Visualizar em escala
Enviar
Compartilhar
Ver detalhes
Guia
Baixar imagem
Semelhantes
Raio X
Apresentação de slides
EstatísticasTomb of Don Felipe and Doña Juana
Ver mais
Reprodução em Óleo Feita à Mão
Óleo sobre tela pintado à mão no tamanho e moldura de sua escolha, feito sob encomenda pelos nossos artistas. (
Alternar para Impressão Ver Imagem Digital)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Pode inserir as suas próprias dimensões para se adequar a uma moldura ou espaço específico. Se o tamanho selecionado não corresponder às proporções da imagem original, iremos cortar a obra de arte ou estender a pintura com elementos adicionais pintados à mão. Um esboço digital será enviado para sua aprovação antes do início da produção.
Tenha em atenção que a pré-visualização no ecrã não reflete o corte ou extensão real. Apenas o esboço mostrará com precisão a composição final.
Embora tamanhos personalizados estejam disponíveis, recomendamos selecionar uma dimensão da lista predefinida para preservar as proporções originais.
Após o pedido, a equipa AllPaintingsStore.com enviará um e-mail ao cliente para solicitar instruções e fornecer uma prévia do esboço.
Entrega mundial () em 3 a 4 semanas, em vez das 5 semanas padrão. (21 Setembro). Sem comprometer a qualidade.
Envio expresso gratuito para todo o mundo
Tela de Linho Premium
Seguro de transporte total
Garantia de Reembolso de Impostos Alfandegários
Garantia de Fidelidade de Cor
Política de Devolução em 100 Dias (Apenas para Defeitos)
Garantia de reembolso de 100%
Desconto para múltiplas unidades
A opção de vidro está disponível apenas para tamanhos inferiores a 110 cm
Tomb of Don Felipe and Doña Juana
Técnica de Reprodução
Dimensões da Reprodução
-
Preço Total
$ 283
Obras Relacionadas
Biografia do Artista
The Sculptor of the Spanish Renaissance
In the fleeting, brilliant twilight of his short life, Bartolomé Ordóñez managed to bridge the gap between the rugged traditions of Iberian art and the refined elegance of the Italian High Renaissance. Though historical records offer only a fragmented glimpse into his early years, we know him as an hidalgo born in the storied city of Burgos around 1480. His life, though cut short by his death in 1520, represents a pivotal moment in art history where the sculptural language of Spain began to absorb the grace, anatomical precision, and classical harmony flowing from the Italian peninsula.
The true essence of Ordóñez’s genius lies in his ability to act as a conductor of talent. By 1515, he had established a formidable studio in Barcelona, surrounded by a troupe of skilled marble sculptors including Simón de Bellalana, Victorio Cogono, and Juan Florentino. This was not merely a workshop, but a melting pot of styles where the influence of masters like Domenico Fancelli and Gil de Siloé converged. Through this collaborative environment, Ordóñez demonstrated a profound leadership, guiding his assistants to achieve a unified excellence that masked the diverse hands at work.
Mastery in Marble and Wood
The most enduring testament to Ordóñez’s skill can be found within the sacred architecture of the Cathedral of Barcelona. Commissioned in 1517 to construct the magnificent choir stalls and the marble retrochoir, he undertook a task of immense scale and spiritual weight. This project was not merely an artistic endeavor but a political one, prepared for the prestigious session of the Order of the Golden Fleece, presided over by none other than Charles I of Spain. The resulting work is a breathtaking narrative cycle that weaves together the profound mysteries of faith.
In these works, Ordóñez masterfully balanced complex iconography with emotive depth. His sculptural programs included:
- Old Testament Narratives: Evocative scenes such as the embarkation of Noah and the sacrifice of Isaac, rendered with a sense of primordial gravity.
- New Testament Revelations: The poignant journey of Christ on the road to Calvary, the sorrowful deposition, and the triumphant resurrection.
- Divine Virtues and Evangelists: A sophisticated arrangement of the four evangelists and the seven virtues, which served to ground the theological complexity in visual beauty.
Beyond the stone, his influence extended into the delicate medium of woodcarving. While much of his early work, such as the lost Entombment of Jesus for the Hospital de la Santa Creu, has vanished from the physical world, the stylistic echoes of his hand remain visible in the era's finest carvings. His ability to command both the permanence of marble and the warmth of wood allowed him to leave an indelible mark on the Spanish landscape, ensuring that the transition into the Renaissance was not just a change in technique, but a profound evolution of the Spanish soul.
bartolomé ordóñez
1480 - 1520 , Spain
Informações Rápidas
- Artistic Movement Or Style: Spanish Renaissance
- Artists Who Influenced This Artist:
- Gil de Siloé
- Domenico Fancelli
- Date Of Birth: 1480
- Date Of Death: 1520
- Full Name: Bartolomé Ordóñez
- Nationality: Spanish
- Notable Artworks:
- Barcelona Cathedral choir stalls
- Adoration of the Magi
- Place Of Birth: Burgos, Spain
Artigos Relacionados
Gothic Art Guide for Hotel Designers: Leveraging Dramatic Shadows and Architectural Grandeur in Luxury Interiors
Elevate hospitality interiors with our expert guide to Gothic art. Discover how to leverage dramatic shadows, architectural grandeur, and high-end reproductions to create sophisticated, atmospheric hotel spaces that captivate guests.
