Vpis v katalog

Composition

1933. , 400.0 x 584.0 cm. British Council.

**Slika 1.** Henry Moore, *Composition*, 1933. Prikazano kot reprodukcija, ki jo izbirate: , .

§ 1Katalogovni podatki

: Cubist Influence
: 1933
: 400.0 x 584.0 cm
: British Council

To umetniško delo je zaščiteno z avtorskimi pravicami

Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.

Kot spoštljiva in zakonita alternativa ponujamo prilagojena, ročno slikana umetniška dela, navzornena na original. Naši sposobni in profesionalni umetniki skrbno preučijo stil, vzdušje in umetniško bistvo originala, da ustvarijo novo, edinstveno delo, ki vzbudi enak občutek – pri čemer ostaja popolnoma nova, samostojna izvirna stvar.

Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitenga umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.

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§ 2Abstraktno

Opis zbirateljskega predmeta

The sculpture’s form evokes primitive sculpture, emphasizing positive/negative space and reflecting Moore's rejection of classical art.

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Biografija umetnika

Henry Moore je izjemno priznan britanski mojster moderne abstrakte skulpture, znan po monumentalnih oblikah – predvsem položnih figuram in temam mati ter otroka. Odkrijte njegovo umetniško dediščino svetovno!

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§ 3Komentacija

When Henry Moore died in 1986, he left a legacy of primeval public monuments across the world. From Scotland to Saudi Arabia, his bronze and slate-coloured hulks brood over the landscape like monoliths from an earlier era, presiding over our global disasters with a prophetic power. Moore’s sculptures were born out of two world wars and the glories of the machine age, yet their rugged textures and simple forms were inspired by the Yorkshire countryside of his childhood. It was this duality, of nature and modernity, which instilled in the sculptures a timeless quality that has had a lasting universal appeal. It is perhaps because of this that Moore’s relationship with the British Council was a close one throughout his career. The British Council Collection includes sculptures, paintings, prints and sketches by the artist, and for many years his bronze sculpture Large Spindle Piece (1974) sat on a plinth outside their headquarters on The Mall in London.The sculptures featured in this exhibition were all made in the 1930s at a time when Moore was living in Hampstead with his wife, Irina Radetsky. The North London suburb was a playground of the bohemian set and many artists had settled there, including Barbara Hepworth, Ben Nicholson and Naum Gabo, all of whom had an influence on the young Moore. Each of the three sculptures plays a vital role in revealing Moore’s move towards abstraction. He had already rejected tradition, preferring non-Western art over classical figures of the Renaissance and the Graeco-Romans, and Girl with Clasped Hands, made the year after his marriage, is clearly inspired by an ancient Sumerian sculpture he had written about after visiting the British Museum. At the time, Moore had been very influenced by the critic Roger Fry, and in particular Fry’s book Vision and Design (1920), which propounded the theory of significant form. The eyes, hands and breasts of Girl with Clasped Hands evoke primitive sculpture, especially through the positive/negative switch Moore made by drilling holes into the breasts where the nipples should have been.The 1930s were also characterised by Moore’s admiration for Epstein and Brancusi, artists who insisted on direct carving and truth to materials. Moore was fascinated with Surrealism, too, and he even signed the manifesto in 1936. Composition, made in 1933, is an undulating concrete form that appears intent on stretching beyond the capabilities of its rigid medium. Its emerging breasts and nipple, and the yawning cavities, are suggestive of a human form struggling to break free. Moore’s love of Surrealism, coupled with his move towards abstraction, can be seen in this work as a friction between the two opposing forces.In 1934, he visited Spain, and as a consequence was very much affected by the outbreak of the Civil War in 1936. He petitioned Parliament on their non-intervention and even tried to travel to the country as part of a delegation of artists and writers that included Auden and Spender, but he was refused a travel permit by the British government. One of the sculptures to emerge out of this time is Mother and Child, a strange, amorphous form in which two figures appear to be melting into, or emerging out of, one another. Naturally, the work continues to embody Moore’s conflict between the opposing forces of Surrealism and abstraction, but more significantly it is highly charged emotionally, as a response to the outbreak of war in Spain. It was an early indication that this sculptor would become a powerful critic of the Second World War and a sensitive recorder of the plight of the common man caught in the crossfire.(C) Jessica Lack 2009

Vprašanja in odgovori

Kako lahko odkrijem umetniška dela, podobna delu "Composition" avtorja Henry Moore?

Stran Podobna dela za delo "Composition" avtorja Henry Moore prikazuje sorodna umetniška dela.

