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Catalogue entry

The Cornell Farm

1848. Oil On Canvas. Galeria Națională de Artă.

Fig. 1. Edward Hicks, The Cornell Farm, 1848. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

§ 2Abstract

Descriere obiect de colecție

Discover Edward Hicks' serene 1848 vision of rural harmony with its orderly procession of cows and farm life; own a piece of American Quaker art.

Biografie artist

Descoperă Edward Hicks (1780-1849), pictorul Quaker celebru pentru „Regatul Paradisului”, o operă emblematică a artei populare americane! Admira scene armonios unite între credință și natură în acest stil unic, născut din sinceritate religioasă și observație atentă.

§ 3Commentary

A Pastoral Symphony of Order and Peace

In the quiet, rolling landscapes of nineteenth-century Pennsylvania, few images capture the essence of American agrarian tranquility as profoundly as Edward Hicks’ 1848 masterpiece, The Cornell Farm. This expansive oil on canvas is far more than a mere record of livestock; it is a meticulously composed vision of harmony, where the wildness of nature is tamed by the steady hand of human stewardship. As one gazes upon the sprawling horizontal vista, there is an immediate sense of being transported to an era of profound simplicity and rhythmic seasonal beauty. The painting presents a breathtaking tableau of life on the Cornell estate, where cows, horses, sheep, and pigs are arranged with such deliberate care that they appear almost as participants in a grand, silent pageant.

The composition is anchored by a magnificent procession of cattle stretching across the foreground, their coats rendered in a rich palette of cream, tawny, russet, and speckled earth tones. These animals are not merely scattered; they are posed with the dignity of a group portrait, each individual creature possessing its own distinct character. This sense of organized abundance is mirrored by the presence of white sheep, sturdy black pigs, and graceful horses, all coexisting within a landscape that feels both bountiment and deeply peaceful. The eye is led through the scene by the gentle curves of the terrain—the teal-blue earth underfoot and the pale green, grassy plots that rise toward a horizon softened by a hazy, atmospheric light.

The Soul of a Quaker Visionary

To truly appreciate The Cornell Farm, one must understand the hand that guided the brush. Edward Hicks was not merely a painter; he was a man of deep spiritual conviction, a Quaker minister whose life was guided by the concept of the "inner light." This spiritual foundation infused his work with an underlying sense of morality and order. While Hicks lacked formal academic training, his background as a decorative sign and coach painter gifted him with a unique, rhythmic precision. His technique—often described as folk or primitive art—utilizes bold silhouettes and a striking use of color to create ornamental patterns that are as much about spiritual balance as they are about visual appeal.

In this particular work, the artist’s fascination with symmetry is on full display. The way the red and white farm buildings flank the central landscape creates a sense of stability and permanence, reflecting the Quaker values of simplicity and steadfastness. There is no chaos here; even the figures of the farmers, seen in pairs or walking solitary paths, seem integrated into the natural order of the farmstead. For the collector or the interior designer, this painting offers a rare opportunity to introduce a piece that embodies "the peaceable kingdom" within a modern space—a window into a world where man, animal, and land exist in a state of perfect, unshakeable equilibrium.

An Enduring Legacy for the Discerning Collector

Beyond its historical significance, The Cornell Farm possesses an emotional resonance that transcends time. It evokes a nostalgic longing for a lost pastoral ideal, making it an evocative centerpiece for any collection focused on American heritage or landscape art. The painting’s ability to command attention through its intricate details—from the suckling piglets to the distant, misty hills—ensures that it remains a captivating subject of study and admiration.

For those seeking to adorn a home or gallery with a high-quality reproduction, this work provides an unparalleled sense of warmth and sophistication. Its palette of soft pinks, deep greens, and earthy browns complements a wide variety of interior aesthetics, from traditional country estates to contemporary spaces seeking a touch of historical soul. Owning a piece inspired by Hicks is not simply about decorating a wall; it is about inviting the quiet, enduring strength of the American spirit into one's daily life.

Întrebări și răspunsuri

Pentru cine este recomandată lucrarea "The Cornell Farm" ca cadou și pentru ce utilizare?

"The Cornell Farm" de Edward Hicks este recomandată ca cadou pentru Anniversary, în special pentru Harmony. O reproducere a acestei opere de artă poate fi oferită ca prezent.

