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449.587umetninine 30.613umetniki 4.660muzeji 32jeziki
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      Atelje · Zakor. 2015 · Pariz, Francija
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      Catalogue entry

      Križ Cimabua

      1287. Tempera na leseni podlagi, 448.0 x 390.0 cm. Museo dell'Opera di Santa Croce.

      Fig. 1. Cimavbe, Križ Cimabua, 1287. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      Opis zbirateljskega predmeta

      Križ Cimabua je ikonična italijanska umetnost iz zgodnje renesanse, ki je spremenila umetniški jezik. Pogledajte podrobnosti o tehovem tehniki in simbolizmu na AllPaintingsStore.com!

      Biografija umetnika

      Cimabue je italijanski mojster iz obdobja bizantinske umetnosti, ki je postavil temelje za renesanso z realističnimi figurami in inovativnim pristopom k prostoru ter svetlosti. Odkrijte njegove veličastne freske!

      § 3Commentary

      Likmasterstvo bizantinskega vpliva

      Cimabuejev "Križ" stoji kot monumentalno del iz konca 13. stoletja, ki utelja prehod od bizantinske ikonografije do začetnega realizma renesančne umetnosti. Ustvarjen okoli leta 1287, ta velikostni križ je spomenik Cimabuejevega inovativnega pristopa, saj združuje tradicionalno religiozno simboliko z prihajajočimi umetniškimi tehnikami, ki so pavedale pot prihodnjim mojstrom, kot je Giotto.

      Motiv in kompozicija

      Umetnostni izdelek prikazuje razpeljanje Jezusa Krista, osrednjo temo v kristjanski umetnosti. Kompozicija sledi tradicionalnemu križnemu razložilu, kjer je figura Jezusa v središču izpostavljena in prevladujoča. Na obeh straneh križa sta dva žalostnika, ki verjetno predstavljata Devi Mariji in svetemu Janezu Evangelistu, kar sceni dodaja globoko čustveno težo.

      Stil in tehnika

      Cimabuejev slog zaznamuje mešanica bizantinskih vplivov in novosti zgodnje renesanse. Uporaba bogatih barv, zlasti globokih modrih, rdečih in zlatih tonov, ustvarja občutek spoštovanja in božanstva. Figure so slikane z bolj živopisnimi proporcijami in sofisticirano senčenjem v primerjavi s prejšnjo srednjoveško umetnostjo, kar nakazuje volumensko plastičnost in globino. Delo je izvedeno s tempero na lesenem leseni plošči, kar je bila običajna tehnika tistega obdobja. Akcenti zlata v listkih dodajajo svetlobno kakovost, ki povečuje svetost scene. Natančna pozornost detajlov pri prikazovanju kože in oblačil figur prikazuje Cimabuejevo mojstristvo v njegovi umetnosti.

      Zgodovinski kontekst

      Cimabue, rojen okoli leta 1240 v Florenci, je bil ključna figura v evoluciji italijanske umetnosti. Njegovo del je označilo pomembno odstopanje od ploščatih, shematičnih metod bizantinskega slikarstva, saj je uvedlo elemente realizma in čustvene izraznosti, ki so postali značilnosti renesanse. "Križ" je eno Cimabuejevih najstarejših pripisovanih del, naročeno od strani dominikanskega reda za baziliko San Domenico v Arezzoju. To naročilo izpostavlja pomen religiozne umetnosti v srednjevečni družbi in vlogo umetnikov, kot je Cimabue, pri oblikovanju duhovnih izkušenj skozi vizualno pripovedovanje.