Kakšna je barvna identiteta dela "Composition" avtorja Henry Moore?

"Composition" zaznamja barvna paleta Neutrals, ki ji prevladuje Phthalo Green (#35250d)."

Od kod prihajajo obiskovalci dela "Composition" avtorja Henry Moore?

Statistika za "Composition" avtorja Henry Moore je na strani Statistika pregledov umetninine: vključuje mesečne obiske umetninine, obiske umetninikovih del ter razdelitev nedavnih obiskovalcev po državah in jezikih.

Obrazec za naročilo reprodukcij

Ročno izdelana oljna reprodukcija

Dimenzije (v × š) Standardna velikost po meri Standardna velikost po meri CM INCH CM INCH Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela. izberite velikost Nalagovanje velikosti... širina višina Vnesite širino in višino, ki jih potrebujete, da se slika prilega vašemu okviru ali steni. Ker je delo ročno slikano, lahko umetnik pri različnih oblikih slik pri robovih doda malo več barve ali pa jih malo odreže — izberite sami. Pred začetkom slikanja vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ni končni rezultat — le predogled prikazuje dejansko podobo. Preberi več
Montaža Okvirni rob ; celotna . Nad 105 cm se okvir pošlje v obliki kompleta za profesionalnega okvirja — preberite podrobnosti.
Sprememba slike	€45—
Izполнил (izполнил) -> Izvršil/izvršila	€89—
Značka z imenom	—
Zaščitni lak	€13—
Produkcija in dostava	€27vključen v register

Prilagodite: zamenjajte obraz s fotografijo, dodajte hišnega ljubljenčka, v ozadje vključite skrito sporočilo ali spremenite ozadje. Naša ekipa vam po e-pošti pošlje navodila in zagotovi predogled makete.
Elite Senior Artist: več podrobnosti, prefinjenosti in dodatnega časa za izdelavo.
Sjajni lak: izboljša barve, ščiti pred svetlobo in vlago.
Nalepke: bronzaste, 9x2 cm, ime umetnika in naslov; akrilne, 10x15 cm, informacije o delu in QR koda.

§ 4Umetnik

Henry Moore

1898 - 1986, Združeno kraljestvo

Kratek pregled o Henry Moore

Artistic Movement Or Style: Modernizem, Abstraktna skulptura
Date Of Birth: 30. julij 1898
Date Of Death: 31. avgust 1986
Full Name: Henry Spencer Moore
Nationality: Angleški
Notable Artworks:
- Ležeča figura
- Zaščitne slike
Place Of Birth: Castleford, UK

Biografija umetnika

A Life Sculpted in Form: The World of Henry Moore

Henry Spencer Moore, OM CH FBA (30 July 1898 – 31 August 1986) was an English visual artist. He is best known for his semi-abstract monumental bronze sculptures—particularly the reclining figure—which revolutionized modern British sculpture and established him as one of the most influential artists of the twentieth century. Born in Castleford, Yorkshire, Moore’s early life instilled in him a profound appreciation for the natural world and a fascination with form that would shape his entire artistic career. Despite an initial inclination towards teaching, he swiftly recognized his innate talent for sculpting and devoted himself wholeheartedly to mastering this craft.

Early Influences and Artistic Development

Moore's formal education began at Castleford Secondary School where his art teacher identified and nurtured his burgeoning artistic abilities. He subsequently pursued studies at Leeds School of Art and the Royal College of Art in London, immersing himself in the study of classical sculpture alongside pioneering movements like Cubism. However, Moore wasn’t merely a passive recipient of artistic trends; he skillfully synthesized these influences into something uniquely his own—a distinctive sculptural language characterized by organic curves, voids, and explorations of spatial relationships. A formative experience occurred during his visit to Mexico in 1925 where he encountered Aztec sculptures—powerful symbols of simplicity and abstraction that liberated him from representational constraints. This encounter profoundly impacted Moore’s aesthetic sensibilities, propelling him toward a more expressive approach to sculpture.

The Reclining Figure: An Icon of Modern Sculpture

Moore's breakthrough came with the creation of *Reclining Figure*, completed in 1932—a monumental bronze sculpture that instantly captivated audiences and cemented his reputation as a visionary artist. This iconic form embodies Moore’s core artistic principles: an unwavering focus on the human figure, coupled with a deliberate rejection of anatomical accuracy. Instead of striving for realistic depiction, Moore sought to capture the essence of repose and contemplation—to convey a sense of serenity and timelessness through undulating curves and subtly textured surfaces. The reclining figure became synonymous with Moore’s oeuvre—a symbol of both vulnerability and resilience—and continues to inspire artists worldwide.

