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Katalog ulazak

Work 171

1948. Painting, 99.0 x 119.0 cm. Muzej moderne umetnosti u Buenos Ajesu.

Sl. 1. Elbio Raúl Lozza, Work 171, 1948. Prikazano kao reprodukcija koju ste odabrali: , .

§ 1Katalog podaci

Dimenzije
99.0 x 119.0 cm

§ 2Apstraktno

Opis predmeta

Vibrant geometric triangles dance across a green field in this 1948 concrete art masterpiece by Elbio Raúl Lozza, offering a bold glimpse into Argentine abstraction that you can bring to your private collection.

Biografija umetnika

A pioneer of Argentine Concrete Art, Elbio Raúl Lozza revolutionized geometric abstraction through works like Invention no. 150 and the Perceptivist movement, inviting you to discover a world of pure structural truth.

§ 3Komentar

A Symphony of Geometry: Discovering Elbio Raúl Lozza’s Work 171

In the vast landscape of mid-century abstraction, few works capture the rhythmic precision and vibrant energy of Argentine Concrete Art quite like Work 171. Created in 1948 by the visionary Elbio Raúl Lozza, this masterpiece serves as a window into a period of profound geometric experimentation. The canvas is an orchestrated dance of color and form, where a deep, verdant green background provides a lush stage for a constellation of sharp, intersecting triangles. Each shape—rendered in striking hues of crimson, azure, sun-drenched yellow, and royal purple—seems to vibrate against its neighbor, creating a sense of perpetual motion that draws the viewer into a hypnotic, optical experience.

The technique employed by Lozza in this piece reflects his mastery over the principles of Madí and Concrete art movements. Rather than relying on representational imagery, the artist utilizes the inherent tension between geometric shapes to build a structural narrative. The way the triangles overlap and orient themselves suggests a complex architectural blueprint, yet it remains fluid and organic. This interplay of sharp angles and bold pigments creates an illusion of depth, making the flat surface of the wood-based medium feel as though it possesses its own internal dimension. For the discerning collector, this work represents a pinnacle of mathematical beauty married to painterly intuition.

Beyond its formal qualities, Work 171 carries a significant historical weight. Emerging from the intellectual ferment of post-war Argentina, Lozza’s work was part of a larger movement seeking to strip art of its decorative illusions and return it to its fundamental, structural truths. The painting does not merely depict shapes; it celebrates the autonomy of color and line. There is an inherent optimism in this 1948 composition—a belief that through order, clarity, and balance, one can find a universal language that transcends borders and eras.

For interior designers and lovers of modernism, this artwork offers unparalleled versatility and emotional resonance. Its commanding presence, measuring 99 x 119 cm, makes it an ideal focal point for a sophisticated contemporary space. Whether placed in a minimalist gallery setting or used to add a burst of structured color to a curated residential collection, the piece evokes a sense of intellectual rigor and aesthetic joy. Owning a high-quality reproduction of this Lozza masterpiece allows one to bring the legacy of Argentine abstraction into the modern home, providing a timeless conversation piece that inspires contemplation and admiration.

Pitanja i odgovori

Da li se „Work 171”, autor Elbio Raúl Lozza čuva u matičnoj zemlji umetnika?

Da – umetničko delo se čuva u matičnoj zemlji umetnika. Delo „Work 171“ se čuva u državi Argentina, dok je Elbio Raúl Lozza rođen/a u državi Argentina.

Gde mogu da kupim print dela „Work 171”, autor Elbio Raúl Lozza?

„Work 171“ je dostupno kao umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru. Porudžbine možete izvršiti na stranici Umetnički print, u dimenziji po vašem izboru.

Sa kojim osećanjem je povezano "Work 171"?

Emocionalni ton zabeležen za „Work 171”, autor Elbio Raúl Lozza je Energetic, što sažima osećaj koji ovo delo izražava.

§ 4Umetnik

Elbio Raúl Lozza

Elbio Raúl Lozza

1911 - 2008, Argentina

Kratke činjenice o umetniku Elbio Raúl Lozza

  • Artistic Movement Or Style: Concrete Art, Perceptivism
  • Artists Or Movements Influenced By This Artist:
    • Neo-Concretism
    • Conceptual art
  • Artists Who Influenced This Artist:
    • Piet Mondrian
    • Theo van Doesburg
    • Max Bill
  • Full Name: Elbio Raúl Lozza
  • Nationality: Argentine
  • Notable Artworks:
    • Work 171
    • Invention no. 150
  • Place Of Birth: Albertí, Argentina
  • Date Of Birth: 1911
  • Date Of Death: 2008

Biografija umetnika

The Architect of Abstraction

Elbio Raúl Lozza stands as a monumental figure in the landscape of mid-century abstraction, a visionary whose life and work were inextricably linked to the evolution of Argentine Concrete Art. Born in Alberti, Argentina, Lozza’s journey was one of profound resilience and intellectual rigor. His early years were marked by significant personal hardship, yet these challenges seemed to forge the disciplined spirit required for his later contributions to art theory and practice. As a painter, draughtsman, designer, journalist, and theorist, he did not merely create images; he constructed new visual languages that sought to strip art of all decorative illusions, returning it to its fundamental, structural truths.

