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      Atelje · Zakor. 2015 · Pariz, Francija
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      Passion Flower

      Experience Gene Davis's 'Passion Flower': A vibrant explosion of color and rhythm! This iconic Color Field painting showcases bold vertical stripes, capturing energy & abstraction with a mesmerizing visual impact.

      Gene Davis (1920-1985) je bil ključni ameriški slikar Color Field pokreta, znan po živahnih vertikalnih črtastih kompozicijah. Kot osrednja figura Washington Color School raziskuje barvo, ritmus in abstrakcijo. Odkrijte njegovo dediščino!

      Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.

      Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitenga umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.

      Giclée tisk / Umetniški tisk

      Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Kupite ročno slikano delo Preklop na digitalno sliko)

      Corner sample of the P118B picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
      P118B €10
      Corner sample of the P118H picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
      P118H €10
      Corner sample of the P118W picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
      P118W €10
      Corner sample of the P438Z picture frame: izoblit polistiren, 5.5 cm wide and 3.5 cm thick
      P438Z €10
      Corner sample of the P508JH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
      P508JH €12
      Corner sample of the P508YH picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
      P508YH €12
      Corner sample of the P805H picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
      P805H €10
      Corner sample of the P805Z picture frame: izoblit polistiren, 5 cm wide and 3.5 cm thick
      P805Z €10
      Corner sample of the P919BZ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
      P919BZ €10
      Corner sample of the P919G picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
      P919G €10
      Corner sample of the P919XJ picture frame: izoblit polistiren, 7 cm wide and 3.5 cm thick
      P919XJ €10
      Corner sample of the P959ZH picture frame: izoblit polistiren, 5 cm wide and 3 cm thick
      P959ZH €10
      Corner sample of the P968JZ picture frame: izoblit polistiren, 6 cm wide and 4 cm thick
      P968JZ €12
      Corner sample of the W106C picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W106C €8
      Corner sample of the W218G picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W218G €10
      Corner sample of the W218JH picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W218JH €8
      Corner sample of the W218Y picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W218Y €10
      Corner sample of the W307PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
      W307PJ €10
      Corner sample of the W316G picture frame: masivno drevo, 6 cm wide and 3 cm thick
      W316G €10
      Corner sample of the W316PJ picture frame: masivno drevo, 6 cm wide and 3 cm thick
      W316PJ €8
      Corner sample of the W316Y picture frame: masivno drevo, 6 cm wide and 3 cm thick
      W316Y €10
      Corner sample of the W398PJ picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W398PJ €8
      Corner sample of the W4111J picture frame: masivno drevo, 6.5 cm wide and 3.5 cm thick
      W4111J €10
      Corner sample of the W500HY picture frame: masivno drevo, 7 cm wide and 5 cm thick
      W500HY €15
      Corner sample of the W500JH picture frame: masivno drevo, 7 cm wide and 5 cm thick
      W500JH €15
      Corner sample of the W692G picture frame: masivno drevo, 8 cm wide and 4 cm thick
      W692G €12
      Corner sample of the W849H picture frame: masivno drevo, 5 cm wide and 3 cm thick
      W849H €8
      Corner sample of the W940BG picture frame: masivno drevo, 7.5 cm wide and 4.5 cm thick
      W940BG €15
      Corner sample of the W953PJ picture frame: masivno drevo, 6 cm wide and 3.5 cm thick
      W953PJ €8

      Standardna velikost
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      Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

      širina
      višina

      Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezka — le predogled to omogoča.

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      Skupna cena

      € 56

      Passion Flower

      Giclée tisk / Umetniški tisk

      Velikost reprodukcije

      -

      Skupna cena

      € 56

      Ključni podatki

      • Subject or theme: Abstract
      • Influences:
        • Klee
        • Bonnard
      • Movement: Color Field
      • Notable elements: Vertical stripes
      • Year: 1968

      Umetniški kviz

      Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

      Vprašanje 1:
      What is the primary style of Gene Davis’s ‘Passion Flower’?
      Vprašanje 2:
      The artwork primarily consists of:
      Vprašanje 3:
      In what year was Gene Davis’s ‘Passion Flower’ created?
      Vprašanje 4:
      Which of the following best describes the overall mood evoked by the vibrant colors in ‘Passion Flower’?
      Vprašanje 5:
      What medium is most likely used in the creation of ‘Passion Flower’?