      Simbolika in čustveni vpliv

      Scena razpeljavanja je bogata s simbolnimi elementi, vključno s samim križem, ki predstavlja žrtvovanje in odkupnico, ter aureolami okoli glav figur, ki označujejo njihjo svetost. Žalostniki na obeh straneh izražajo bolečino in žalost, kar delu dodaja čustveno dimenzijo. Cimabuejev prikaz Kristovega telesa, slikano z senčenjem in občutkom plastičnosti, prinaša globok občutek trpljenja in človečnosti. To odstopanje od togih bizantinskih figur Krista na križu napoveduje bolj ekspresivne in naravne predstavitve, ki bodo definiral renesančno umetnost. Zakaj zbirati ali izpostaviti to umetniško delo Za ljubitelje umetnosti, zbiratelje in oblikovalce notranjih prostorov Cimabuejev "Križ" ponuja edinstveno mešanjo zgodovinske pomembnosti in umetniške briljantnosti. Njegova bogata barvna paleta, zapleteni detajli in čustvena globina ga naredijo očarljivo dodajo v katero koli zbirko. Kot visokokakovostna reprodukcija lahko to umetniško delo služi kot osupljiv središčni element tako v tradicionalnih kot v sodobnih notranjih prostorih. Njegove brezčasne teme in mojstrovska izvedba zagotavljajo, da bo ostalo cenjeno delo za prihajajoče generacije. Doživite globoko lepoto in duhovni resonanco Cimabuejevega "Križa", mojstra, ki povezuje srednji vek in renesanso ter v vaš prostor prinaša dotik svetega umetniškega izražanja.

      Vprašanja in odgovori

      Kako se barve dela "Križ Cimabua" avtorja Cimavbe odražajo v njegovem čustvenem izrazu?

      V delu "Križ Cimabua" barvna paleta Nevtralne barve dopolnjuje Duševno vzviščen občutek.

      Ali je "Križ Cimabua" avtorja Cimavbe svetlo ali temno umetniško delo?

      V smislu zaznane svetlobnosti je "Križ Cimabua" avtorja Cimavbe bliskajoč.

      Kateri prostor se ujema z barvami dela "Križ Cimabua" avtorja Cimavbe?

      Barvna paleta dela "Križ Cimabua" avtorja Cimavbe, ki vključuje barve Nevtralne barve, se popolnoma ujema z priporočeno vrsto prostora: Dnevna soba.

      § 4The artist

      Cimavbe

      Cimavbe

      1240 - 1302, Italija

      Quick facts about Cimavbe

      • Artistic Movement Or Style: Bizantinski & Renesans
      • Artists Or Movements Influenced By This Artist: ['Giotto']
      • Artists Who Influenced This Artist:
        • Giunta Pisano
        • Coppo di Marcovaldo
      • Date Of Birth: c. 1240
      • Date Of Death: 1302
      • Full Name: Giovanni Cimabue
      • Nationality: Italski
      • Notable Artworks:
        • Maestà
        • Križanje
        • Občutjevanje Kristusa
      • Place Of Birth: Florence, Italy

      Biografija umetnika

      Giovanni Cimabue: Pioneer of Italian Painting

      Giovanni Cimabue, born Cenni di Pepo around 1240 in Florence, stands as a monumental figure—a bridge between the established artistic traditions of the Byzantine world and the burgeoning innovations that would define the Italian Renaissance. His life, though partially obscured by time and romanticized accounts – most notably those penned by Giorgio Vasari centuries later – marks an undeniable turning point in Western art history. Cimabue wasn’t simply a painter; he was a courageous innovator who dared to subtly challenge artistic conventions, laying the groundwork for the revolutionary changes that would soon sweep across Italy. Even his nickname, believed to mean “bull-headed,” hints at a strong will and perhaps a rebellious spirit—qualities demonstrably present in his willingness to experiment with form and expression. He represents a crucial moment where art began to shift from being solely devotional imagery towards something more humanistic and emotionally resonant.

      Early Influences and Artistic Development

      Initially immersed in the Italo-Byzantine style prevalent throughout Florence, Cimabue’s early work adhered closely to established aesthetic principles: flattened figures adorned with shimmering gold leaf, symbolic rather than realistic depictions of space, and a profound focus on religious iconography. However, even within these constraints, a nascent desire for naturalism began to emerge. He wasn't content merely replicating existing forms; he sought to imbue his paintings with a greater sense of life and emotional depth. While the precise nature of his early training remains debated, it’s likely he honed his skills within Florentine workshops, absorbing the techniques and influences of the time while simultaneously developing his own unique artistic voice. The Byzantine style, characterized by its formality and spiritual focus, provided him with a solid foundation, but Cimabue began to subtly introduce elements that would foreshadow the coming Renaissance—a greater attention to volume, more expressive facial features, and a nascent understanding of spatial relationships. This wasn’t a sudden break from tradition, but rather a gradual evolution, a delicate balancing act between honoring the past and embracing new possibilities.

