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Guia de Obras de Estudantes

Self-Portrait with Hat

Nome Turma Data

Augusto Macke, Self-Portrait with Hat (1909). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Augusto Macke allpaintingsstore.com/pt/artists/augusto-macke_pt/
Datas do artista
1887 – 1914
Pintura a óleo
1909
Técnica
Oil On Canvas
Dimensões originais
41 x 32 cm
Movimento
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
German Expressionism
Subject or theme
Man in suit and hat

No contexto

Self-Portrait with Hat — Augusto Macke

Qual é o tamanho?

As dimensões originais são 41 × 32 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 27 ao falecer.

Pintado quando o artista tinha 22. O artista viveu até aos 27. 8 das 138 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Augusto Macke (1887–1914) ▲ esta obra, 1909 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

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Cores

Medido a partir da imagem

    Cor principal

    Khaki #f3c357

    Paleta catalogada

    • #F3C357
    • #605233
    • #23211B
    • #C89043

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Dark A família de cores predominante na imagem.
    Nome da cor principal
    Khaki
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Clear Color Presence Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Augusto Macke nos últimos doze meses — 40 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 43,6%13.000 visits
    2. 2 Estados Unidos da América 5,7%1.700 visits
    3. 3 Alemanha 5,4%1.600 visits
    4. 4 México 5,0%1.500 visits
    5. 5 Espanha 4,0%1.200 visits
    6. 6 França 3,4%1.000 visits
    7. 7 Hong Kong 3,4%1.000 visits
    8. 8 Coréia do Sul 3,4%1.000 visits
    9. 9 Colômbia 2,3%700 visits
    10. 10 Índia 2,0%600 visits
    11. · 30 outros países 21,8%6.500 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Augusto Macke

    1. 1 Mulher em um Casaco Verde, 1913 43,4%19.100 visits
    2. 2 Paisagem com Vacas e Camelo, 1914 4,8%2.100 visits
    3. 3 Bathing Girls com Cidade ao Fundo, 1913 3,6%1.600 visits
    4. 4 A Loja de Chapéus, 1913 2,5%1.100 visits
    5. 5 Market in Tunis II 2,3%1.000 visits
    6. 6 Three girls in yellow straw hats I, 1913 1,4%600 visits
    7. 7 Still life hyacinths carpet, 1910 1,4%600 visits
    8. 8 Milliner 1,1%500 visits
    9. 9 Little Walter, 1912 0,9%400 visits
    10. 10 Red house in park, 1914 0,9%400 visits
    11. 11 Inner courtyard of house in St. Germain, 1914 0,9%400 visits
    12. 12 Portrait of the Artist's Wife with Hat, 1909 0,9%400 visits
    13. 13 Man Reading in a Park, 1914 0,7%300 visits
    14. 14 Fashion window 0,7%300 visits
    15. 15 Colored Composition of Forms, 1914, 1914 0,7%300 visits
    16. 16 Girl in the greenery, 1914 0,7%300 visits
    17. 17 Portrait of Franz Marc, 1910 0,7%300 visits
    18. 18 At the Garden Table, 1914 0,7%300 visits
    19. 19 Church with Flags, 1914 0,7%300 visits
    20. 76 Self-Portrait with Hat, 1909 esta obra 0,2%100 visits

    Juntas, estas obras representam 69,2% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 228 obras deste artista, das quais 119 foram visualizadas pelo menos uma vez. This painting ranks 76 of them, with 0,2% of that attention (100 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Self-Portrait with Hat — Augusto Macke

    A Glimpse into Modern Conversation: Self-Portrait with Hat

    August Macke’s Self-Portrait with Hat, painted in 1909, captures more than just a likeness; it arrests a moment of vibrant, almost theatrical engagement. The central figure dominates the canvas, presented in an air of studied elegance, clad in a sharp suit and tie. Yet, this portrait is far from static. With his mouth slightly open—whether caught mid-sentence or in a soft yawn—the subject seems to breathe life into the painted surface, inviting the viewer not merely to observe, but to participate in the unfolding dialogue.

    The Echoes of Modern Life and Company

    What elevates this piece beyond a simple study is the inclusion of surrounding figures. To the left and right, two other individuals are visible, smaller yet integral to the composition's narrative weight. They serve as silent witnesses to the main subject’s momentary expression. This grouping suggests a social gathering, a moment plucked from the bustling energy of early 20th-century urban life. Macke masterfully uses these secondary figures to frame and amplify the central personality, creating a dynamic tension between individual focus and communal experience.