      Gene Davis’s “Passion Flower”: A Vertical Symphony of Color

      Gene Davis's "Passion Flower," painted in 1968, isn’t merely a depiction of a flower; it’s an immersive experience—a vibrant plunge into the heart of Color Field painting and the Washington Color School. This work, housed within the esteemed San Francisco Museum of Modern Art (SFMOMA), stands as a testament to Davis's pioneering approach to abstraction, utilizing color not to represent form but to evoke feeling and rhythm. The piece immediately commands attention with its bold, vertical stripes—a seemingly simple arrangement that belies a complex interplay of visual elements and a profound exploration of the chromatic spectrum.

      Davis’s genius lies in his meticulous control of color and line. Each stripe is an individual entity, a solid block of hue ranging from fiery oranges and passionate reds to cool blues and serene pinks. These colors aren't blended or mixed; they exist as distinct, unyielding planes, creating a dynamic visual texture that shifts with the viewer’s perspective. The consistent width of each line adds to this sense of order and rhythm, while subtle variations in saturation and intensity prevent the composition from feeling static. It’s akin to a carefully orchestrated musical score—a series of deliberate color notes building towards an emotional crescendo.

      The Washington Color School and the Rise of Field Painting

      To fully appreciate “Passion Flower,” it's crucial to understand its context within the broader art movement of the mid-20th century. Davis was a key figure in the Washington Color School, a group of painters based in Washington D.C. who pushed the boundaries of abstract expressionism by focusing almost exclusively on color and its effects. This movement emerged as a reaction against the gestural brushstrokes and figurative elements prevalent in earlier forms of abstraction. Instead, artists like Davis sought to create paintings that were purely about color—to explore its emotional power and visual resonance without relying on representational imagery.

      The Washington Color School’s approach was heavily influenced by the work of Mark Rothko, whose large-scale color field paintings had a profound impact on the group. However, Davis developed his own distinctive style, characterized by his use of vertical stripes and his meticulous attention to detail. His work can be seen as a bridge between Rothko's meditative color explorations and the more dynamic compositions of Morris Louis and Kenneth Noland, both contemporaries within the Color Field movement.

      Decoding the Symbolism: Beyond the Floral Subject

      While “Passion Flower” ostensibly depicts a flower—a symbol of love, sacrifice, and rebirth—Davis deliberately stripped away any representational elements. The absence of recognizable forms allows the viewer to project their own emotions and associations onto the painting. The vibrant colors themselves carry symbolic weight: red evokes passion and energy, blue suggests tranquility and introspection, while pink hints at tenderness and vulnerability.

      Interestingly, the title itself—"Passion Flower"—references the flower's association with the crucifixion of Christ. This religious symbolism adds another layer of meaning to the work, suggesting a connection between earthly beauty and spiritual transcendence. However, Davis’s focus on pure color suggests that he wasn’t interested in literal representation but rather in capturing the *feeling* of passion—its intensity, its complexity, and its transformative power.

      A Legacy of Color: Reproduction and Interior Design

      Today, “Passion Flower” remains a seminal work of American abstract art. Its bold colors and dynamic composition continue to captivate viewers and inspire artists. High-quality reproductions offer an accessible way to experience the painting’s emotional impact, making it a valuable addition to any collection or interior space. The vertical stripes create a strong visual anchor, adding a touch of sophistication and energy to any room. Consider pairing this artwork with complementary colors—such as earthy greens or warm neutrals—to enhance its vibrancy and create a harmonious aesthetic.

      Gene Davis’s “Passion Flower” is more than just a painting; it's an invitation to lose yourself in the world of color, to explore the depths of emotion, and to appreciate the power of abstraction. It stands as a testament to his innovative approach and enduring legacy within the art world.

      Vprašanja in odgovori

      Ali obstaja vodnik za "Passion Flower" avtorja Gene Davis?

      Za delo "Passion Flower" avtorja Gene Davis je na voljo stran Informacije za učence: natisljiv informativni list o umetninah, zasnovan za uporabo v šolskih prostorih in za učence.

      Kako harmonizirane so barve dela "Passion Flower" avtorja Gene Davis?

      "Passion Flower" avtorja Gene Davis prikazuje Discordant Palette barvno harmonijo.

      Kakšna je tehnika in datum nastanka dela "Passion Flower" avtorja Gene Davis?

      "Passion Flower" je bila izdelana leta 1968 z uporabo tehnike Acrylic On Canvas.


