Blue Blanket
1990
134.0 x 168.0 cm
Metropolitan Museum of Art
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade.
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (28 јул)
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Kompletno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Garancija povrata novca od 100%
Popust pri grupnoj kupovini
Blue Blanket
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
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Konačna cena
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Srodna umetnička dela
Biografija umetnika
A Life Observed: The Photorealistic World of Catherine Murphy
Catherine Murphy, born in Cambridge, Massachusetts in 1946, emerged as a significant voice in American painting during a period marked by conceptual shifts and the rise of postmodernism. Yet, her path diverged from many of her contemporaries; instead of embracing abstraction or overt political commentary, Murphy turned inward, meticulously documenting the quiet poetry of everyday life. Her canvases aren’t grand statements but intimate observations—still lifes of commonplace objects bathed in subtle light, interiors that feel both familiar and strangely distant, portraits of scenes imbued with a haunting stillness. This dedication to realism wasn't merely technical prowess; it was a philosophical stance, a belief in the power of attentive looking as a form of understanding and connection. Murphy’s early artistic development benefited from foundational studies at the Pratt Institute in Brooklyn, graduating in 1967, followed by time spent at the Art Students League of New York. However, her true education came not just from formal instruction but from a deep engagement with the world around her. The artist herself recounts a childhood encounter—her mother bringing home salvaged paintings—as an early spark, igniting a fascination with image-making and its ability to transform the mundane. This formative experience hints at a core tenet of Murphy’s work: finding beauty and significance in overlooked corners of existence. She further honed her skills at the Skowhegan School of Painting and Sculpture, immersing herself in a community of artists and exploring diverse approaches to visual representation.- Early Recognition & The Whitney: A pivotal moment arrived in 1971 with Murphy’s inclusion in the Annual Exhibition of Painting and Sculpture at the Whitney Museum of American Art. This early recognition signaled a burgeoning talent, one that resonated with critics seeking alternatives to prevailing artistic trends.
- A Quiet Revolution: While Pop Art celebrated mass culture and Minimalism stripped art down to its essentials, Murphy quietly pursued a different path—a hyperrealistic rendering of the world that demanded patience, precision, and an almost scientific attention to detail. Her paintings weren’t about spectacle; they were about seeing.
- Influences & Affiliations: Though not explicitly aligned with any single movement, Murphy's work shares affinities with artists like Edward Hopper in its exploration of American interiors and a sense of melancholic isolation. The influence of photography is also palpable, though she consistently emphasizes that her paintings are *not* reproductions of photographs but rather translations—mediated through the subjective lens of observation.
catherine murphy
1946 - , United States of America
Osnovne informacije
- Artistic Movement Or Style: Photorealism
- Date Of Birth: 1946
- Full Name: Catherine Murphy
- Nationality: American
- Place Of Birth: New York City, USA

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm