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      Catalogue entry

      Number 5

      1948. Oil On Canvas, 244.0 x 122.0 cm.

      Fig. 1. Джексон Поллок, Number 5, 1948. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      Описание предмета

      Биография художника

      Джексон Поллок (1912-1956) – американский художник, пионер абстрактного экспрессионизма и техники "dripping". Его знаменитые полотна, такие как "Оранжевая голова" и "Blue Poles", отражают энергию, спонтанность и новаторский подход к живописи.

      § 3Commentary

      No. 5, 1948 – A Symphony of Chaos and Control

      Jackson Pollock’s *No. 5*, created in 1948, stands as an emblem of Abstract Expressionism—a movement that irrevocably altered the landscape of modern art. More than just a painting; it's a visceral embodiment of emotion, intellect, and revolutionary technique, captivating viewers with its mesmerizing complexity and enduring legacy. This monumental canvas, measuring eight by four feet on fiberboard, transcends mere visual representation, inviting contemplation about the very nature of artistic expression itself.

      Technique: The Birth of Action Painting

      Pollock’s groundbreaking approach to painting—drip painting—was unlike anything seen before. Rejecting traditional brushstrokes and easel-bound compositions, he embraced a method that involved pouring and manipulating liquid paints onto a horizontal surface. This seemingly effortless process concealed an astonishing level of control and precision. Using synthetic resin paints mixed with linseed oil, Pollock meticulously layered colors onto the fiberboard, creating intricate webs of pigment that resembled turbulent skies or blossoming floral arrangements. The resulting texture—a dense tapestry of interwoven lines and drips—became synonymous with “action painting,” a term coined by Harold Rosenberg to describe this transformative style.

      Emotional Resonance: Capturing the Subconscious

      At its core, *No. 5* is an intensely personal statement reflecting Pollock’s inner turmoil and fascination with the subconscious mind. Influenced by Surrealism and Native American art—particularly Navajo weaving patterns—Pollock sought to bypass rational thought and tap into primal impulses. The dominant hues of yellow and brown convey a sense of warmth, yet simultaneously hint at underlying anxieties and instability. Critics noted that “You spent money on ‘that’?” reflecting the initial reaction of Ted Dragon, Ossorio's partner. This painting isn’t merely decorative; it’s an invitation to delve into the depths of human emotion—a courageous exploration of vulnerability and resilience.

      Historical Significance: Pivotal Moment in Modern Art

      *No. 5*, alongside other works from Pollock’s drip period, propelled Abstract Expressionism to international prominence. It challenged conventional artistic norms and solidified Pollock's position as a pioneer of American art history. The deliberate absence of a title—a decision championed by Pollock himself—served to refocus attention on the painting’s inherent qualities, encouraging viewers to engage with it without preconceived notions. Its sale for $140 million in 2006 cemented its place among the most valuable artworks globally, symbolizing not only artistic achievement but also the transformative power of innovation and daring experimentation.

      Legacy: An Enduring Influence

      Today, *No. 5* continues to inspire artists and collectors alike. Its influence can be seen in countless subsequent works exploring similar themes of spontaneity and abstraction. Furthermore, reproductions of this masterpiece offer a remarkable opportunity to experience Pollock’s vision firsthand—bringing the dynamism and emotional depth of Abstract Expressionism into homes and galleries worldwide. For those seeking inspiration or delving deeper into art history, examining *No. 5* provides invaluable insight into the genesis of modern artistic thought.

      Вопросы и ответы

      Где я могу найти произведения искусства, похожие на «Number 5», Джексон Поллок?

      Работы, похожие на «Number 5», Джексон Поллок, собраны на странице Похожие работы этого произведения.

      Существует ли справочный материал об «Number 5», Джексон Поллок для студентов?

      Страница Справка для студентов для работы «Number 5», Джексон Поллок предлагает печатный информационный лист из двух листов: само произведение с таблицей идентификации, временную шкалу, позволяющую соотнести его с периодом жизни автора, другие работы художника, измеренную цветовую палитру и готовые к копированию цитаты в четырех стилях.

      Известен ли Джексон Поллок под какими-либо другими именами или псевдонимами?

      Джексон Поллок также известен как Пол Джаксън Поллок.

      § 4The artist

      Джексон Поллок

      Джексон Поллок

      1912 - 1956, Соединенные Штаты Америки

      Quick facts about Джексон Поллок

      • Artistic Movement Or Style: Абстрактный экспрессионизм
      • Artists Or Movements Influenced By This Artist:
        • Полевые цвета
        • Экспрессионизм
      • Artists Who Influenced This Artist:
        • Бентон
        • Орозко
        • Массон
      • Date Of Birth: 28 января 1912 г.
      • Date Of Death: 11 августа 1956 г.
      • Full Name: Paul Jackson Pollock
      • Nationality: Американский
      • Notable Artworks:
        • Lavender Mist
        • One: 31
        • Blue Poles
        • Convergence
      • Place Of Birth: Кодий, США

      Биография художника

      Early Life and the Seeds of Innovation

      Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement; his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West, leading the family on a nomadic journey through Arizona and California. This itinerant existence instilled in young Pollock a deep connection to the natural world – he developed an appreciation for Native American art during these surveying trips, absorbing their visual language and spiritual intensity. Though he never consciously imitated Indigenous styles, these early experiences undoubtedly left an indelible mark on his artistic sensibility, shaping his later exploration of raw energy and primal expression.