Pot examina "The Cornell Farm" mai detaliat?

Pagina Raze X a operei "The Cornell Farm" de Edward Hicks este un vizualizator interactiv care vă permite să parcurgeți onze straturi optice ale imaginii lucrării, inclusiv o perspectivă de tip radiografie.

„The Cornell Farm” este mai degrabă o lucrare luminoasă sau întunecată în ansamblu?

"The Cornell Farm" de Edward Hicks este înregistrat cu o brilliant, având o luminanță de Gentle Luminance.

§ 4The artist

Edward Hicks

Edward Hicks

1780 - 1849, Statele Unite ale Americii

Quick facts about Edward Hicks

  • Artistic Movement Or Style: Folk Art
  • Date Of Birth: April 4, 1780
  • Date Of Death: August 23, 1849
  • Full Name: Edward Hicks
  • Nationality: American
  • Notable Artworks:
    • Peaceable Kingdom (31)
    • Falls of Niagara
    • George Washington crossing...
    • Peaceable Kingdom (34)
  • Place Of Birth: Langhorne, USA

Biografie artist

A Life Rooted in Faith and Vision

Edward Hicks, born April 4th, 1780, in the tranquil landscape of Attleboro (now Langhorne), Bucks County, Pennsylvania, was a figure uniquely positioned at the intersection of religious conviction and artistic expression. His story is not simply that of a self-taught painter, but of a dedicated Quaker minister whose spiritual journey profoundly shaped his distinctive visual language. Though born to Anglican parents, young Edward’s life took a pivotal turn when he came under the care of Matron Elizabeth Twining, a devout Quaker who instilled in him the core tenets of this faith – simplicity, peace, and an unwavering belief in the “inner light.” This early exposure would become the bedrock upon which his artistic vision was built. From the age of thirteen, Hicks apprenticed with coach makers William and Henry Tomlinson, mastering the techniques of decorative painting that would initially sustain him. However, even as he honed his skills in rendering ornate designs on carriages, a deeper calling resonated within him, one that would ultimately lead him down a path less traveled – a path where faith and artistry converged. By 1803, Hicks had fully embraced the Society of Friends, marrying Sarah Worstall and embarking on a life of itinerant preaching throughout Philadelphia, all while continuing to support his growing family through his painting skills.

The Evolving Canvas: From Coachwork to Spiritual Landscapes

Hicks’s artistic development was far from conventional. He wasn't formally trained in the academic traditions of the time; instead, he cultivated a distinctly American folk art style born from observation, necessity, and deeply held beliefs. Initially, his paintings served practical purposes – house painting, coach decoration, tavern signs, and even decorative work on furniture and farm equipment. These early commissions provided financial stability but often conflicted with the Quaker emphasis on plainness and eschewal of worldly vanities. A period of hardship in 1815 saw Hicks briefly abandon ornamental painting for farming, a venture that proved unsuccessful. It was through encouragement from friends that he returned to his brushes in 1816, a turning point that allowed him to reconcile his artistic talents with his spiritual calling. He began to imbue his paintings with symbolic meaning, reflecting his Quaker worldview and personal interpretations of scripture. His canvases became vehicles for conveying messages of peace, harmony, and the promise of a divinely ordained order.

The Peaceable Kingdom: A Vision of Harmony

Edward Hicks is most celebrated today for his series of paintings known collectively as *The Peaceable Kingdom*. Comprising over sixty variations created throughout his life, these works are arguably the most iconic examples of American folk art. Inspired by Isaiah 11:6-9 – a passage foretelling a time when natural predators would coexist peacefully – Hicks depicted scenes of wild animals and children living in idyllic harmony. The paintings often feature figures from colonial Pennsylvania history, such as William Penn negotiating treaties with Native Americans, further grounding the biblical vision within an American context. *The Peaceable Kingdom* is not simply a charming depiction of animal life; it’s a powerful statement about Hicks's belief that Pennsylvania represented a fulfillment of this prophetic ideal – a place where peace and justice could prevail. Each version of *The Peaceable Kingdom* possesses subtle variations in composition, color palette, and detail, reflecting Hicks’s evolving artistic sensibilities and deepening spiritual understanding. Notable examples include *Peaceable Kingdom (31)* housed at Yale University Art Gallery, and *Peaceable Kingdom (34)* which portrays Noah's Ark amidst a serene landscape.