      Biografija umetnika

      Arhitekt barv: Življenje in dediščino Genea Davisa

      V živopravni tapiseriji ameriške abstrakcije sredine stoletja le malo nitov sije tako močno ali ritmično kot tiste, ki jih je vtkal Gene Davis. Kot pionir gibanja Color Field je Davis posedoval edinstveno sposobnost, da platno spremeni v ritmično izkušnjo svetlobe in gibanja. Rod in odrastel v Washingtonu, D.C., leta 1920, njegova pot do vloge osrednje figure Washington Color School ni bila pot takojšnje abstrakcije, temveč postopna evolucija, oblikovana z izjemno opazovalno oko. Šele preden je s čopičem ustvaril svoje ikonične črte, je Davis delal kot športni novinar – poklic, ki je zahteval oster fokus na gibanju, energiji in drami dogajanja v živo – elementov, ki so kasnejšo pulzirajočo vertikalnost njegovih slik našli svoj prostor.

      Zrna njegovega abstraktnega jezika so se zrasla skozi globoko vključevanje v evropski modernizem. V svojih oblikovalnih letih je Davis našel globoko navdih v delih umetnikov, kot sta Paul Klee in Arshile Gorky, ki sta pokazala, kako se lahko oblika izlušči v čisto čustvo in simbolno težo. Z potopljanjem v vrhunska dela zbirke Phillips Collection je začel razumeti, da barva ne služi le motivu; barva je bil motiv. Ta spoznaj je usmeril njegovo pot stran od tradicionalne zastavljanja proti revolucionarni načini pogleda, kjer so meje med obliko in odtenkom začele izginjati v čisto kromatično energijo.

      Ritem črte: Inovacija in tehnika

      Leta 1958 so označila seizmično spremembo v Davisovi karieri in širši potek ameriške umetnosti. Prav v tem obdobju je začel ustvarjati svoje slavne akrilne slike z vrsticami, tehniko, ki bo postala njegov neprepoznavni podpis. Ob odstopu od težkih, gesturalnih tekstur abstraktnega ekspresionizma je Davis sprejel ploščino in lumniscentne lastnosti akrilne barve. Njegove kompozicije so pogosto vključevale monumentalne vertikalne pasije barv, ki so se zdale vibrirati drug proti drugemu, s čimer so ustvarile občutek optičnega gibanja, ki gledalca privlači v hipnotično, ritmično trans.

      Ta dela so bila veliko več kot le preprosti geometrični izbok; bila so raziskovanja prostora in percepcije. Z uporabo pristopa Washington Color School je Davis poudaril primat barve, s čimer je vsaki pas omogočil interakcijo z njegovim sosedom skozi subtilne premike v vrednosti in zasičenosti. Njegova tehnika je omogočala edinstajen vid "dihanja" znotraj slike, kjer je oko spodbudjeno k vertikalnemu plesu po platnu. Ta najezdenost ponavljanja in ritma mu je omogočila zajemanje bistva urbanega nemira in naravne svetlobe, s čimer je kaos sodobnega sveta prevedel v strukturiran, a globoko tekoč vizualni jezik.

      Trajen odtis v ameriški abstrakciji

      Kot stebren kamen Washington Color School, alongside sodobnikov, kot sta Morris Louis in Kenneth Nurtland, je Gene Davis pomagal ponoviti meje post-slikarne abstrakcije. Njegovo del je stalo kot spomenik moči zdržljivosti in neskončnih možnosti, ki jih najdemo v omejeni paleti. Tudi v njegovih poznejših delih, kot je evokativni Night Rider iz leta 1983, lahko opazimo njegovo sposobnost mešanja drznih barv z kompleksno podobo, kar dokazuje, da je njegovo vladanje barvo lahko podprlo globoke, simbolne narative.

      Zgodovinski pomen Genea Davisa leži v njegovi vlogi mostu med intenzivno čustvenostjo zgodnje abstrakcije in hladno, izračunano natančnostjo kasnejšega Color Field slikarstva. Njegovo dediščino najdemo v vsakem platnu, ki predaja senzorično izkušnjo barve pred prikaz oblik. Skozi svoje ritmične črte je pustil vizualno simfonijo, ki še vedno odmeva med zbiratelji in ljubitelji umetnosti po vsem svetu, nas opominjajoč, da lahko je umetnost hkrati globoko preprosta in neskončno kompleksna.

      Gene Davis

      Gene Davis

      1920 - 1985 , Združene države Amerike

      Hitri podatki

      • Artistic Movement Or Style: Color Field Painting
      • Artists Or Movements Influenced By This Artist: ['Abstraktni ekspresionizem']
      • Artists Who Influenced This Artist:
        • Paul Klee
        • Arshile Gorky
      • Date Of Birth: 22. avgusta 1920
      • Date Of Death: 6. aprila 1985
      • Full Name: Gene Bernard Davis
      • Nationality: Ameriški
      • Notable Artworks:
        • Black Grey Beat
        • Blue Freak-Out
      • Place Of Birth: Washington, D.C.