      Pollock’s formal artistic training commenced at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. Initially, Pollock absorbed Benton's lessons diligently, learning to create works that depicted scenes of rural America with a sense of dynamism and social commentary. However, his inherent inclination leaned toward more abstract explorations – he was drawn to the expressive potential of color and form, seeking ways to convey emotions and ideas beyond representational accuracy.

      Furthermore, Pollock was profoundly influenced by Mexican muralists like José Clemente Orozco, whose monumental works depicted social struggles and historical events with a powerful emotional intensity. The scale, dynamism, and symbolic language of these murals resonated deeply with Pollock, inspiring him to seek ways to create art that could capture the complexities of human experience on a grander scale.

      The Birth of Action Painting and a Revolutionary Technique

      The 1930s witnessed Pollock’s experimentation with various techniques, driven by a desire to move beyond traditional brushwork. He began pouring paint directly onto canvases, exploring its fluidity and unpredictable nature – this was not simply applying color; it was an attempt to capture the very essence of movement and spontaneity. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface – this wasn’t merely about applying paint; it was about embodying the act of creation itself.

      This innovative approach fundamentally altered the way painting was conceived. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

      This revolutionary technique positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery – reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

      Iconic Works and Lasting Legacy

      Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and *Convergence*—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

      The significance of Pollock's work extends beyond mere aesthetics; it represents an exploration of process over product. He sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

      Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

      A Complex Figure and Enduring Influence

      Despite his groundbreaking achievements, Pollock’s life was marked by personal struggles. He battled alcoholism for much of his adult life, a condition that exacerbated his volatile personality and contributed to his untimely death in 1956 at the age of 44. However, it is important to recognize Pollock not just as an artist but also as a complex individual grappling with profound emotional challenges.

      His legacy continues to evolve and inspire artists today. His work remains a subject of intense debate and interpretation, prompting viewers to consider the relationship between art, emotion, and experience. The drip technique he pioneered is still practiced by many contemporary painters, demonstrating the enduring relevance of his innovations. Jackson Pollock’s paintings are not merely decorative objects; they are windows into the artist's psyche, offering a glimpse into the depths of human consciousness.

      § 5Comparanda

      § 6Questions

      Краткая справка

      • Artistic style: Action Painting
      • Subject or theme: Abstraction
      • Medium: Oil on fiberboard
      • Movement: Abstract Expressionism
      • Year: 1948
      • Notable elements or techniques: Drip painting

      § 7Cite this entry

      AllPaintingsStore.com, “Джексон Поллок, Number 5 (1948)”, https://allpaintingsstore.com/ru/art/paul-jackson-pollock-number-5-9DPLWE-en/ (accessed 1 Октябрь 2026).

      § 8The reproduction

      Масляная репродукция ручной работы

      Картина маслом на холсте в выбранном вами размере и раме, написанная на заказ нашими художниками. ( Переключиться на печать Перейти к цифровым изображениям)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Number 5

      Материал репродукции

      Размер репродукции

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      Более высокая детализация, изысканность и дополнительное время на создание работы

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      Рама для репродукции

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      Для произведений искусства или репродукций, размер которых превышает 105 см (приблизительно 41 дюйм) по любой из сторон, рама будет доставлена в разобранном виде (в виде комплекта). Этот метод обеспечивает безопасную доставку и предотвращает повреждения при транспортировке.

      Требуется профессиональная сборка — это не продукт для самостоятельной сборки (DIY).
      Комплект должен быть собран, а холст натянут опытным мастером по багетным рамам с использованием клеевого ПВА (не входит в комплект), струбцин для натяжки холста и зажимов, чтобы удерживать подрамник ровным до полного высыхания клея. Неправильная сборка или неравномерное натяжение холста могут привести к необратимому повреждению произведения искусства и не являются гарантийным случаем.

      • В комплект входят все бруски из массива дерева, точно вырезанные по размеру.

      • Собирается с помощью предоставляемых винтов, а также столярного клея для угловых соединений, который не входит в комплект и должен быть приобретен вашим мастером.

      • Требуются профессиональные инструменты, не входящие в комплект: щипцы для натяжки холста (натяжитель) и зажимы, чтобы удерживать рейки ровно во время высыхания клея.

      Важно:
      Для соединения углов требуется клей для дерева, перекладины необходимо зафиксировать струбцинами до полного высыхания клея, а для натяжки холста на собранную раму требуются щипцы для натяжки холста. Ни один из этих инструментов не входит в комплект. Пожалуйста, убедитесь в наличии опытного мастера по багетным работам перед заказом рамы такого размера.

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