, 35.0 x 70.0 cm.
35.0 x 70.0 cmExplore the panoramic paintings of August Lohr (1842-1920), a German artist renowned for his evocative landscapes & American panorama work, including Mexico & volcanoes.
1842 - 1920
August Lohr (1842-1920) wasn’t merely a painter; he was an architect of experience, crafting immersive panoramic scenes that transported viewers to distant lands and momentous events. Born in Munich, Germany, into a family of soapmakers, his artistic journey began at the Academy of Fine Arts, where he honed his skills under Carl Theodor von Piloty, laying the foundation for his distinctive style. Lohr’s career unfolded across two continents – initially in the bustling art scene of Munich, and then, dramatically, in the burgeoning American panorama industry, a period marked by rapid industrialization and a thirst for spectacle.
Lohr's early work focused on capturing the dramatic landscapes of Bavaria and Switzerland. These meticulously rendered scenes, characterized by crisp detail and a keen eye for light and shadow, established his reputation as a skilled landscape painter. However, it was his move to America in 1885 that truly defined his legacy. Drawn by the promise of opportunity and fueled by a desire to contribute to this rapidly expanding frontier, Lohr joined forces with William Wehner, establishing the American Panorama Company in Milwaukee. This venture marked a significant shift – Lohr transitioned from individual landscapes to large-scale, theatrical experiences designed to engage entire audiences.
The panorama craze gripped America during the late 19th century, fueled by technological advancements and a growing desire for accessible entertainment. These enormous painted canvases, often stretching over 30 feet in diameter, were mounted on rotating drums, allowing viewers to slowly circle the scene and take in the vast expanse of detail. Lohr’s role within this industry was multifaceted: he not only created individual panels that comprised the panorama but also managed the logistical complexities of installation, ensuring the seamless integration of his artwork into these immersive environments.
Lohr's contributions extended beyond mere painting; he played a crucial role in shaping the aesthetic and narrative of the American panoramas. He frequently depicted iconic locations – Mexico City’s Chapultepec Castle, the dramatic landscapes of Pico de Orizaba and Iztaccihuatl volcanoes – capturing their grandeur with remarkable accuracy and evocative detail. His work was particularly sought after for its ability to convey a sense of scale and immediacy, transporting viewers to places they could only dream of visiting.
Lohr’s artistic style is characterized by a meticulous attention to detail, a strong sense of perspective, and a masterful use of color. He employed a technique known as “hard-edge painting,” favoring sharply defined shapes and clear outlines – a deliberate choice that enhanced the illusion of depth within the panoramic format. His landscapes are imbued with a sense of realism, yet also possess an underlying romanticism, reflecting the spirit of exploration and discovery that characterized the American West.
His work was influenced by several sources: the German tradition of battle panoramas, which he had honed in Munich; the works of American landscape painters like Albert Bierstadt and Frederic Church, who captured the grandeur of the American wilderness; and, crucially, the demands of the panorama industry itself – a need for clarity, detail, and an ability to convey vast distances within a limited space.
Lohr’s time in America proved to be both fruitful and challenging. He established himself as a respected artist within the panorama industry, overseeing the creation of several major installations. However, he also faced financial difficulties and ultimately left Milwaukee for Mexico in 1890, seeking new opportunities and inspiration. He continued to paint landscapes there, capturing the vibrant colors and dramatic scenery of the region.
Despite a relatively quiet later life, August Lohr’s contribution to American art history is undeniable. He was a pioneer in the development of the panorama as a popular form of entertainment, and his meticulously rendered landscapes continue to captivate viewers with their scale, detail, and evocative power. His work stands as a testament to the transformative potential of art – its ability to transport us beyond our immediate surroundings and offer glimpses into distant worlds.
AllPaintingsStore.com, “August Lohr, Untitled”, https://allpaintingsstore.com/ro/art/august-lohr-untitled-AQTMH5-en/ArtistReproduction/ (accessed 1 Octombrie 2026).
Pictură în ulei pe pânză, pictată manual de artiștii noștri la dimensiunea și ramele dorite de dumneavoastră, pe comandă. (
Comută pe versiunea Print Comută pe Imagine Digitală)
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Pentru opere de artă sau reproduceri care depășesc 105 cm (aproximativ 41 de inch) pe oricare dintre laturi, cadrul va fi livrat demontat, sub formă de kit. Această metodă asigură o livrare sigură și previne deteriorarea în timpul transportului.
Este necesară asamblarea profesională – acest produs nu este de tip DIY (de făcut singur).
Kitul trebuie asamblat, iar pânza întinsă, de către un legător de cadre experimentat, utilizând adeziv pentru lemn (neinclus în colet), o cheie pentru întinderea pânzei și cleme pentru a menține barele la unghi drept în timp ce adezivul se usucă. Asamblarea incorectă sau tensiunea neuniformă a pânzei pot deteriora permanent opera de artă și nu sunt acoperite de garanția noastră.
Toate barele din lemn masiv sunt incluse, tăiate cu precizie la dimensiunea necesară.
Asamblat cu șuruburile incluse, plus adeziv pentru lemn pentru îmbinările de colț, care nu este furnizat și trebuie achiziționat de către tâmplarul dumneavoastră.
Sunt necesare unelte profesionale care nu sunt incluse: o șipte de întindere a pânzei (tensionator) și cleme pentru a menține barele la unghi drept în timp ce adezivul se usucă.
Important:
Îmbinările de colț necesită adeziv pentru lemn, barele trebuie fixate cu clești de strângere până când adezivul este complet uscat, iar întinderea pânzei pe cadrul asamblat necesită un clește pentru întins pânza. Niciunul dintre aceste elemente nu este inclus în kit. Vă rugăm să consultați un încadrator profesionist cu experiență înainte de a comanda această dimensiune.
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Lac lucios (intensifică nuanțele și oferă protecție împotriva luminii și a umidității)
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Pentru opere de artă sau reproduceri care depășesc 105 cm (aproximativ 41 de inch) pe oricare dintre laturi, cadrul va fi livrat demontat, sub formă de kit. Această metodă asigură o livrare sigură și previne deteriorarea în timpul transportului.
