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Slike avtorja Cornelia Scheffer: Top 4 najbolj znanih, uvrščeno
Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 4 del v našem katalogu avtorja Cornelia Scheffer
Hitri odgovor
Najbolj znano sliko avtorja Cornelia Scheffer je Self-portrait (1795); original se nahaja v muzeju Dordrechts Museum, Dordrecht. Woman with Two Children on a Country Road (1811) in The Women of Souli (1833) sta številki dve in tri. Od 4 del umetnika Cornelia Scheffer v našem katalogu so to 4 najbolj znanih, razvrščenih po letu nastanka in muzeju, da lahko izberete sliko za naročilo.
1769 – 1839, Dordrecht
Največ del: Dordrechts Museum
Top 10 slik umetnika Cornelia Scheffer, po uvrstitvi
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Ročno slikana oljna reprodukcija od $195 29 × 34 cm
Velikost kot pri originalu $295 60 × 73 cm Naročite v originalni velikosti →
Naročite to sliko
Podrobnosti slike
3
Ročno slikana oljna reprodukcija od $445 37 × 27 cm
Velikost kot pri originalu $728 112 × 95 cm Naročite v originalni velikosti →
Naročite to sliko
Podrobnosti slike
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Muzeji, ki hranijo originala umetnika Cornelia Scheffer
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Cornelia Scheffer | Slike iz tega seznama |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer po desetletjih: najboljša slika vsakega
Delo po desetletjih
Izberite desetletje, da vidite njegovo najboljši naslik.
Slike avtorja Cornelia Scheffer: pogosta vprašanja
Katero je najbolj znano sliko avtorja Cornelia Scheffer?Prikaži odgovor
Self-portrait (1795), Dordrechts Museum, Dordrecht, zaseda prvo mesto, sledijo ji Woman with Two Children on a Country Road (1811) in The Women of Souli (1833).
Koliko je bil Cornelia Scheffer let, ko je bilo naslikano delo Self-portrait?Prikaži odgovor
Cornelia Scheffer je bil/a 26 let: Self-portrait je datiran/a z letom 1795, Cornelia Scheffer pa se je rodil/a v 1769.
Koliko del umetnika Cornelia Scheffer je na seznamu?Prikaži odgovor
V našem katalogu je 4 del umetnika Cornelia Scheffer, datiranih od 1795 do 1833.
Kje so shranjena originalna dela umetnika Cornelia Scheffer?Prikaži odgovor
Predvsem v Dordrechts Museum (Dordrecht). Za celoten seznam si oglej tabelo muzejev zgoraj.
Katera so najstarejša in najmlajša znana slika avtorja Cornelia Scheffer?Prikaži odgovor
Najstarejšo delo na tej strani: Self-portrait (1795). Najboljše: The Women of Souli (1833).
Kateri originali umetnika Cornelia Scheffer so v muzeju Dordrechts Museum?Prikaži odgovor
V muzeju Dordrechts Museum, Dordrecht se nahaja 4 slik iz tega seznama, vključno s slikami Self-portrait, Woman with Two Children on a Country Road in The Women of Souli.
Ali lahko naročim reprodukcijo Cornelia Scheffer?Prikaži odgovor
Da. Vsako sliko na tej strani je mogoče naročiti kot ročno naslikano oljno reprodukcijo ali tiskano kopijo. Odprite sliko, izberite velikost in oddajte naročilo.
O umetniku: Cornelia Scheffer
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.