      Masterpieces and Artistic Innovations

      Cimabue's legacy is cemented through a series of breathtaking works that showcase his evolving style. The Maestà (Louvre), originally created for the Church of San Francesco in Pisa, stands as one of his most celebrated masterpieces. This monumental altarpiece exemplifies his mastery of composition and use of color, while simultaneously hinting at the shift away from rigid Byzantine conventions. The figures, though still possessing a degree of formality, exhibit a newfound sense of volume and presence. The Crucifixion (San Domenico, Arezzo), dating around 1270, is particularly significant as an early demonstration of his departure from strict Byzantine norms. Here, the proportions are more realistic, and the emotional weight of the scene is palpable—a stark contrast to the often-distant depictions found in earlier religious art. Further evidence of Cimabue’s innovative spirit can be seen in works like the Flagellation of Christ (Frick Collection), generally attributed to his workshop. This complex composition reveals an evolving understanding of perspective and spatial relationships, showcasing a growing interest in creating more immersive and believable scenes. His contributions weren't limited to panel paintings; Cimabue also excelled as a mosaicist, contributing significantly to the decoration of the Baptistery of Florence—though these mosaics have unfortunately suffered from deterioration over time.

      A Pivotal Teacher: Giotto and Beyond

      Perhaps Cimabue’s most enduring legacy lies in his role as the teacher of Giotto di Bondone. While historical accounts vary regarding the exact nature of their relationship, it is widely accepted that Giotto received crucial training under Cimabue's guidance. However, Giotto would ultimately surpass his master, revolutionizing Italian painting with an even more radical embrace of naturalism and emotional realism. It’s a testament to Cimabue’s skill as a teacher that he fostered such talent, even knowing it might eclipse his own achievements. The story, often recounted by Vasari, of Giotto playfully painting a fly on Cimabue's face speaks volumes about the dynamic between master and pupil—a playful rivalry that ultimately pushed both artists to greater heights. Cimabue’s influence extended beyond Giotto, impacting numerous other artists of the period. He challenged the artistic norms of his time, demonstrating that art could be more than just religious symbolism; it could also reflect human emotion and experience. His willingness to experiment with form, proportion, and expression paved the way for the innovations of the Renaissance, establishing him as a crucial transitional figure in the history of Western art.

      Enduring Significance

      Cimabue passed away in 1302 in Pisa, leaving behind a body of work that continues to captivate and inspire. Despite his significant contributions, details surrounding his later life remain scarce. However, his artistic legacy resonates powerfully through the works of his students and the evolution of Italian art. He represents a crucial step in the development of Western painting, moving away from the stylized conventions of the Byzantine era towards a more humanistic and naturalistic approach. His paintings are not merely historical artifacts; they are windows into a pivotal moment in artistic history—a time when artists began to question established norms and explore new possibilities. He was a pioneer, a visionary who dared to challenge the status quo and lay the foundations for the artistic brilliance that would define the Renaissance. Cimabue’s work reminds us that even within tradition, there is always room for innovation, and that true artistry lies in the courage to push boundaries and explore new horizons.

