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      Circumcision

      Own a stunning hand-painted reproduction of Mariotto Albertinelli’s ‘Circumcision’ (1503). A Renaissance masterpiece, this oil on panel captures Florentine beauty & religious devotion.

      Explore Mariotto Albertinelli (1474-1515), a Florentine Renaissance painter known for his collaboration with Fra Bartolomeo & harmonious compositions blending Perugino's grace, Flemish detail, and Leonardo’s sfumato. Discover masterpieces like the Visitation!

      Giclée tisk / Umetniški tisk

      Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Naročite ročno slikano reprodukcijo Preklop na digitalno sliko)

      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118B €10
      Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118H €10
      Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118W €10
      Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
      P438Z €10
      Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508JH €12
      Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508YH €12
      Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805H €10
      Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805Z €10
      Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919BZ €10
      Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919G €10
      Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919XJ €10
      Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P959ZH €10
      Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
      P968JZ €12
      Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
      W106C €8
      Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
      W218G €10
      Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
      W218JH €8
      Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
      W218Y €10
      Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W307PJ €10
      Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
      W316G €10
      Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W316PJ €8
      Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
      W316Y €10
      Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
      W398PJ €8
      Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
      W4111J €10
      Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
      W500HY €15
      Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
      W500JH €15
      Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
      W692G €12
      Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
      W849H €8
      Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
      W940BG €15
      Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
      W953PJ €8

      Standardna velikost
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      Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

      širina
      višina

      Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
      Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
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      Skupna cena

      € 55

      Circumcision

      Giclée tisk / Umetniški tisk

      Velikost reprodukcije

      -

      Skupna cena

      € 55

      Hitri podatki

      • Dimensions: 23 x 50 cm
      • Subject or theme: Religious scene
      • Artist: Mariotto Albertinelli
      • Year: 1503
      • Artistic style: Realistic representation
      • Medium: Oil on panel
      • Notable elements or techniques: Detailed depiction; Classical architecture

      Kviz o umetnosti

      Pri vsakem vprašanju je na voljo le eden pravilen odgovor.

      Vprašanje 1:
      What is the title of this painting?
      Vprašanje 2:
      Where is ‘Circumcision’ currently housed?
      Vprašanje 3:
      Who was Mariotto Albertinelli's teacher?
      Vprašanje 4:
      What artistic style is ‘Circumcision’ primarily associated with?
      Vprašanje 5:
      The painting utilizes what technique to create a sense of depth and realism?

      A Moment Frozen in Time: Exploring Mariotto Albertinelli’s “Circumcision”

      The painting "Circumcision" by Mariotto Albertinelli stands as a testament to the burgeoning artistic fervor of Florence during the High Renaissance—a period defined by humanist ideals and an unparalleled revival of classical art. Completed in 1503, this oil on panel masterpiece resides within the Galleria degli Uffizi, offering visitors a rare glimpse into the visual language of its era and Albertinelli’s masterful execution. More than just a depiction of religious ritual, “Circumcision” embodies the spirit of Renaissance contemplation and strives to convey profound spiritual significance through meticulous observation and artistic innovation.

      Composition and Technique: Precision Meets Emotion

      Albertinelli's approach to painting is characterized by an unwavering commitment to realism—a hallmark of his time. He skillfully employs perspective, subtly guiding the viewer’s gaze across the scene and establishing a convincing illusion of depth within the confined space of the chapel where it was originally housed. The artist meticulously renders textures with remarkable accuracy; note the smooth surface of the sarcophagus lid, contrasted by the rough stone of its sides—details that speak to Albertinelli's dedication to capturing the materiality of his subject matter. Furthermore, he utilizes a muted palette dominated by earthy tones – ochre, umber, and Sienna – punctuated by splashes of blue and yellow which draw attention to key figures and architectural elements. This restrained color scheme contributes to the painting’s solemn atmosphere, fostering an emotional response rooted in reverence and contemplation.

      Historical Context: Florence Under Medici Patronage

      Florence during Albertinelli's lifetime was at the apex of its artistic glory thanks to the patronage of Lorenzo de’ Medici—the Magnificent—who championed humanist scholarship and supported artists like Albertinelli with unwavering generosity. The Renaissance preoccupation with human anatomy and emotion is palpable in “Circumcision,” reflecting a broader cultural shift away from medieval dogma toward a more nuanced understanding of faith and spirituality. The painting's subject matter itself – the ritual circumcision of infant Jesus – aligns perfectly with the theological concerns prevalent at the time, emphasizing purity and divine grace. Albertinelli’s work reflects the humanist fascination with portraying human figures realistically, capturing not just their physical appearance but also conveying psychological depth.

      Symbolism: Layers of Meaning Beyond the Surface

      Beyond its visual splendor, “Circumcision” is laden with symbolic significance. The sarcophagus represents mortality and remembrance—a reminder of humanity’s inevitable fate alongside a celebration of eternal life. The figures surrounding it are positioned in postures of prayer and contemplation, symbolizing spiritual devotion and seeking divine guidance. Albertinelli's careful placement of these elements reinforces the painting’s overarching theme: the triumph of faith over darkness. The scrolls held by the figures represent knowledge and scripture—essential components of Christian belief and intellectual inquiry during the Renaissance.

