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Practice Pieces

Explore 'Practice Pieces' by Nicola Durvasula – a photographic study of sound & creation. Featuring John Tilbury & sculptures, this work evokes time & forgotten spaces.

Мета описание: Исследуйте завораживающую искусство Никола Дурвазулы – синтез восточной и западной эстетики. Откройте для себя ее картины и скульптуры, вдохновленные индийской философией и традициями искусства.

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Печать (жикле) или холст музейного качества с быстрыми сроками изготовления и широким выбором вариантов отделки. (Перейти к заказу ручной росписи Перейти к заказу ручной росписиПереключиться на изображение Переключиться на изображение)

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Общая стоимость

$ 64

reproduction

Practice Pieces

Жикле / Арт-принт

Размер репродукции

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Итоговая стоимость

$ 64

Описание предмета коллекционирования

Pianist John Tilbury and sculptor Nicola Durvasula will produce work in dialogue with each other: During the last weeks of the Kochi-Muziris Biennale, Tilbury will play music with Durvasula’s sculptures, creating soundscapes that are new and distinct, and, that engage with Kochi’s local culture; while Durvasula will create 108 objects in a diaristic engagement with Tilbury’s new scores and the Biennale. Tilbury and Durvasula remind us that music has a matter, it emerges from substance, be that the piano itself or abstract sculptures, which have their own ideas and spirit. This is to say it makes material that which remains unseen, that which is essential.

Биография художника

Nicola Durvasula: Bridging East and West Through Sensory Exploration

Nicola Durvasula’s artistic journey began in Jersey, United Kingdom, where she honed her foundational skills at the École des Beaux Arts du Havre before furthering her studies at Kent Institute of Art and Design. This early exposure to diverse artistic traditions would prove pivotal in shaping her distinctive approach – one characterized by a profound fascination with blending Eastern philosophies and Western techniques into captivating visual narratives. Her nomadic lifestyle has taken her across continents, from France’s vibrant cultural landscape to India's spiritual heartland and ultimately establishing her presence in the United States. These experiences have instilled within Durvasula an unwavering commitment to exploring intersections between cultures, translating these observations into evocative artworks that resonate with layered meanings. Her artistic repertoire spans painting, sculpture, and installation, demonstrating a versatility that reflects her intellectual curiosity and desire to engage with complex ideas. Her formative years at the École des Beaux Arts du Havre instilled in her a meticulous understanding of classical composition and technique—skills she would later skillfully adapt to contemporary mediums. Simultaneously, Kent Institute’s emphasis on experimental art encouraged her to embrace innovation and challenge conventional artistic boundaries. This dual influence profoundly shaped her aesthetic sensibilities, informing her decision to fuse Eastern visual languages with Western artistic conventions. Durvasula's artistic career unfolded across numerous exhibitions and residencies worldwide. Notable solo shows included “Blame it on the sun” (2011), showcasing her exploration of light and color; “Life is but a dream, part vii” (2008), delving into themes of memory and perception; “Static lines and where they take you” (2007), reflecting upon spatial relationships and temporal shifts; “Nicola Durvasula” (2004), presenting her sculptural works alongside paintings—a deliberate juxtaposition designed to provoke contemplation. Her participation in group exhibitions like “Watercolour” at Tate Britain solidified her reputation as a respected artist within the international art community. Recent projects include collaborations with musicians, explorations of architectural spaces and contributions to biennials such as Kochi-Muziris Biennale. Her sculptures are particularly noteworthy for their kinetic qualities—pieces that seem to breathe and shift subtly, mirroring the dynamism inherent in natural phenomena and capturing fleeting moments of beauty. These works exemplify Durvasula’s dedication to material experimentation and her ability to transform raw materials into objects imbued with expressive power. She actively engages with architectural spaces, creating installations that respond to their environment and invite viewers to consider how art can enrich our understanding of the physical world. Her artistic vision is rooted in a deep appreciation for sensory experience—a conviction that informs her exploration of color, texture, and movement as vehicles for conveying profound spiritual truths. Durvasula’s work consistently investigates themes of time, memory, and the intangible qualities of experience—concepts deeply rooted in Eastern thought. She draws inspiration from traditions like Hindu iconography and explores how these visual languages can communicate profound spiritual truths. Simultaneously, she incorporates Western artistic conventions, resulting in pieces that possess a striking duality. Consider her “Practice Pieces,” featuring collaborative efforts with musician John Tilbury and sculptural explorations – a deliberate juxtaposition designed to provoke contemplation on the passage of time and the resonance of forgotten spaces. Her sculptures are particularly noteworthy for their kinetic qualities—pieces that seem to breathe and shift subtly, mirroring the dynamism inherent in natural phenomena and capturing fleeting moments of beauty. These works exemplify Durvasula’s meticulous attention to detail and her ability to transform raw materials into objects imbued with expressive power. Furthermore, she actively engages with architectural spaces, creating installations that respond to their environment and invite viewers to consider how art can enrich our understanding of the physical world. Her artistic achievements have garnered recognition through numerous solo exhibitions across galleries and museums globally. Her contributions to contemporary art are marked by a willingness to experiment with unconventional mediums and conceptual frameworks—a characteristic that distinguishes her from many of her peers. She continues to push boundaries, fostering dialogue between disparate cultural perspectives and enriching the artistic landscape with pieces that transcend geographical limitations. Nicola Durvasula’s legacy lies in her ability to articulate complex ideas through sensory experiences, cementing her place as a significant voice within the realm of contemporary art.
Никола Дурвазула

Никола Дурвазула

1960 - , Великобритания

Основные сведения

  • Artistic Movement Or Style: Contemporary Indian Art; Eastern Western Art
  • Artists Or Movements Influenced By This Artist: ['Moghul Miniatures']
  • Artists Who Influenced This Artist: ['John Tilbury']
  • Date Of Birth: 1960
  • Full Name: Nicola Durvasula
  • Nationality: British
  • Notable Artworks: ['Practice Pieces']
  • Place Of Birth: Jersey, United Kingdom