Beyond the Kingdom: A Broader Artistic Scope

While *The Peaceable Kingdom* remains his signature achievement, Edward Hicks’s artistic output extended beyond this celebrated series. He painted landscapes, portraits, and historical scenes, each imbued with his characteristic folk art style and Quaker sensibility. His *Falls of Niagara*, now at the Abby Aldrich Rockefeller Folk Art Center, demonstrates his ability to capture the grandeur of nature while maintaining a sense of simplicity and reverence. Similarly, his depiction of *George Washington crossing...* – also held at the Abby Aldrich Rockefeller Folk Art Center – offers a unique folk perspective on this iconic moment in American history. Even seemingly mundane subjects like *Grave of William Penn at Jordans in England*, reveal Hicks’s deep connection to Quaker heritage and his ability to find spiritual significance in everyday scenes. These works, taken together, demonstrate the breadth of Hicks's artistic vision and his commitment to using art as a means of expressing his faith and values.

A Lasting Legacy: The Folk Art Icon

Edward Hicks passed away on August 23rd, 1849, in Newtown, Pennsylvania, leaving behind a body of work that continues to resonate with audiences today. He is now recognized as a pivotal figure in American folk art, celebrated for his distinctive style, recurring themes, and profound spiritual depth. His paintings offer invaluable insights into the beliefs and values of the Society of Friends during the 19th century, providing a visual record of their commitment to peace, simplicity, and social justice. Hicks’s unique ability to blend religious faith with artistic expression created a body of work that is both visually compelling and spiritually meaningful. He remains a testament to the power of self-taught artistry and the enduring influence of Quaker ideals on American art history. His legacy continues to inspire artists and scholars alike, ensuring that his vision of harmony—both earthly and divine—will endure for generations to come.

§ 5Comparanda

§ 6Questions

Informații rapide

  • Movement: American Folk Art
  • Title: The Cornell Farm
  • Notable elements or techniques: Detailed depiction of cows and barn architecture
  • Year: 1848
  • Location: National Gallery of Art, Washington, D.C.

Test de cunoștințe despre artă

Fiecare întrebare are un singur răspuns corect.

Întrebare 1:
What is the primary subject matter depicted in ‘The Cornell Farm’?
Întrebare 2:
Edward Hicks's artistic background includes experience as:
Întrebare 3:
The painting’s inscription emphasizes the importance of:
Întrebare 4:
Approximately how many cows are visible in the Cornell Farm?
Întrebare 5:
‘The Cornell Farm’ is considered a significant piece of American folk art because it:

§ 7Cite this entry

AllPaintingsStore.com, “Edward Hicks, The Cornell Farm (1848)”, https://allpaintingsstore.com/ro/art/edward-hicks-the-cornell-farm-8CEFF4-en/ArtistReproduction/ (accessed 5 Octombrie 2026).

§ 8The reproduction

Reproducere pictată manual în ulei

Pictură în ulei pe pânză, pictată manual de artiștii noștri la dimensiunea și ramele dorite de dumneavoastră, pe comandă. ( Comută pe versiunea Print Comută pe Imagine Digitală)

It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

The Cornell Farm

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Kitul trebuie asamblat, iar pânza întinsă, de către un legător de cadre experimentat, utilizând adeziv pentru lemn (neinclus în colet), o cheie pentru întinderea pânzei și cleme pentru a menține barele la unghi drept în timp ce adezivul se usucă. Asamblarea incorectă sau tensiunea neuniformă a pânzei pot deteriora permanent opera de artă și nu sunt acoperite de garanția noastră.

  • Toate barele din lemn masiv sunt incluse, tăiate cu precizie la dimensiunea necesară.

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  • Sunt necesare unelte profesionale care nu sunt incluse: o șipte de întindere a pânzei (tensionator) și cleme pentru a menține barele la unghi drept în timp ce adezivul se usucă.

Important:
Îmbinările de colț necesită adeziv pentru lemn, barele trebuie fixate cu clești de strângere până când adezivul este complet uscat, iar întinderea pânzei pe cadrul asamblat necesită un clește pentru întins pânza. Niciunul dintre aceste elemente nu este inclus în kit. Vă rugăm să consultați un încadrator profesionist cu experiență înainte de a comanda această dimensiune.

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