    Macke's Brushwork: A Symphony of Color and Expression

    Technically, this work is deeply rooted in the currents of German Expressionism, though it retains echoes of Impressionist light that Macke absorbed during his formative years. His palette, characteristic of his time, pulses with bold color choices applied with a confident, visible hand. One can almost feel the texture beneath the paint—the quick, decisive strokes that give the figures and their attire a palpable energy. It is a style that refuses to be purely academic; instead, it vibrates with an inner emotional truth, making the painting feel immediate and intensely alive.

    Historical Resonance and Emotional Depth

    Painted just before the seismic shifts of World War I, this portrait carries an undercurrent of poignant anticipation. Macke’s career, tragically cut short by the war, imbues his work with a bittersweet quality—a celebration of vibrant life against the backdrop of impending historical upheaval. Owning a reproduction of Self-Portrait with Hat is to possess a piece of that pre-war effervescence; it speaks to the confidence and intellectual curiosity of an era at its zenith, while simultaneously whispering of the fragility of human connection.

    Bringing the Salon Home

    For the discerning collector or interior designer, this artwork offers unparalleled versatility. Its sophisticated blend of formal portraiture with expressive color allows it to anchor a room—be it a study demanding intellectual gravitas or a drawing-room celebrating vibrant social life. The energy contained within Macke’s brushstrokes ensures that the piece remains captivating, inviting contemplation on conversation, identity, and the fleeting beauty of shared moments.

    Artista e museu

    Artista

    Augusto Macke

    Nascido em Meschede, Alemanha

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name inextricably linked to the brief but brilliant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit of capturing not just what he saw, but how he felt about it. Macke’s early years were marked by a restless spirit and an insatiable curiosity, shaping him into the innovative artist he would become. His formative years in Bonn, where he received his initial education, laid the groundwork for his distinctive style, while independent study and travel exposed him to a diverse range of influences that would ultimately coalesce into his unique artistic vision.

    Early Influences and Artistic Beginnings

    Macke’s early artistic development was profoundly shaped by the vibrant cultural landscape of late 19th-century Germany. He began drawing at a young age, driven by an innate desire to capture the beauty of the natural world – the rolling hills of Westphalia, the dense forests, and the shimmering waters of the Rhine. Initially, he sought guidance from formal art academies, studying at the Düsseldorf Art Academy from 1904-1906 under Adolf Maennchen. However, Macke quickly found himself chafing against the rigid academic traditions, which emphasized meticulous draftsmanship and historical subject matter. He yearned for a more expressive and personal approach to art – one that prioritized emotion and sensation over strict adherence to convention.

    Seeking alternative sources of inspiration, Macke immersed himself in the burgeoning world of theatre design, working as a stage designer for the Düsseldorf Playhouse. This experience honed his compositional skills, sharpened his eye for color and form, and exposed him to the dynamic energy of performance – all of which would later inform his paintings. Crucially, he also began frequenting art exhibitions and absorbing the ideas of leading modernists like Henri Matisse and Paul Gauguin, whose bold use of color and simplified forms resonated deeply with his own artistic sensibilities. He was particularly drawn to the Fauves’ rejection of traditional academic painting techniques, embracing a more direct and emotionally charged approach.

    Parisian Revelations: Orphism and Beyond

    In 1912, Macke embarked on a transformative journey to Paris – a pivotal moment in his artistic development. It was here that he encountered Robert Delaunay and the burgeoning movement of Orphism, a branch of Cubism focused on pure abstraction and vibrant color harmonies. Delaunay’s work, characterized by its broken planes of color and dynamic compositions, profoundly influenced Macke's approach to painting, encouraging him to move beyond representational imagery and explore the expressive potential of color itself. He began experimenting with simultaneous contrast – the principle that colors appear different depending on the colors surrounding them – creating paintings that shimmered with energy and vitality.

    Simultaneously, Macke’s close friendship with Franz Marc, a fellow Expressionist and member of Der Blaue Reiter (The Blue Rider), provided him with invaluable intellectual and artistic support. Der Blaue Reiter was a loosely organized group of artists who sought to create art that reflected the spiritual and emotional realities of modern life. The group's emphasis on intuition, symbolism, and the exploration of inner experience aligned perfectly with Macke’s own artistic goals. He participated in several of their exhibitions, contributing works that showcased his evolving style – a blend of Fauvist color, Cubist form, and Expressionist emotion.

