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      Untitled (Easter Parade)

      • Data de criação1949
      • Dimensões25.0 x 34.0 cm

      Adolf Dehn (1895-1968) was an American lithographer known for his satirical depictions of the Roaring Twenties, social realism, and vibrant landscapes. A Guggenheim Fellow & key Regionalist artist.

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      Untitled (Easter Parade)

      Giclée / Impressão de Arte

      Dimensões da Reprodução

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      Preço Total

      $ 64


      Biografia do Artista

      Early Life and Education

      • Born: November 22, 1895, in Waterville, Minnesota
      • Parents: Arthur Clark Dehn (father) and Emilie Haas Dehn (mother), both socialists.
      • Early artistic talent evident from the age of six.
      • Graduated as valedictorian from Waterville High School in 1914.
      • Attended the Minneapolis School of Art (later Minneapolis College of Art and Design) from 1914 to 1917. Studied under Robert Kohler.
      • Formed a close friendship with Wanda Gág, also an artist.
      • Received a scholarship to the Art Students League of New York in 1917.

      World War I and Early Career

      • Drafted into World War I in 1918 but declared himself a conscientious objector.
      • Imprisoned for four months in Spartanburg, South Carolina, due to his objection.
      • Later worked as a painting teacher at an army rehabilitation hospital in Asheville, North Carolina.
      • Returned to the Art Students League for further study.
      • Created his first lithograph, *The Harvest*, around 1920.
      • Exhibited his lithographs at the Weyhe Gallery in New York City in 1921.

      European Period and Development as an Artist

      • Traveled to Europe in 1921, residing primarily in Paris and Vienna.
      • Associated with a group of intellectuals and artists including Andrée Ruellan, Gertrude Stein, and E.E. Cummings.
      • Supported himself through illustration work for magazines like *Vanity Fair*.
      • Developed his distinctive style characterized by unusual tonal and textural effects in printmaking.
      • His work began to reflect the social scene of Europe, particularly Vienna and Berlin.

      Return to America and Mature Artistic Style

      • Returned to New York City in 1929.
      • Artwork featured in magazines such as *The New Yorker* and *Vogue*.
      • Began focusing on watercolor painting in the mid-1930s, achieving significant recognition.
      • Received a Guggenheim Fellowship in 1939, enabling travel to the Western United States and Mexico.
      • His watercolors depicted scenes of farms and farmlands in rural America, inspired by trips back to Minnesota.
      • Became known for his vibrant landscapes and depictions of everyday life.
      • Second Guggenheim Fellowship awarded in 1951.

      Legacy and Historical Significance

      • Elected as a full academician to the National Academy of Design and a member of the National Institute of Arts and Letters.
      • His works are held in over 100 museums worldwide, including the Smithsonian American Art Museum, Metropolitan Museum of Art, and Museum of Modern Art.
      • Recognized for his contributions to lithography, watercolor painting, and caricature.
      • Influenced other artists, notably Jackson Pollock, with his innovative techniques.
      • Died on May 19, 1968, leaving behind a prolific body of work that reflects his diverse experiences and artistic evolution.
      • His art is considered representative of Regionalism, Social Realism, and caricature movements in American art.
      Adolf Dehn

      Adolf Dehn

      1895 - 1968 , United States of America

      Informações Rápidas

      • Artistic Movement Or Style:
        • Regionalism
        • Social Realism
        • Caricature
      • Artists Or Movements Influenced By This Artist: ['Jackson Pollock']
      • Date Of Birth: November 22, 1895
      • Date Of Death: May 19, 1968
      • Full Name: Adolf Dehn
      • Nationality: American
      • Place Of Birth: Waterville, United States