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      Atelje · Zakor. 2015 · Pariz, Francija
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      Simon Bening

      Self-portrait

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      As the last major master of the Netherlandish tradition, Flemish miniaturist Simon Bening achieved unparalleled fame through exquisite works like his Self-Portrait and Book of Hours, inviting a closer look at his delicate worlds.
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      Giclée tisk / Umetniški tisk

      Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Naročite ročno slikano reprodukcijo Preklop na digitalno sliko)

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      Standardna velikost
      po meri
      CM
      INCH

      Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.

      širina
      višina

      Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
      Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
      Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.

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      Skupna cena

      € 55

      Self-portrait

      Giclée tisk / Umetniški tisk

      Velikost reprodukcije

      -

      Skupna cena

      € 55

      Written in gold on a red background is an inscription that identifies this miniature as a self-portrait of the famous Bruges illuminator, Simon Bening: "Simon Bennik, the son of Alexander, painted this himself at the age of 75 in 1558."Simon Bening became one of the most famous illuminators of the sixteenth century. He spent his early years in Ghent or Antwerp, probably working under the tutelage of his father, the illuminator Alexander Bening. Simon moved to Bruges permanently in 1517, where over time he headed a large and flourishing workshop. Although Bening was much admired in his day and widely imitated, his artistic personality has yet to be thoroughly studied.This miniature painting has attracted considerable interest in art history as an early self-portrait of an artist. Bening portrays himself, spectacles in hand, seated before a wooden easel. The easel holds a drawing of the Virgin and Child; along its left edge, small ledges hold various painting materials. In representing this imagery Bening allies himself with Saint Luke, the patron saint of painting, who is traditionally shown painting an image of the Virgin - a subject that itself became a conceit for the self-portrait of the artist in the 15th and 16th centuries. Bening portrays himself not in the garb of an artisan, but as a member of the intelligentsia. By inscribing his work with a signature (as the son of Alexander) and a date, he acknowledges his talents and heritage in the distinguished lineage of Bening illuminators in Bruges. The illumination was probably made as an independent work, rather than as part of a book, at a time when autonomous miniatures increasingly came into production. A second version of this miniature is in the Victoria and Albert Museum, London.

      Vprašanja in odgovori

      Kakšna je med barvami dela "Self-portrait" medsebojna skladnost?

      Barve v delu "Self-portrait" avtorja Simon Bening prikazujejo Unified Palette harmonijo. Harmonija opisuje odnos barv med seboj.

      Koliko je bil Simon Bening let, ko je nastalo delo "Self-portrait"?

      Simon Bening je bil/a star/a 75 let, ko je ustvaril/a "Self-portrait" leta 1558. Starost je izračunana na podlagi leta rojstva umetnika, 1483.

      Kdaj je "Self-portrait" pripisano kateremu umetniku?

      Avtor dela "Self-portrait" je Simon Bening. Del je katalogiran pod imenom Simon Bening.

      Kdaj je bilo ustvarjeno "Self-portrait"?

      Ustvaritev dela "Self-portrait" avtorja Simon Bening datiramo v 1558.

      Ali obstajajo dela, podobna delu "Self-portrait"?

      Stran Podobna dela za delo "Self-portrait" avtorja Simon Bening prikazuje sorodna umetniška dela.

      Kakšna je barvna identiteta dela "Self-portrait" avtorja Simon Bening?

      Barvna identiteta dela "Self-portrait" avtorja Simon Bening: paleta Earthy, ki prevladuje z barvo Espresso (#5f4b34).

      Kakšno zasičenost in intenzivnost prikazuje "Self-portrait" avtorja Simon Bening?

      Barvna zasičenost dela "Self-portrait" znaša Subtle Color, njegova intenzivnost pa je Balanced.

      Sorodna umetniška dela

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      Jan Vermeer Van Delft Woman Holding a Balance
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      Jan Vermeer Van Delft Woman With A Balance
      Ženska S Tehtnico — Jan Vermeer Van Delft, Dutch Golden Age
      Jan Vermeer Van Delft Ženska s tehtnico
      Woman Holding A Balance Ngw — Jan Vermeer Van Delft, Dutch Golden Age
      Jan Vermeer Van Delft Woman holding a balance ngw
      Woman Holding A Balance Detalj 5 Ngw — Jan Vermeer Van Delft, Northern Renaissance
      Jan Vermeer Van Delft Woman holding a balance detalj 5 ngw
      Woman Holding A Balance Detalj 4 Ngw — Jan Vermeer Van Delft, Dutch Golden Age
      Jan Vermeer Van Delft Woman holding a balance detalj 4 ngw
      Self-portrait — Simon Bening, Northern Renaissance
      Simon Bening Self-Portrait
      Portrait Of A Man With His Hand On His Chest — Corneille De Lyon, Early Renaissance
      Corneille De Lyon Portrait of a Man with His Hand on His Chest
      Feather Equilibrium (interatomic Balance Of A Swan's Feather), 1947 — Salvador Dalí, Surrealist Movement
      Salvador Dalí Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
      Portrait Of A Woman With A Balance — Thomas De Keyser, Dutch Golden Age Portraiture
      Thomas De Keyser Portrait of a Woman with a Balance
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