1959. Mixed Media. Tate Modern.
§ 1Catalogue data
Dette kunstverket er beskyttet av opphavsrett
Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.
Som et respektfullt og lovlig alternativ tilbyr vi skreddersydde, håndmalte kunstverk inspirert av originalen. Våre dyktige og profesjonelle kunstnere studerer nøye originalens stil, stemning og kunstneriske essens for å skape et nytt og unikt verk som vekker den samme følelsen – samtidig som det forblir en original skapelse i seg selv.
Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.
§ 2Abstract
Beskrivelse av objektet
A profound exploration of loss through deep maroon and stark black rectangles, this 1958 Abstract Expressionist masterpiece by Mark Rothko invites you to experience the emotional depth of his iconic color field painting.
Om kunstneren
Utforsk Mark Rothko (1903-1970) sin ikoniske Color Field kunst og Abstract Expressionisme! Opplev følelsenes dybde og kunstnerens varige arv – en sentral figur i moderne kunst.
§ 3Commentary
The Weight of Absence: Exploring Mark Rothko’s ‘Black on Maroon’
The painting “Black on Maroon,” created by Mark Rothko in 1959, stands as a testament to the profound influence of personal experience on artistic expression. More than just pigment applied to canvas, it embodies a complex tapestry of emotion and intellectual contemplation—a visual distillation of Rothko's grappling with displacement and loss. The photograph captures a square expanse dominated by a deep maroon hue, punctuated by a stark black rectangle positioned centrally within its boundaries. This deceptively simple composition belies the immense depth it conveys, inviting viewers to linger on its surface and contemplate its hidden resonances.A Canvas Born of Trauma and Transformation
Rothko’s formative years instilled in him an acute awareness of suffering—a sensitivity nurtured by his family's precarious existence within the Russian Empire and solidified by the sudden death of his father during their relocation to Portland, Oregon. These experiences weren’t merely biographical details; they became foundational elements informing his artistic vision. The deliberate reduction of form – eschewing recognizable imagery for amorphous blocks of color – reflects a conscious effort to bypass intellectual analysis and tap into primal emotional responses. This stylistic choice aligns perfectly with the broader context of Abstract Expressionism, where artists sought to express inner turmoil through nonrepresentational art forms.Color as Language: Maroon’s Resonance
The maroon pigment itself is significant. Often interpreted as representing blood—a symbol of sacrifice and vulnerability—it anchors the painting within a framework of mourning and remembrance. Rothko's masterful use of color isn’t merely decorative; it operates on a subconscious level, evoking feelings of melancholy and introspection. The subtle variations in shade within the maroon field contribute to its luminous quality, creating an illusion of movement and depth that draws the eye inward. This technique—known as ‘color field painting’—was revolutionary at the time, prioritizing emotional impact over visual realism.Symbolism Beyond Representation
The black rectangle isn't merely a contrasting element; it functions symbolically as a void – representing absence, silence, and perhaps even death. Its placement in the center disrupts any sense of equilibrium, mirroring the internal struggles Rothko faced throughout his life. Critics have noted that the black rectangle can be seen as embodying the darkness of grief or the unknowable expanse of existential uncertainty. However, Rothko himself resisted interpretations of symbolism, insisting that he wished to convey “feeling” rather than communicating specific ideas.Emotional Impact and Legacy
“Black on Maroon,” like much of Rothko’s oeuvre, aims to elicit a visceral response from the viewer—a confrontation with fundamental questions about human existence. Its quiet grandeur encourages contemplation and invites viewers to immerse themselves in its contemplative atmosphere. The painting's enduring appeal lies in its ability to bypass rational thought and speak directly to the emotions, fostering a sense of profound connection between artist and audience. Today, reproductions of this iconic piece continue to inspire artists and collectors alike, cementing Rothko’s place as one of the most influential figures in 20th-century art history.Spørsmål og svar
Hvem har skapt "Black on Maroon", og hvilken stil er det i?
Bak "Black on Maroon" står Mark Rothko og Color Field-bevegelsen.
Er bildet av "Black on Maroon" av Mark Rothko i det frie domene?
"Black on Maroon" av Mark Rothko er fortsatt beskyttet av opphavsretten. Denne statusen avgjør hvordan bildet av verket kan reproduseres.
Oppbevares "Black on Maroon" i kunstnerens hjemland?
Nei – kunstverket oppbevares i utlandet. Mark Rothko ble født i Latvia, og originalen av "Black on Maroon" oppbevares i et museum i Storbritannia.



For kunstverk eller reproduksjoner som er større enn 105 cm (ca. 41 tommer) på noen side, vil rammen bli sendt som et sett som må monteres. Denne metoden sikrer trygg levering og forhindrer skader under transport.



