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StatistikaThree-Sided Vortex
1966
41.0 x 20.0 cm
Chrysler Museum of Art
Preberi več
Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.
Kot spoštljiva in zakonita alternativa ponujamo prilagojena, ročno slikana umetniška dela, navzornena na original. Naši sposobni in profesionalni umetniki skrbno preučijo stil, vzdušje in umetniško bistvo originala, da ustvarijo novo, edinstveno delo, ki vzbudi enak občutek – pri čemer ostaja popolnoma nova, samostojna izvirna stvar.
Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitena umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Ročno izdelana oljna reprodukcija
Ročno slikano olje na platnu v vaši izbiri velikosti in okvirja, izdelano po naročilu naših umetnikov. (
Preklop na tiskanine Preklop na digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Vnesite širino in višino, ki jih potrebujete, da se slika prilega vašemu okviru ali steni. Ker je delo ročno slikano, lahko umetnik pri različnih oblikih slik pri robovih doda malo več barve ali pa jih malo odreže — izberite sami. Pred začetkom slikanja vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ni končni rezultat — le predogled prikazuje dejansko podobo.
Po oddaji naročila bo ekipa AllPaintingsStore.com stranki po e-pošti poslala navodila in predogled digitalnega predogleda.
Mednarodna dostava () v 3/4 tednih namesto običajnih 5 tednov. (25 oktober). Brez kompromisov pri kakovosti.
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Three-Sided Vortex
Tehnika reprodukcije
Velikost reprodukcije
-
Skupna cena
€ 226
Sorodna umetniška dela
Biografija umetnika
Early Life and Artistic Beginnings
- Born: January 2, 1938, in Passaic, New Jersey
- Early years spent in Rutherford and Clifton, New Jersey
- Studied painting and drawing at the Art Students League of New York (1955-1956)
- Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
- Influenced by William Carlos Williams, who was his pediatrician.
The Shift to Minimalism and Conceptual Art
- After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
- Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
- Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
- Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
- Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.
Land Art and Earthworks: Spiral Jetty and Beyond
- Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
- Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
- Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
- Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.
Theoretical Writings and Landscape Perspectives
- Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
- Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
- His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.
Legacy and Historical Significance
- Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
- Considered a pivotal figure in Land Art and Earthworks movements.
- His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
- Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
- The Holt/Smithson Foundation continues to preserve and promote his legacy.
Robert Smithson
1938 - 1973 , United States of America
Ključne informacije
- Artistic Movement Or Style:
- Land Art
- Earthworks
- Minimalism
- Artists Or Movements Influenced By This Artist:
- Land Art movement
- Earthworks movement
- Artists Who Influenced This Artist: ['William Carlos Williams']
- Full Name: Robert Smithson
- Nationality: American
- Notable Artworks:
- Spiral Jetty
- Non-Sites
- Mirror Displacement
- Place Of Birth: Passaic, United States of America
- Date Of Birth: 1938
- Date Of Death: 1973