His artistic identity was deeply rooted in the pursuit of an autonomous aesthetic. Lozza became a pivotal member of the Asociación Arte Concreto-Invención, joining in 1945, and later founded the Perceptivist group. His work was heavily influenced by the radical principles of European masters such as Piet Mondrian, Theo van Doesburg, and Max Bill. Following the tenets of Art Concret, Lozza championed a style composed purely of plastic elements—lines, planes, surfaces, and colors—devoid of any reference to nature, symbolism, or the unconscious. This commitment to mathematical beauty and geometric precision allowed him to explore the inherent tension between shapes, creating works that felt both structurally sound and vibrantly alive.

A Symphony of Geometry and Form

The essence of Lozza’s mastery lies in his ability to orchestrate a dance of color and form that transcends the flat surface of the canvas. In his celebrated compositions, such as Work 171, one finds a rhythmic precision where sharp, intersecting triangles and geometric shapes create an illusion of depth and perpetual motion. He utilized a palette of striking hues—crimson, azure, sun-drenched yellow, and royal purple—often set against deep, verdant backgrounds to produce a hypnotic, optical experience. His technique reflected a profound understanding of the Madí and Concrete art movements, where the interplay of angles and bold pigments suggests an architectural blueprint that remains fluid and organic.

Beyond the visual impact, Lozza’s work carries immense historical weight. Emerging from the intellectual ferment of post-war Argentina, his practice was part of a larger movement seeking to establish a universal language through order, clarity, and balance. His contributions were not limited to the brush; as a theorist, he helped define the very boundaries of what modern art could achieve in South America. This dedication to the structural truth of art earned him significant recognition, including the prestigious Platinum Konex Award in Visual Arts from Argentina.

The legacy of Elbio Raúl Lozza continues to resonate through the halls of major institutions, such as the Museum of Modern Art (MoMA), where his "Inventions" serve as vital links between Concretism, Neo-Concretism, and Conceptual art. His life’s work remains a testament to the power of geometric experimentation and the enduring strength of the abstract spirit.

§ 5Srodna dela

§ 6Pitanja

Osnovne informacije

  • Location: Buenos Aires Museum of Modern Art
  • Title: Work 171
  • Medium: Paint on wood
  • Subject or theme: Geometric composition
  • Year: 1948

§ 7Citiraj ovaj unos

AllPaintingsStore.com, “Elbio Raúl Lozza, Work 171 (1948)”, https://allpaintingsstore.com/sr/art/elbio-raul-lozza-work-171-D685H7-en/ArtistReproduction/ (prizren 10 октобар 2026).

§ 8Reprodukcija

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

To je navedeno u margini narudžbenice; trenutno stanje tog dokumenta glasi kao sledi.

Work 171

Tehnika reprodukcije

Dimenzije reprodukcije

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Vrhunski maestri umetnosti

Više detalja, prefinjenosti i dodatnog vremena za izradu

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Okvir za reprodukciju

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Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod namenjen samostalnoj izradi.
Set mora sastaviti i platno zategnuti iskusni profesionalni ramitelj, koristeći drveni lepak (nije uključen u set), hvataljku za zatezanje platna i stege kako bi se održao prav ugao okvira dok se lepak suši. Nepravilno sklapanje ili neravnomerno zategnuto platno mogu trajno oštetiti umetničko delo, što nije pokriveno našom garancijom.

  • Sve šipke od masivnog drveta su uključene, precizno isečene po veličini.

  • Montira se pomoću priloženih šrafova, uz dodatno korišćenje lepka za drvo za spojeve u uglovima, koji nije uključen u set i koji vaš čuvar okvira mora obezbediti.

  • Potreban je profesionalni alat koji nije uključen u set: klešta za zatezanje platna (zatezač) i stege za održavanje pravih uglova letvica tokom sušenja lepka.

Važno:
Za spojeve u uglovima neophodan je lepak za drvo, šipke se moraju pričvrstiti stezgama dok lepak potpuno ne osuši, a za zatezanje platna na sklopljenom ramu potrebne su hvataljke za zatezanje platna. Nijedan od ovih alata nije uključen u komplet. Pre naručivanja ove veličine, molimo Vas da unapred obezbedite iskusnog profesionalca za ramačenje.

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