      § 5Comparanda

      § 6Questions

      Ključni podatki

      • Dimensions: 433 x 390 cm
      • Year: 1287-88
      • Artist: Cimabue
      • Movement: Proto-Renaissance
      • Subject or theme: Kristusova smrt
      • Notable elements or techniques: Živočilna tehnika; uporabljena zlatna folija

      Umetniški kviz

      Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

      Vprašanje 1:
      ¿Kako imenujemo umetniško obdobje, ki je bilo predhodje Renesanse?
      Vprašanje 2:
      ¿Kateri umetnik je znan po svoji inovativni kombinaciji bizantjskih stilskih elementi in prvih evropskih umetniških tehnik?
      Vprašanje 3:
      ¿Kateri material je uporabljen pri izdelavi Cimabujevega 'Crucifixa'?
      Vprašanje 4:
      ¿Zakaj je Cimabujev 'Crucifix' pomembna umetniška dela?
      Vprašanje 5:
      ¿Kakšno svetlobno učinkovanje ima zlatna folija uporabljena pri Cimabujevem 'Crucifixu'?

      § 7Cite this entry

      AllPaintingsStore.com, “Cimavbe, Križ Cimabua (1287)”, https://allpaintingsstore.com/sl/art/cimabue-kriz-cimabua-8Y36W2-sl/ArtistReproduction/ (accessed 3 oktober 2026).

      § 8The reproduction

      Ročno izdelana oljna reprodukcija

      Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine Preklop na digitalno sliko)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Križ Cimabua

      Tehnik reprodukcije

      Velikost reprodukcije

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      Izbor vrhunskih umetnikov

      Več podrobnosti, dovršenosti in dodatnega časa za izdelavo

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      Okvir za reprodukcijo

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      -

      Za umetniška dela ali reprodukcije, ki so po katerikoli strani širše od 105 cm (približno 41 palč), bo okvir poslan v razstavljeni obliki kot komplet. Ta metoda zagotavlja varno dostavo in preprečuje poškodbe med transportom.

      Potrebna je profesionalna montaža – to ni izdelek za DIY izdelavo.
      Komplet mora sestaviti in platno napeti izkušen profesionalni okvirjest, pri čemer bo uporabil lepil za les (ni vključeno), klešče za napetje platna in spone, da bi ohranil pravokotnost letev med sušenjem lepila. Nepravilna montaža ali neenakomerna napetost platna lahko trajno poškoduje umetniško del in ni pokrita z našo garancijo.

      • Vključene so vse letve iz masivnega lesa, natančno izrezane po meri.

      • Montaža poteka s priloženimi vijaki, vendar je za kotiče potrebna lepil za les, ki ga ni v kompletu in ga mora zagotoviti vaš okvirnik.

      • Za uporabo so potrebna profesionalna orodja, ki niso vključena: klešče za napinjanje platna (napetnik) in sponke za ohranjanje pravokotnosti letev med sušenjem lepila.

      Pomembno:
      Za stike v kotih potrebujete lepil za les, nosilce je treba z spenjačami držati, dokler se lepil popolnoma ne suši, za zategovanje platna na sestavljenem okvirju pa potrebujete spenjače za platno. Noben od teh pripomočkov ni vključen v komplet. Pred naročilom te velikosti, prosimo, poskrbite za izkušenega profesionalnega okvirja.

      Značka z imenom

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      Zaščitni lak

      Sijajni lak (poudarja barve ter zagotavlja zaščito pred svetlobo in vlago)

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      Prilagodi svoje umetniško delo

      Primeri možnih prilagoditev: zamenjava obraza s fotografijo kupca; dodajanje hišnega ljubljenčka (npr. zamenjava mačke s psom); vključitev skritega sporočila v ozadje; sprememba krajšave ali elementov ozadja.

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      Hitra dostava

      Mednarodna dostava () v 3/4 tednih namesto običajnih 5 tednov. (31 oktober). Brez kompromisov pri kakovosti.

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      Hitra dostava

      Globalna dostava () v 5 tednih. (7 november).

      Vključeno v ceno

      Skupna cena

      € 251

      Included with every order

      • Brezplačna ekspresna dostava po vsem svetu
      • Visokokakovostno laneno platno
      • Popolno zavarovanje pošiljke
      • Garancija povračila carine in uvoznih davkov
      • Garancija popolnega barvnega ujemanja
      • 100-dnevna politika vračil (le v primeru okvar)
      • Garancija 100% povračila denarja
      • Popust pri večjem naročilu
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