- Domov
- Tiskanje na platnu
- Bartolomeo Cavaceppi
- Flora torso
Predogled
Pošlji
Deli
Podrobnosti o delu
Prenesi
Podobni izdelki
Rentgenski posnetek
Predvajaj diaporamaFlora torso
82.0 x 53.0 cm
Fondazione Accorsi - Ometto - Museo di Arti Decorative
Razviljaj več
Giclée tisk / Umetniški tisk
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (
Preklopite na ročno slikano delo Preklop na sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (2 avgust)
Brezplačna ekspresna dostava po vsem svetu
Visokokakovostno laneno platno
Popolno zavarovanje pošiljke
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60-dnevna politika vračanja (le v primeru napak)
Garancija 100% povračila denarja
Popust pri večjem naročilu
Možnost stekla je na voljo le za velikosti pod 110 cm
Flora torso
Giclée tisk / Umetniški tisk
Velikost reprodukcije
-
Skupna končna cena
$ 64
Opis zbirateljskega predmeta
Biografija umetnika
Bartolomeo Cavaceppi: A Roman Sculptor Shaped by Antiquity and Winckelmann
Bartolomeo Cavaceppi (c. 1716 – December 9, 1799) stands as a pivotal figure in the artistic landscape of Rome during the Enlightenment, embodying the spirit of neoclassical sculpture while simultaneously grappling with the challenges posed by the burgeoning fascination for classical antiquity. Trained initially under Pierre-Étienne Monnot and subsequently honing his craft within Carlo Antonio Napolioni’s workshop—a collaborative environment dedicated to restoring monumental sculptures commissioned by Cardinal Alessandro Albani—Cavaceppi's career was inextricably linked to the patronage of influential figures and the pursuit of meticulous scholarship. He wasn’t merely replicating the glories of Rome’s past; he actively participated in shaping its artistic future, leaving an indelible mark on both Roman sculpture and the broader dissemination of classical ideals.- Early Training & Patronage: Cavaceppi's formative years were spent absorbing the techniques and sensibilities of established sculptors like Monnot and Napolioni, who instilled in him a profound respect for craftsmanship and a dedication to faithfully representing sculptural forms. Crucially, Albani’s unwavering support provided Cavaceppi with invaluable opportunities to engage in ambitious projects—most notably, restoring colossal statues of Roman emperors—and fueled his ambition to elevate Roman sculpture to new heights.
- Collaboration & Influence: His partnership with Johann Joachim Winckelmann represents perhaps the most significant element of Cavaceppi’s artistic trajectory. Winckelmann's groundbreaking treatise, *Geschichte der Kunst der Griechen und Römer*, profoundly impacted European aesthetics, advocating for a stylistic ideal rooted in purity and timeless beauty—principles that resonated deeply within Cavaceppi’s creative vision.
- Restoration & Replication: Cavaceppi distinguished himself as one of Rome's foremost restorers, undertaking monumental commissions for Albani and meticulously reconstructing damaged sculptures from antiquity. However, his reputation extended beyond mere conservation; he was equally adept at creating convincing copies of Roman masterpieces—a practice that fueled debate about authenticity and contributed to the broader scholarly discourse surrounding classical art.
- Notable Achievements: Cavaceppi’s legacy rests primarily on his publication *Raccolta d'antiche statue, busti, teste cognite ed altre sculture antiche restaurate da cav.* (1768-1772), a monumental undertaking that showcased his expertise in sculptural reconstruction and cemented his position as a leading voice within the Roman artistic community. This ambitious project not only documented Albani’s collection but also established Cavaceppi as a champion of classical scholarship.
- Historical Significance: Cavaceppi's work embodies the anxieties and aspirations of the Enlightenment era—a period marked by both an eagerness to revive classical ideals and a critical examination of artistic conventions. He stands as a testament to the enduring power of tradition combined with intellectual innovation, shaping the aesthetic sensibilities of his time and securing his place among Rome’s most celebrated sculptors.
Bartolomeo Cavaceppi
1715 - 1799 , Italy
Hitri podatki
- Artistic Movement Or Style: Neoclassical
- Artists Or Movements Influenced By This Artist: ['Roman Sculpture']
- Artists Who Influenced This Artist:
- Pierre-Étienne Monnot
- Carlo Antonio Napolioni
- Johann Joachim Winckelmann
- Date Of Birth: Rome, Italy (c. 1716)
- Date Of Death: December 9, 1799
- Full Name: Bartolomeo Cavaceppi
- Nationality: Italian
- Notable Artworks: ['Flora torso']
- Place Of Birth: Rome