    The Blue Rider and a Unique Vision

    As a member of Der Blaue Reiter, Macke played a crucial role in shaping the group’s aesthetic direction. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings – such as Bathing Girls with Town in the Background – radiate warmth and vitality through their bold color palettes and confident brushwork. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. His work often depicted scenes from everyday life – landscapes, portraits, interiors – imbued with a sense of joy and optimism.

    Macke’s fascination with the natural world extended to his depictions of animals, which he treated not as mere subjects but as embodiments of primal energy and instinct. His paintings of horses, birds, and other creatures are characterized by their dynamic poses, vibrant colors, and expressive brushstrokes – capturing a sense of movement and vitality that transcends simple representation. His luminist approach, particularly evident in works like Türkisches Café, demonstrates his remarkable sensitivity to light and shadow, creating images that shimmer with an ethereal glow.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914 and was tragically killed in action on September 26th near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Despite his untimely death, August Macke’s legacy endures. His paintings – celebrated for their vibrant colors, dynamic compositions, and optimistic vision – continue to captivate audiences around the world. He remains a significant figure in the history of Expressionism, a testament to the power of art to transcend personal tragedy and inspire hope amidst darkness. His works are held in prominent collections across Europe, offering visitors a chance to experience the beauty and emotional depth of his unique artistic vision.

    Exploring Macke’s World Today

    Today, August Macke's works are exhibited in museums throughout Germany and beyond, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Numerous online resources provide detailed information about his life, work, and artistic influences – offering a rich tapestry of insights for art enthusiasts and scholars alike. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their extensive holdings of Macke’s paintings, providing a comprehensive overview of his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Onde ler mais

    Encontre online

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    allpaintingsstore.com/pt/art/download/august-macke-self-portrait-with-hat-8BWN5J-en/

    Como citar esta obra

    MLA
    Macke, Augusto. Self-Portrait with Hat. 1909, https://allpaintingsstore.com/pt/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    APA
    Macke, Augusto (1909). Self-Portrait with Hat [Painting]. https://allpaintingsstore.com/pt/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    Chicago
    Augusto Macke. Self-Portrait with Hat. 1909. https://allpaintingsstore.com/pt/art/august-macke-self-portrait-with-hat-8BWN5J-en/
    Harvard
    Macke, Augusto (1909) Self-Portrait with Hat. Available at: https://allpaintingsstore.com/pt/art/august-macke-self-portrait-with-hat-8BWN5J-en/

    Observe de perto

    Self-Portrait with Hat — Augusto Macke

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: self-portrait, hat, suit. Concorda? O que acrescentaria ou removeria?
    4. Relembre Mulher em um Casaco Verde (1913), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Self-Portrait with Hat — Augusto Macke

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What artistic movement is August Macke most associated with?

      • A Realism
      • B German Expressionism
      • C Neoclassicism
    2. 2. Approximately what year was the painting 'Self-Portrait with Hat' created?

      • A 1895
      • B 1909
      • C 1920
    3. 3. Based on the description, what is a notable physical detail about the main subject in the painting?

      • A He is looking directly at the viewer with a stern expression.
      • B His mouth is open as if he's talking or yawning.
      • C He is depicted without any form of headwear.
    4. 4. The description mentions that Macke was influenced by which early art styles?

      • A Baroque and Rococo
      • B Impressionist and Post-Impressionist techniques
      • C Renaissance portraiture
    5. 5. What is the general subject matter depicted in 'Self-Portrait with Hat'?

      • A A landscape scene featuring a river.
      • B A group portrait of musicians performing.
      • C A man wearing a suit and tie, accompanied by other figures.

    Minha pontuação: ____ de 5

    Gabarito — para o professor

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    1A · 2A · 3A · 4A · 5B

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    Perguntas e Respostas

    Quantas pessoas visualizam "Self-Portrait with Hat"?

    As estatísticas sobre "Self-Portrait with Hat", de Augusto Macke encontram-se na página de Estatísticas da obra: visitas mensais da obra, visitas às obras do artista e o detalhamento por país e idioma dos visitantes recentes.

    Existem obras semelhantes a "Self-Portrait with Hat"?

    A página Obras semelhantes de "Self-Portrait with Hat", de Augusto Macke apresenta obras relacionadas.

    Quando e com quais materiais foi feita a obra "Self-Portrait with Hat"?

    "Self-Portrait with Hat" foi criada em 1909 utilizando a técnica de Oil On Canvas. O material e a data descrevem como e quando o original foi feito.