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      The Spring

      • Dimenzije20.0 x 29.0 cm

      Swiss painter Barthélemy Menn (1815-1893) pioneered plein-air & intimate landscapes, influenced by Ingres & Corot. Discover his serene scenes & legacy!

      Giclee štampa / Umetnički otisak

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      Ukupna cena

      дин 6613

      The Spring

      Giclee štampa / Umetnički otisak

      Dimenzije reprodukcije

      -

      Ukupna cena

      дин 6613


      Biografija umetnika

      Early Life and Education

      • Born: Geneva, Switzerland (1815)
      • Died: 1893
      • Parents: Louis John Menn (confectioner) and Charlotte-Madeleine-Marguerite Bodmer.
      • Early artistic training began at age twelve with Jean Duboi.
      • Studied at the Geneva Arts Society drawing school.
      • In 1833, entered the studio of Ingres in Paris, receiving formal academic training.
      • During his time in Paris, he copied works by Raphael, Titian, Veronese and Rubens.
      • Spent time studying classical antiquities from Pompeii.

      Artistic Development and Influences

      • Early Travels: Visited Milan, Venice, Padua, Bologna, Florence, and Rome (1834-1838).
      • Influence of Corot & Barbizon School: Became friends with Camille Corot and was influenced by the Barbizon school painters.
      • Introduction to Plein Air Painting: Began practicing plein air painting during his time in Italy, a significant departure from traditional studio practices.
      • Paysage Intime: Developed a style known as "paysage intime" (intimate landscape), characterized by simple, understated scenes of rural life.
      • Destruction of Early Works: Between 1880 and 1890, Menn destroyed many of his earlier works, seeking to refine his artistic vision.

      Major Themes and Style

      • Focus on Nature: Menn's work primarily depicted landscapes, often featuring scenes from the Swiss countryside.
      • Quiet Observation: His paintings emphasized quiet observation and a sense of tranquility.
      • Rejection of Grandiloquence: Avoided dramatic or theatrical compositions, preferring understated realism.
      • Influence of Classical Masters: Continued to study and copy works by classical masters like Raphael, demonstrating his respect for artistic tradition.
      • Emphasis on Authenticity: Art historian Fritz Schmalenbach described Menn's style as characterized by authenticity and a disregard for superficial appearances.

      Teaching Career and Legacy

      • Professor at Geneva Art School (1850-1893): Held the position of director for 42 years, training two generations of Swiss painters.
      • Notable Students: Among his most famous students were Eugène Burnand, Pierre Pignolat, Édouard Vallet and Ferdinand Hodler.
      • Hodler's Influence: Hodler credited Menn as a pivotal influence in his artistic development, stating he "owed everything" to him.
      • Emphasis on Individual Development: As an instructor, Menn encouraged students to develop their own unique artistic voices.
      • Historical Significance: Recognized for introducing plein air painting and the paysage intime into Swiss art, paving the way for later generations of landscape painters.

      Key Works

      • Cherries: A Group of Young Women in a Landscape, One of Them Holding a Basket of Cherries (1855)
      • Catching Frogs
      • Children Playing with a Lamb (1850)
      • The Spring
      • Farm at Coinsins, Switzerland (1865)
      Barthélemy Menn

      Barthélemy Menn

      1815 - 1893 , Switzerland

      Osnovne informacije

      • Full Name: Barthélemy Menn
      • Nationality: Swiss
      • Date Of Birth: 1815
      • Date Of Death: 1893
      • Place Of Birth: Geneva, Switzerland
      • Notable Artworks:
        • Cherries A Group of Young Women
        • Catching Frogs
        • Farm at Coinsins, Switzerland
      • Artistic Movement Or Style: Plein-air painting, Paysage intime
      • Artists Who Influenced This Artist:
        • Ingres
        • Corot
        • Raphael
        • Titian
      • Artists Or Movements Influenced By This Artist: ['Ferdinand Hodler']