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      Air Print,

      Admire 'Air Print' by Jacob Matham – a captivating Renaissance/Baroque engraving depicting mythological figures. Explore this classical print’s detail & artistry.

      Explore the engravings of Jacob Matham (1571-1631), a Haarlem artist known for his prints after Rubens & Pieter Aertsen. Master engraver, pupil of Hendrik Goltzius.

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      Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118B Nkr10
      Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P118W Nkr10
      Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
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      Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Nkr12
      Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Nkr12
      Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805H Nkr10
      Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Nkr10
      Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Nkr10
      Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919G Nkr10
      Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Nkr10
      Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
      P959ZH Nkr10
      Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
      P968JZ Nkr12
      Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
      W106C Nkr8
      Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218G Nkr10
      Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218JH Nkr8
      Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
      W218Y Nkr10
      Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
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      Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
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      Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
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      W500HY Nkr15
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      Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
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      Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
      W849H Nkr8
      Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
      W940BG Nkr15
      Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
      W953PJ Nkr8

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      Nkr 2458

      Air Print,

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      Totalpris

      Nkr 2458


      Kunstnerbiografi

      The Master of the Burin: The Lineage of Jacob Matham



      In the vibrant heart of Haarlem, where the pulse of the Dutch Golden Age beat with unparalleled vigor, Jacob Matham emerged not merely as a craftsman, but as a vital conduit for the era's most profound visual narratives. Born in 1571 into a family deeply rooted in the art of printmaking, Matham’s very existence was intertwined with the rhythmic scratch of the engraver's tool and the delicate flow of ink. His early years were shaped by the formidable brilliance of his mentor and stepfather, the legendary Hendrik Goltzius. From this prestigious lineage, Matham inherited a sacred dedication to precision—a mastery of line that allowed him to manipulate ink as if it were liquid light, capturing the subtle textures of skin, fabric, and landscape with an almost supernatural clarity.

      Bridging the Great Masters



      Matham’s true genius lay in his ability to act as a bridge between the monumental canvases of the era's greatest painters and the wider, more accessible world of print. He did not simply replicate; he interpreted. When he turned his attention to the works of Peter Paul Rubens, Matham captured the sheer emotional intensity and muscular grandeur that defined the Baroque spirit. His engravings, particularly those produced during Rubens' prolific period between 1611 and 1615, breathed new life into the master's visions, translating monumental scale into the intimate, intricate language of the copperplate. Similarly, his engagement with the compositions of Pieter Aertsen demonstrated a remarkable versatility, as he navigated the transition from the dramatic to the detailed, ensuring that the complex narratives of these masters could be shared across borders and through generations.

      A Symphony of Ink and Light



      Beyond the reproduction of existing masterpieces, Matham’s original pen-and-ink works reveal a profound sensitivity to the Dutch landscape and the passage of time. In his 1627 masterpiece, View of the De Drie Leliën Brewery at Haarlem and Velserend Manor, we witness a breathtaking display of technical discipline. Using sophisticated pen strokes on prepared panels, he achieved a visual clarity that mimics the precision of engraving, capturing the bustling vitality of the River Spaarne and the industrious spirit of the brewery. His repertoire was as diverse as it was dramatic, characterized by:

      • The poignant and heavy shadows of Samson and Delilah, where chiaroscuro heightens the sense of impending tragedy;
      • The mythological elegance found in Mars and Venus, rich with symbolic depth and classical beauty;
      • The delicate, rhythmic landscapes that immortalized the prosperity and personal legacies of his native Haarlem.


      Through this extraordinary command of both line and light, Jacob Matham secured his place not just as a follower of great men, but as an artist who defined the very texture of the Dutch Golden Age.
      Jacob Matham

      Jacob Matham

      1571 - 1631 , Netherlands

      Kort om kunstneren

      • Full Name: Jacob Matham
      • Nationality: Dutch
      • Date Of Birth: 1571
      • Date Of Death: 1631
      • Place Of Birth: Haarlem, Netherlands
      • Notable Artworks:
        • Samson and Delilah
        • Mars & Venus
      • Artistic Movement Or Style: Baroque Engraving
      • Artists Who Influenced This Artist: ['Hendrik Goltzius']
      • Artists Or Movements Influenced By This Artist: ['Rubens']