Wartime Reflections and Public Commissions

The Second World War served as a catalyst for Moore's artistic evolution, prompting him to document the experiences of Londoners sheltering from the Blitz in evocative drawings that captured the spirit of defiance and communal solidarity. These *Shelter Drawings*, created during this period of immense upheaval, demonstrate Moore’s ability to translate his sculptural sensibility into two-dimensional form—a testament to his versatility as an artist. Following the war, Moore received numerous prestigious commissions—allowing him to realize ambitious sculptures for educational institutions, hospitals, and civic spaces—further solidifying his legacy as a champion of public art and demonstrating his unwavering belief in its transformative potential.

Legacy and Enduring Influence

Henry Moore’s impact on twentieth-century sculpture is undeniable. He challenged conventional artistic conventions, prioritizing form and space over literal representation—and establishing himself as one of the most influential sculptors of his time. His sculptures continue to resonate with audiences today—inspiring awe and contemplation—and his work remains a powerful reminder of the enduring human spirit and the beauty that can be found in even the most challenging circumstances. Moore’s dedication to artistic exploration and his profound connection to the natural world cemented his place as a cornerstone of modern British art, ensuring that his legacy would endure for generations to come.

Key Characteristics: Organic forms, voids, undulating curves, textured surfaces, monumental scale
Notable Inspirations: Classical sculpture, Cubism, Aztec art, Yorkshire landscape
Significant Achievements: Creation of *Reclining Figure*, numerous public commissions, establishment of the Henry Moore Foundation

Moore’s sculptures stand as enduring monuments to human ingenuity and a testament to the transformative power of art—a legacy that continues to inspire artists and captivate audiences globally.

§ 5Primerjavelna dela

Sorodna umetniška dela

§ 6Vprašanja

§ 7Citiraj ta zapis

AllPaintingsStore.com, “Henry Moore, Composition (1933)”, https://allpaintingsstore.com/sl/art/henry-moore-composition-D4Q87S-en/ArtistReproduction/ (pridelano 15 oktober 2026).

§ 8Reprodukcija dela

Ročno izdelana oljna reprodukcija

Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. ( Preklop na tiskanine Preklop na digitalno sliko)

V robu naročilnega lista je navedeno; trenutno stanje tega lista se glasi:

Composition

Tehnik reprodukcije

Velikost reprodukcije

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Izbor vrhunskih umetnikov

Več podrobnosti, dovršenosti in dodatnega časa za izdelavo

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Okvir za reprodukcijo

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Za umetniška dela ali reprodukcije, ki so po katerikoli strani širše od 105 cm (približno 41 palč), bo okvir poslan v razstavljeni obliki kot komplet. Ta metoda zagotavlja varno dostavo in preprečuje poškodbe med transportom.

Potrebna je profesionalna montaža – to ni izdelek za DIY izdelavo.
Komplet mora sestaviti in platno napeti izkušen profesionalni okvirjest, pri čemer bo uporabil lepil za les (ni vključeno), klešče za napetje platna in spone, da bi ohranil pravokotnost letev med sušenjem lepila. Nepravilna montaža ali neenakomerna napetost platna lahko trajno poškoduje umetniško del in ni pokrita z našo garancijo.

Vključene so vse letve iz masivnega lesa, natančno izrezane po meri.
Montaža poteka s priloženimi vijaki, vendar je za kotiče potrebna lepil za les, ki ga ni v kompletu in ga mora zagotoviti vaš okvirnik.
Za uporabo so potrebna profesionalna orodja, ki niso vključena: klešče za napinjanje platna (napetnik) in sponke za ohranjanje pravokotnosti letev med sušenjem lepila.

Pomembno:
Za stike v kotih potrebujete lepil za les, nosilce je treba z spenjačami držati, dokler se lepil popolnoma ne suši, za zategovanje platna na sestavljenem okvirju pa potrebujete spenjače za platno. Noben od teh pripomočkov ni vključen v komplet. Pred naročilom te velikosti, prosimo, poskrbite za izkušenega profesionalnega okvirja.

Navodila za montažo so na voljo tukaj

Značka z imenom

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Zaščitni lak

Sijajni lak (poudarja barve ter zagotavlja zaščito pred svetlobo in vlago)

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Prilagodi svoje umetniško delo

Primeri možnih prilagoditev: zamenjava obraza s fotografijo kupca; dodajanje hišnega ljubljenčka (npr. zamenjava mačke s psom); vključitev skritega sporočila v ozadje; sprememba krajšave ali elementov ozadja.