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A obra de arte exibida nesta página é protegida por leis de direitos autorais, o que significa que não podemos criar ou vender legalmente uma reprodução idêntica. Esta proteção é aplicada por meio de acordos internacionais, tais como a Convenção de Berna e pelas leis nacionais, incluindo as estabelecidas por Lei de Direitos Autorais dos EUA - Título 17.
Este método cumpre plenamente as regulamentações de direitos autorais, pois não envolve a cópia ou duplicação da obra protegida. Em vez disso, trata-se de uma reinterpretação criativa — uma nova pintura que é influenciada pela original, mas não idêntica a ela.
Giclée / Impressão de Arte
Impressão giclée ou em tela de qualidade de museu, com produção rápida e opções flexíveis de acabamento. (
Comprar pintura feita à mão Alternar para Imagem Digital)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Insira a largura e a altura desejadas para se ajustarem à sua moldura ou parede. Uma impressão pode ser apenas cortada, nunca ampliada além da imagem original; portanto, um tamanho com proporções diferentes resultará na perda de parte da imagem. Enviamos uma maquete digital para sua aprovação antes de realizarmos a impressão. A imagem exibida nesta página não mostra o corte real — apenas a maquete o faz.
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A opção de vidro está disponível apenas para tamanhos inferiores a 110 cm
Eugene McCarthy
Giclée / Impressão de Arte
Tamanho da Reprodução
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Preço Total
€ 56
Obras Relacionadas
Biografia do Artista
David Stone Martin: The Poet of Line
David Stone Martin (June 13, 1913 – March 6, 1992) stands as a singular figure in American illustration—a master craftsman whose distinctive style captivated audiences and cemented his legacy as one of jazz’s most enduring visual interpreters. Born David Livingstone Martin in Chicago, he possessed an innate artistic sensibility nurtured by formative experiences during the Great Depression and honed through rigorous study at the School of the Art Institute of Chicago where he was profoundly impacted by the stark realism of Ben Shahn. This influence would permeate his oeuvre, shaping a visual vocabulary characterized by meticulous line work and a masterful command of tonal subtlety—a style instantly recognizable for its austere beauty and emotional depth.- Early Life & Artistic Training: Martin’s childhood was marked by hardship amidst the economic anxieties of the era, fostering an appreciation for resilience and observation that would become central to his artistic vision. His formal training at the Art Institute instilled in him a foundational understanding of drawing techniques and compositional principles—skills he skillfully deployed throughout his prolific career.
- Jazz Album Covers: Martin’s fame arose primarily from his collaborations with Norman Granz, producer extraordinaire who championed jazz musicians and sought innovative visual representations of their music. He embarked on an extraordinary journey creating over 400 album covers for Mercury Records, Asch Records, Disc Records, and Dial Records—a remarkable feat considering the limitations of his medium. These covers weren’t mere reproductions; they were distillations of musical emotion into striking black-and-white line drawings that captured the essence of each artist's performance.
Technique & Style: The Crowquill Pen and Beyond
Martin’s artistic process revolved around a singular tool—the crowquill pen—which he regarded as an extension of his hand and mind. This instrument allowed him to achieve unparalleled precision in line work, producing drawings that possessed remarkable textural realism and conveying nuanced emotional states. He eschewed color, believing it superfluous to the conveyance of feeling; instead, he focused on capturing the subtle gradations of tone achieved through careful hatching and shading—a technique perfected over decades of practice. His meticulous attention to detail mirrored his philosophical approach: “I don’t want to make things look like they’re supposed to,” he famously stated, “I want to make them look like they are.”- Magazine Illustrations: Beyond album covers, Martin excelled in illustrating for prestigious publications such as Seventeen, The Saturday Evening Post and Time magazine. His work explored themes of human experience—often confronting difficult subjects with compassion and sensitivity—reflecting the anxieties of postwar America and grappling with profound questions about identity and memory.
- Museum Recognition & Legacy: Martin’s enduring influence is evidenced by his inclusion in prominent museums including MoMA, The Metropolitan Museum of Art, The Art Institute of Chicago and The Smithsonian Institution. His artwork continues to inspire artists and scholars alike—a testament to the power of simplicity, observation, and unwavering artistic conviction.
Notable Collaborations & Influences
Martin’s partnership with Norman Granz was pivotal in establishing his reputation as jazz’s visual poet. Together they created unforgettable album covers for artists like Billie Holiday, Nina Simone, Charlie Parker and Dizzy Gillespie—images that transcended mere representation to become emblems of musical artistry. His artistic sensibilities were undeniably shaped by Ben Shahn's uncompromising realism and his ability to convey profound emotion through stark imagery.Personal Life & Artistic Reflection
David Stone Martin married Thelma Martin, a muralist who collaborated on the Sweetwater Post Office Mural—a project reflecting his commitment to civic engagement and artistic expression. He fathered graphic artist Stefan Martin and painter Tony Martin—passing on his passion for art to future generations.
David Stone Martin
1913 - 1992
Dados Rápidos
- Full Name: David Livingstone Martin
- Nationality: American
- Date Of Birth: 1913
- Date Of Death: 1992
- Place Of Birth: Chicago, USA
- Notable Artworks:
- George Corley Wallace
- David Merrick
- Nguyen Van Thieu
- Artistic Movement Or Style: Line Art Illustration
- Artists Who Influenced This Artist: Ben Shahn
- Artists Or Movements Influenced By This Artist: Magical Realism