      A Legacy Enduring Through Reproduction

      Today, high-quality reproductions of “Circumcision” allow art lovers everywhere to experience Albertinelli’s artistic brilliance without the constraints of travel or expense. These meticulously crafted prints capture the painting's luminous colors and intricate details, transporting viewers back to Florence’s golden age—a period where beauty and intellect intertwined to create some of Western civilization’s most enduring masterpieces. Explore AllPaintingsStore.com for exceptional reproductions that honor Albertinelli’s legacy and bring the spirit of Renaissance art into your home.

      Vprašanja in odgovori

      Kdo je ustvaril "Circumcision"?

      "Circumcision" pripisujemo Mariotto Albertinelli.

      Kakšna je dejanska velikost dela "Circumcision" avtorja Mariotto Albertinelli?

      Originalno delo "Circumcision" avtorja Mariotto Albertinelli ima dimenzije 23 x 50 cm.

      Katera barva prevladuje v kompoziciji dela "Circumcision" avtorja Mariotto Albertinelli?

      Prevladujoča barva dela "Circumcision" avtorja Mariotto Albertinelli je Espresso (#3b322c).

      Koliko je bil Mariotto Albertinelli star ob ustvarjanju dela "Circumcision" leta 1503?

      Mariotto Albertinelli je bil/a star/a 29 let, ko je ustvaril/a "Circumcision" leta 1503. Starost je izračunana na podlagi leta rojstva umetnika, 1474.

      V katero obdobje kariere Mariotto Albertinelli pripada delo "Circumcision" (1503)?

      Zaradi datuma "1503" pripada delo "Circumcision" obdobju Renaissance umetnika Mariotto Albertinelli.

      V letu katerega je bilo ustvarjeno delo "Circumcision" avtorja Mariotto Albertinelli?

      Ustvaritev dela "Circumcision" avtorja Mariotto Albertinelli datiramo v 1503.

      V katero umetnostno smernico in v katero dobo je uvrščeno delo "Circumcision" avtorja Mariotto Albertinelli?

      V delu "Circumcision" avtorja Mariotto Albertinelli se gibanje Renaissance srečuje z obdobjem Renaissance.


      Biografija umetnika

      Mariotto Albertinelli: A Florentine Renaissance Painter

      • Born: Florence, Italy (1474)
      • Died: 1515

      Early Life and Training

      Mariotto di Bigio di Bindo Albertinelli was born in Florence as the son of a gold beater. He was an only child, and his mother died when he was just five years old. Initially trained as a gold beater until the age of 12, he then became a pupil of Cosimo Rosselli, sharing studies with Fra Bartolomeo. The close friendship between Albertinelli and Fra Bartolomeo led them to establish a joint studio in Florence by 1494.

      Artistic Development and Influences

      Albertinelli’s style demonstrates the influence of several prominent artists including Perugino, Piero di Cosimo, Lorenzo di Credi, and Flemish painters. His early works, produced independently of Fra Bartolomeo, are stylistically distinct and reveal a sophisticated taste for detail. Piero di Cosimo introduced him to Flemish techniques, enriching his artistic palette. A period of independence followed Fra Bartolomeo’s entry into the Dominican order in 1500, allowing Albertinelli to develop his own voice while still maintaining a connection to his former mentor's style.

      Major Works and Collaborations

      • The Visitation (1503): Housed in the Uffizi Gallery, this is considered Albertinelli’s masterpiece. It depicts the biblical story of Elizabeth visiting Mary, showcasing his skill in composition, narrative depiction, and blending influences from Fra Bartolomeo and Perugino.
      • Altarpiece for the Chapel of Congregazione di San Martino: This altarpiece includes panels depicting the Visitation, Annunciation, Nativity, and Circumcision. It demonstrates Albertinelli's ability to create a cohesive narrative across multiple panels.
      • Kress Tondo: Initially attributed solely to Fra Bartolomeo, it is now believed that Albertinelli used his partner’s cartoon in its creation, highlighting their collaborative relationship.
      • Annunciation (1511): A joint work with Fra Bartolomeo, showcasing a period of stylistic convergence and collaboration.

      Historical Significance and Legacy

      Albertinelli's artistic career reflects the dynamic shifts within Florentine painting during the High Renaissance. His ability to synthesize diverse influences—Perugino’s grace, Flemish detail, and Leonardo’s sfumato technique—created a unique style that contributed to the richness of Florentine art. He trained notable artists such as Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola, and Giuliano Bugiardini, ensuring his influence extended beyond his own works. Despite facing financial difficulties later in life, Albertinelli left behind a body of work that demonstrates his skill and artistic versatility, solidifying his place within the Florentine Renaissance.

      Mariotto Albertinelli

      Mariotto Albertinelli

      1474 - 1515 , Italy

      Ključne informacije

      • Full Name: Mariotto Albertinelli
      • Nationality: Italian
      • Date Of Birth: 1474
      • Date Of Death: 1515
      • Place Of Birth: Florence, Italy
      • Notable Artworks:
        • Visitation (1503)
        • Scenes from Genesis panels
      • Artistic Movement Or Style: Florentine Renaissance
      • Artists Who Influenced This Artist:
        • Perugino
        • Piero di Cosimo
        • Lorenzo di Credi
        • Leonardo da Vinci
        • Fra Bartolomeo
      • Artists Or Movements Influenced By This Artist:
        • Jacopo da Pontormo
        • Giuliano Bugiardini