. Whether placed in a quiet study or as a focal point in a grand hall, the Polyptych invites contemplation, offering a serene yet powerful presence that resonates with the timeless beauty of the Italian Renaissance.

      Spørsmål og svar

      Hva er "Polyptych" laget med?

      Bartolomeo Vivarini brukte Tempera On Panel-teknikken i "Polyptych". Teknikken definerer det materielle uttrykket til det originale verket.

      Kan bildet av "Polyptych" av Bartolomeo Vivarini gjenskapes fritt?

      "Polyptych" av Bartolomeo Vivarini er i det frie domene – opphavsretten har utløpt. Denne statusen avgjør hvordan bildet av verket kan reproduseres.

      Hvordan henger fargene i "Polyptych" av Bartolomeo Vivarini sammen med verkets emosjonelle uttrykk?

      Den Earthy fargepaletten i "Polyptych" av Bartolomeo Vivarini harmonerer med dens Spiritual emosjonelle tone. Farge er en av måtene et verk formidler følelser på.


      Utforsk kunstverk organisert etter temaer, stiler og kjennetegn.