Visualizar na parede
Compartilhar
Compartilhar
Detalhes
Guia
Baixar imagem
Semelhantes
Raio X
Ver diaporama
EstatísticasWenzel jamnitzer.
Ler mais
Giclée / Impressão de Arte
Impressão giclée ou em tela de qualidade de museu, com produção rápida e opções flexíveis de acabamento. (
Comprar pintura feita à mão Alternar para Imagem Digital)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Insira a largura e a altura desejadas para se ajustarem à sua moldura ou parede. Uma impressão pode ser apenas cortada, nunca ampliada além da imagem original; portanto, um tamanho com proporções diferentes resultará na perda de parte da imagem. Enviamos uma maquete digital para sua aprovação antes de realizarmos a impressão. A imagem exibida nesta página não mostra o corte real — apenas a maquete o faz.
Entrega mundial () em 2 semanas, em vez das 4/5 semanas padrão. (26 Outubro)
Envio expresso gratuito para todo o mundo
Tela de Linho de Alta Qualidade
Seguro de transporte completo
Garantia de Reembolso de Impostos Alfandegários
Garantia de Fidelidade Cromática
Política de Devolução em 100 Dias (Apenas para Defeitos)
Garantia de reembolso de 100%
Oferta de desconto por quantidade
A opção de vidro está disponível apenas para tamanhos inferiores a 110 cm
Wenzel jamnitzer.
Giclée / Impressão de Arte
Tamanho da Reprodução
-
Preço Total
€ 56
Obras Relacionadas
Biografia do Artista
Nicolas Neufchatel: The Subtle Master of Nuremberg Portraiture
Nicolas Neufchatel (c. 1527 – c. 1590), known as Lucidel, stands as a pivotal figure in the artistic landscape of the mid-16th century, particularly celebrated for his exquisitely rendered portraits executed during his time in Nuremberg and Antwerp. While biographical details remain somewhat elusive—scholarly consensus suggests he was born around 1527—his legacy endures through an impressive oeuvre that exemplifies the humanist ideals prevalent at the dawn of the Baroque era. His artistic journey commenced in Antwerp, where he studied under Pieter Coecke van Aelst and absorbed the stylistic innovations championed by Frans Floris and Willem Key. These formative influences instilled within him a meticulous attention to detail and a profound understanding of chiaroscuro—the dramatic interplay of light and shadow—techniques that would become hallmarks of his distinctive style. The Antwerp Guild of St. Luke documented his enrollment in 1539, marking the beginning of his professional career amidst a vibrant artistic milieu. A significant turning point arrived in 1561 when Neufchatel relocated to Nuremberg, driven by religious convictions following the Protestant Reformation. This move coincided with a period of intense intellectual and artistic ferment within the city—a crucible for Mannerism and Proto-Baroque experimentation. His presence in Nuremberg solidified his reputation as one of the foremost portrait painters of the decade, securing commissions from prominent dignitaries and demonstrating an unparalleled ability to capture psychological nuance alongside physical likeness. Notably, he produced a captivating portrait of Johann Gregor van der Schardt in 1567, showcasing his mastery of capturing emotion and conveying character with remarkable subtlety. Despite continuing artistic activity after 1567—including the depiction of Emperor Maximilian II—information regarding Neufchatel’s later life remains sparse. He continued to reside in Nuremberg until at least 1573, furthering his artistic endeavors amidst a flourishing cultural environment. His work reflects not only technical virtuosity but also an engagement with humanist ideals and a sensitivity to the complexities of human experience—qualities that contribute significantly to his enduring artistic significance. Neufchatel’s artistic output comprises approximately sixty paintings and drawings, predominantly portraits, landscapes, and genre scenes. He skillfully employed oil paint on canvas, favoring muted palettes and delicate brushstrokes to achieve an ethereal quality that distinguishes him from many of his contemporaries. His portraits are distinguished by their psychological depth—capturing expressions of contemplation, dignity, and inner turmoil with remarkable precision. Furthermore, he demonstrated a keen understanding of spatial perspective and atmospheric effects, particularly evident in his landscapes which evoke the serene beauty of the German countryside. His influence extends beyond his immediate artistic output; Neufchatel’s stylistic innovations helped shape the trajectory of portraiture during the Baroque period. He championed a refined aesthetic characterized by understated elegance and psychological realism—a legacy that continues to inspire artists today. Nicolas Neufchatel remains an artist whose work embodies the spirit of humanist inquiry and artistic excellence, securing his place as a cornerstone of Renaissance art history.
Nicolas Neufchatel
1524 - 1567
Dados Rápidos
- Full Name: Nicolas Neufchatel
- Nationality: Flemish
- Date Of Birth: 1524
- Date Of Death: 1567
- Place Of Birth: Antwerp
- Notable Artworks:
- Portrait of Archduchess Anna of Austria.
- Emperor Maximilian II.
- Portrait of a Patrician.
- Artistic Movement Or Style: Renaissance
- Artists Who Influenced This Artist: ['Pieter Coecke van Aelst']
- Artists Or Movements Influenced By This Artist: ['Baroque']
